IMDb RATING
6.8/10
3.1K
YOUR RATING
After a scandal runs a gold-digger out of town, she meets a con artist and becomes embroiled in a string of petty deceits.After a scandal runs a gold-digger out of town, she meets a con artist and becomes embroiled in a string of petty deceits.After a scandal runs a gold-digger out of town, she meets a con artist and becomes embroiled in a string of petty deceits.
Jackie Searl
- Boy
- (as Jack Searl)
Russell Hall
- Candy
- (as 'Candy')
Otto Heimel
- Coco
- (as 'Coco')
Mark Anthony
- Townsman
- (uncredited)
John Barton
- Townsman
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaW.C. Fields walked off the set over what director Edward F. Cline felt was a minor disagreement, but when it was clear after two weeks that he was not coming back to finish the film, nearly one-third was shot using a double. The double used is unknown. It could have been John Sinclair, who had doubled for him in Poppy (1936), or David Sharpe, who was his stunt double in later films. The double wore a plastic mask and most of the shots were long shots.
- GoofsWhen the train stops to pick up the Fields character, it consists of the locomotive only. The carriages then reappear in the next scene.
- Quotes
Cuthbert J. Twillie: During one of my treks through Afghanistan, we lost our corkscrew. Compelled to live on food and water...
Gambler: Will you play cards!
Cuthbert J. Twillie: ...for several days.
- Crazy creditsThe title, 'The End', is superimposed over Mae West's gluteus maximus as she walks away from the camera.
- ConnectionsEdited into Frankenstein Meets the Wolf Man (1943)
Featured review
Mae West was certainly not your classic beauty, but sauntering into Hollywood at the age of 40 (!) she was somehow very attractive, if more in a "just can't take your eyes off" sort of way than one of genuine good looks. She had a saucy charisma and brash feminine confidence that made her age and weight oddly desirable, and within the start of her film career a bonafide symbol. But by the time of "My Little Chickadee," at 48, it seems her age has finally caught up to her, and she is reduced to making cheap imitations of herself. The magic and allure is all gone, and though she makes a brave attempt at salvaging a last piece of that brazen hell of films like "She Done Him Wrong" and "I'm No Angel," her success is poor. What's more her self-confidence has seemed to become a self-centerdness, and she no longer seems to be acting, but standing alone quoting herself. She no longer really reacts to anyone, but is completely self-contained, as if she was the only actor in the whole picture.
But old age, weight, and wrinkles, the things that most dragged down West, only add to the charm of Fields, who turns in a delightful and suitable performance. For Fields, "My Little Chickadee" only helps to better define his screen presence, and at times he would be very funny. I say "would be." Perhaps it is the admirable struggle and fail of a star who could have nearly retired by the time she was just starting out, but the film has an air of sadness that... well, just isn't funny.
But old age, weight, and wrinkles, the things that most dragged down West, only add to the charm of Fields, who turns in a delightful and suitable performance. For Fields, "My Little Chickadee" only helps to better define his screen presence, and at times he would be very funny. I say "would be." Perhaps it is the admirable struggle and fail of a star who could have nearly retired by the time she was just starting out, but the film has an air of sadness that... well, just isn't funny.
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Details
- Release date
- Country of origin
- Language
- Also known as
- The Lady and the Bandit
- Filming locations
- Railtown 1897 State Historic Park - Jamestown, California, USA(exterior: train scene)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 23 minutes
- Color
- Aspect ratio
- 1.37 : 1
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