New York store clerk (Ford) joins a hobo (Conte) and an illegal immigrant (Rogers) heading for his newly bought land in Arizona.New York store clerk (Ford) joins a hobo (Conte) and an illegal immigrant (Rogers) heading for his newly bought land in Arizona.New York store clerk (Ford) joins a hobo (Conte) and an illegal immigrant (Rogers) heading for his newly bought land in Arizona.
Richard Conte
- Tony Casselli
- (as Nicholas Conte)
Paul E. Burns
- Railroad Dispatcher
- (uncredited)
Alex Chivra
- Undetermined Secondary Role
- (uncredited)
Nick Copeland
- Brakeman
- (uncredited)
Nigel De Brulier
- Russian Priest
- (uncredited)
Edward Gargan
- Truck Driver
- (uncredited)
Otto Hoffman
- Station Agent
- (uncredited)
Paul Hurst
- Empire State Building Guard
- (uncredited)
Fred Kelsey
- Pete - Railroad Detective
- (uncredited)
Storyline
Did you know
- TriviaFeature debut of Glenn Ford, whose debut had been two years earlier in the short subject Night in Manhattan (1937).
- Quotes
Anita Santos: Maybe we go together.
Joe Riley: Oh no - oh no we don't.
Anita Santos: Why not?
Joe Riley: Think I wanna get in trouble?
Anita Santos: But I am no trouble.
Joe Riley: All dames are trouble and I'm not gettin' into any jams - so long.
- SoundtracksForty-Second Street
(1932) (uncredited)
Music by Harry Warren
Variations in the score during the empire state building scene
Featured review
Glenn Ford, a New York boy who has been saving his cash, thumbs and hobos his way to the Arizona ranch he has bought, where he hopes to find HEAVEN WITH A BARBED WIRE FENCE.
A film with a Dalton Trumbo script and story, directed by villain extraordinaire Ricardo Cortez, and starring the frequently twitchy Glenn Ford and the restless Richard Conte just shouldn't be so bloody nice. Though the system -- mostly seen as mean cops and railroad bulls and real estate con men -- is as awful as one might expect from the leftish Mr. Trumbo, every single proletarian is just so sweet and nice and salt of the earth that one feels nausea. It doesn't help that the heroine -- a sweet blonde thing who is an illegal alien refugee fleeing Franco's Spain -- is annoying for reasons of both scripting and acting.
So why watch? Richard Conte, in his first role, already has his persona and a pretty good part. And there are some moments of 30s leftist camp that are pretty astonishing. (Did Dalton absolutely have to set a major portion of the movie in the Russian Worker's mission? All that was missing was a portrait of a beaming Joe Stalin!) Also, this is Glenn Ford's first substantive role (though his performance isn't good).
Why not watch? Essentially, the movie offers an unconvincing vision, is wedded to a political viewpoint that is risible, and the two leads have made much better movies. Also, the strengths of Dalton Trumbo as a screenwriter are nowhere in evidence. Instead, we get a film that the Coen Brothers Barton Fink could have written in a flash (and avoided that hellish bout with writer's block).
A film with a Dalton Trumbo script and story, directed by villain extraordinaire Ricardo Cortez, and starring the frequently twitchy Glenn Ford and the restless Richard Conte just shouldn't be so bloody nice. Though the system -- mostly seen as mean cops and railroad bulls and real estate con men -- is as awful as one might expect from the leftish Mr. Trumbo, every single proletarian is just so sweet and nice and salt of the earth that one feels nausea. It doesn't help that the heroine -- a sweet blonde thing who is an illegal alien refugee fleeing Franco's Spain -- is annoying for reasons of both scripting and acting.
So why watch? Richard Conte, in his first role, already has his persona and a pretty good part. And there are some moments of 30s leftist camp that are pretty astonishing. (Did Dalton absolutely have to set a major portion of the movie in the Russian Worker's mission? All that was missing was a portrait of a beaming Joe Stalin!) Also, this is Glenn Ford's first substantive role (though his performance isn't good).
Why not watch? Essentially, the movie offers an unconvincing vision, is wedded to a political viewpoint that is risible, and the two leads have made much better movies. Also, the strengths of Dalton Trumbo as a screenwriter are nowhere in evidence. Instead, we get a film that the Coen Brothers Barton Fink could have written in a flash (and avoided that hellish bout with writer's block).
- alonzoiii-1
- Jun 24, 2007
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Nebo s zaborom kolyuchey provoloki
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 2 minutes
- Color
- Aspect ratio
- 1.37 : 1
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Top Gap
By what name was Heaven with a Barbed Wire Fence (1939) officially released in India in English?
Answer