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We could even say sixteen going on twenty-six, but the ever gorgeous Linda Darnell, does look achingly sweet and innocent in minor 20th Century Fox comedy Day-Time Wife. Nevertheless she convincingly plays the sophisticated wife of well-off businessman Tyrone Power, married long enough for the cad to be already fooling around with his no-class floozy of a secretary (Wendy Barrie). Only the second picture for the teenage actress, young Linda gives a remarkable performance, especially since she has to more or less carry the movie, being on screen in practically every scene. She holds her own with great poise and verve in the presence of veteran actresses Barrie, Binnie Barns, Joan Davis, and Joan Valerie. Nor does she seem the least bit overawed by the formidable screen presences of dashing leading man Power and old smoothie Warren William. William, always fun to watch, has a field day as a lecherous architect whose secretary Linda becomes in hope of learning what makes men so attracted to their curvaceous dictation takers. But once you have seen Day-Time Wife, you will not be likely to remember any of the cast better than pretty, perky Miss Darnell.

This picture is not a screwball comedy, as some others have labeled it. Just isn't screwy enough, and lacks most of the typical elements of that type. See my review of Go West, Young Man (1936) for a definition of screwball comedy. Day Time-Wife is a species of a genre known as bedroom farce. Hopefully this term will not lead crude types out there to expect naked men and women chasing each other around beds. Bedroom farce is simply the Hollywood trade name for a comedy which involves married people having problems staying married. Day-Time Wife also falls into a category known in the trade as "white telephone movies". Back in those days only the most affluent had a telephones any color or style other than utilitarian black. Thus a white telephone movie is about rich guys and rich dolls hanging out in their plush apartments or palatial mansions, going out to swanky night clubs, sailing on their swell yachts, and gabbing on their white telephones.

Day-Time Wife is ably directed by Gregory Ratoff, who also directed Miss Darnell in her first picture Hotel For Women (1939), with the glossy black and white cinematography, plush sets, and swank costumes for which 20th Century Fox was famous during the halcyon days of the big studios. Editing is silky smooth, as in any big studio picture form this era. The story offers little in the way of originality, but no matter, there hasn't been a new story since 33 A. D. The script by Art Arthur and Robert Harari is reasonably subtle and intelligent for one of this genre, the dialog crisp, engaging, and witty. Day-Time Wife is an amusing little comedy, very funny, especially in the climatic segment. It is a pleasure to watch if only for the knockout production values and the charming cast, led by the very young, very beautiful and very talented Miss Linda Darnell.

A load of slick, smooth entertainment from Old Hollywood's Golden Era packed into an hour and twelve minutes.

When Linda Darnell was a teenager, she had a picture of Tyrone Power in her bedroom. Little did she know that she'd play his wife in only her second film when she was the ripe old age of sixteen, and wind up acting alongside him in four more movies! Isn't that an adorable story, and doesn't it make you want to rent the cute marital comedy Day-Time Wife? If it does, you'll be in for a treat.

Linda wasn't remembered for playing anyone sweet, but after watching this romantic comedy, I wonder why. She's totally adorable! She and Ty make a very sweet newlywed couple, and after worshipping him the year before, I'm sure she was thrilled by all the smooches they got to share. The plot of the movie sounds pretty silly, but the screenplay is cute enough to make it entertaining. Linda suspects Ty is cheating on her with his secretary, so to understand the appeal, she works as a secretary to one of his business associates, Warren William. Warren oozes suave experience, so you can tell it's only a matter of time before he hits on Linda. Sure enough, it only takes him a week before taking her out to lunch and giving her a silver fox cape. "Your mouth is very pretty when you say 'no.' Have you heard that before?" he says, in a smart and clever come-on.

While Linda juggles her secret job during the day and trying to get proof of Ty's affair during the evening, the audience waits for the inevitable: a confrontation. When it finally happens, it's hilarious. Don't even think about pressing pause for a bathroom break. Linda, Ty, and Warren spar so beautifully off each other, you almost hope nothing gets resolved so they can continue. However, this is a romantic comedy, so you can make a safe bet that the ending doesn't leave too much up in the air. And in case you have any doubt as to the meaning of the title, you'll have to wait until the last line is spoken for an explanation. But it's fun while you're waiting!

