A servant in the house of Wuthering Heights tells a traveler the unfortunate tale of lovers Cathy and Heathcliff.A servant in the house of Wuthering Heights tells a traveler the unfortunate tale of lovers Cathy and Heathcliff.A servant in the house of Wuthering Heights tells a traveler the unfortunate tale of lovers Cathy and Heathcliff.
- Won 1 Oscar
- 7 wins & 7 nominations total
Sarita Wooton
- Cathy (as a child)
- (as Sarita Wooten)
Frank Benson
- Heathcliff Servant
- (uncredited)
Romaine Callender
- Robert
- (uncredited)
Richard Clucas
- Little Boy
- (uncredited)
Vernon Downing
- Giles
- (uncredited)
Storyline
Did you know
- TriviaLaurence Olivier found himself becoming increasingly annoyed with director William Wyler's exhausting style of filmmaking. After yet another take, he is said to have exclaimed, "For God's sake, I did it sitting down. I did it with a smile. I did it with a smirk. I did it scratching my ear. I did it with my back to the camera. How do you want me to do it?" Wyler's retort was, "I want it better." However, Olivier later said these multiple takes helped him learn to succeed as a movie actor.
- GoofsThough the social situations, and even the soundtrack, are consistent with the novel's timeframe of 1770-1801, the Colonial/Napoleonic era, the costumes are an odd mix of mid-Victorian and American Civil War.
- Quotes
Heathcliff: Catherine Earnshaw, may you not rest so long as I live on! I killed you. Haunt me, then! Haunt your murderer! I know that ghosts have wandered on the Earth. Be with me always. Take any form, drive me mad, only do not leave me in this dark alone where I cannot find you. I cannot live without my life! I cannot die without my soul.
- Crazy creditsOpening credits prologue: On the barren Yorkshire moors in England, a hundred years ago, stood a house as bleak and desolate as the wastes around it. Only a stranger lost in a storm would have dared to knock at the door of Wuthering Heights.
- Alternate versionsThere is an Italian edition of this film on DVD, distributed by DNA Srl: "CIME TEMPESTOSE (1939) + ORGOGLIO E PREGIUDIZIO (1940)" (2 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- SoundtracksPiano Sonata in A major, K.331: Rondo alla Turca
(1778) (uncredited)
Music by Wolfgang Amadeus Mozart
Played by Alice Ehlers on harpsichord
Featured review
I saw this film many years before I read the book, I know which I prefer - OK, maybe with rose-tinted spectacles on. The book by Emily Bronte is an undeniable classic as is this film version but imho this is a much better use of one hundred and five minutes of life. And though they keep trying, this will remain the best condensation of the story, Wuthering Lites c/o the original Fantasy Factory.
Waif brought into well off Yorkshire home, grows up to fall in violent love with the masters daughter and violent hate with the son, and eventually owns the estate but not the woman. Laurence Olivier and Merle Oberon are perfect as the manic birds of a feather Heathcliff and Cathy with David Niven as the elegant sidelined husband. Everyone is portrayed as faulty or unlikeable in some way, romance is seen as hopeless childishness leading at best to passionate petulance, at worst to death; love is as strange as people. It's relentlessly beautiful stuff, gloriously photographed by Gregg Toland with a glowing atmosphere and a most assured production than has not been possible to achieve again. The spirit of nonsensical romance has been lost in this more cynical age. Favourite bits: Miles Mander's melodramatics at the beginning resulting in Flora Robson's picture-long flashback; the windswept pair on the rocks; the pair gatecrashing the dance; Oberon's unravelling to Niven and the tear-jerking finale. Director William Wyler had a long and illustrious career, but to my mind he never bettered this effort.
Watch it and weep; not only at the film's content but for a cinematic era long dead and never coming back.
Waif brought into well off Yorkshire home, grows up to fall in violent love with the masters daughter and violent hate with the son, and eventually owns the estate but not the woman. Laurence Olivier and Merle Oberon are perfect as the manic birds of a feather Heathcliff and Cathy with David Niven as the elegant sidelined husband. Everyone is portrayed as faulty or unlikeable in some way, romance is seen as hopeless childishness leading at best to passionate petulance, at worst to death; love is as strange as people. It's relentlessly beautiful stuff, gloriously photographed by Gregg Toland with a glowing atmosphere and a most assured production than has not been possible to achieve again. The spirit of nonsensical romance has been lost in this more cynical age. Favourite bits: Miles Mander's melodramatics at the beginning resulting in Flora Robson's picture-long flashback; the windswept pair on the rocks; the pair gatecrashing the dance; Oberon's unravelling to Niven and the tear-jerking finale. Director William Wyler had a long and illustrious career, but to my mind he never bettered this effort.
Watch it and weep; not only at the film's content but for a cinematic era long dead and never coming back.
- Spondonman
- May 16, 2014
- Permalink
Details
Box office
- Gross US & Canada
- $624,643
- Opening weekend US & Canada
- $15,493
- Apr 9, 1989
- Gross worldwide
- $624,643
- Runtime1 hour 44 minutes
- Color
- Aspect ratio
- 1.37 : 1
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