Just 7 reviews on this one by the time I'm writing this, with a couple of them being very very negative.

Bla, bla, bla... 1939 was the best year in Hollywood history (since when? who said that?) ... bla, bla, bla...Tyrone Power is terrible... bla, bla, bla... they should have casted Cary Grant.

NONSENSE. The script is fairly good (as long as someone has seen a couple of 1930's films more than just "Holiday" and "Bringing Up Baby") and Tyrone Power is quite descent and very funny.

Furthermore, someone who has watched just a few of the dozens of romantic - screwball comedies of that era, would have known that there were MANY other male leads besides Cary Grant, actors who gave as wonderful performances as C.G. gave in some of his films. They would also know that even though Cary Grant was magnificent, he also had done some VERY BAD movies through the 30's.

Finally, a request for the IMDb stuff. It's terribly unfair for a movie to have on it's main page a 100 word review with the title "Simply awful!". Especially when this review gives absolutely no reasons on why the movie is "awful". The fact that 22/26 people who have read the review, DISAPPROVED it, speaks for itself.

Since Linda was born on October 16, 1923 and the film was released on November 24, 1939, that means she was 15 years old all the time she was making it (post production work takes TIME)! All in all, I found this film to be very enjoyable, with LD doing a great job for her age, certainly comparable to what Joan Leslie was doing at 15 years of age (Sergeant York, High Sierra, Yankee Doodle Dandy). Warren William did a great job as her lecherous boss - in fact I can't think of any other actor of the time who could have pulled it off - slick, slimy, urbane - with just the right amount of good spirits - a gifted farceur. Fun, worth the time spent, especially if you're into glossy '30s films and in lockdown, Covid or otherwise.

A light-as-air confection, with very dark overtones. The very young, fresh-faced Linda Darnell is stood up on their second anniversary by husband Tyrone Power. The always delightful Binnie Barnes, her poisonous often-divorced friend Blanche says he's fooling around. Darnell refuses to believe it.

But believe it she must as evidence piles up. So, under the guide of shopping all day, she takes a job as a secretary. Her goal: finding out what about their secretaries appeals to men. (It must be noted that a husband willing to accept five-day-a-week, all-day shopping expeditions goes against many conventions.) Ushered in by goofy but knowing receptionist Joan David -- THE Joan Davis, that divine comedienne here in an early, rather small role -- she interviews for a job. Her boss is Warren William, at his slimiest. He comes on to her like nobody's business, his own wife notwithstanding.

Darnell is determined to keep working rather than depend on Power's money and to pursue her plan: What makes these guys fall for these girls? William and Power are business associates and they all, secretaries and his wife included, end up at a nightclub. She is very firm with Power but in the end makes up with him.

It's an early feminist movie. And in its own gentle way it's a subversive one, too. Unlike Catherine Deneuve in "Belle de jour," she does not become a call girl. But she scandalizes her chauvinistic, narrow-minded husband by becoming a working woman -- and a very smart one at that.

Sixteen-year-old Linda Darnell has been married to Tyrone Power Jr. For two years and reports are that some of those business dinners he's been stuck on have been tete-a-tetes with his secretary. Wondering what this strange fascination secretaries hold on men is, Miss Darnell goes out and applies for a job as secretary to Warren William. When she admits to playing backgammon, he hires her and tries dating her as a relief from his wife. Of course, Power is trying to get a contract with William, and....

I have speculated that Preston Sturges had blackmail photographs of people high up in the Hays Office. This movie, although not as overt as the scripts Sturges typically got approved, doesn't hide its consideration of subject under as many as seven veils. It plays nicely off Williams' predatory boss characters in Warner Pre-Codes, and has nice small roles for Binnie Barnes, Wendy Barrie and Joan Davis. Power was said to hate roles like this, and I can't blame him. Playing whiny second banana to Miss Darnell can't have done much to satisfy his yearning to be an actor.

Day-Time Wife starred Tyrone Power and Linda Darnell together for the first time, they went on to do two more films and much better ones, The Mark Of Zorro and Blood And Sand. Look very closely at Darnell she was only 16 at the time playing a relatively new bride with only two years of marriage under her belt. Back then Darnell's mother added a couple of years to her resume so she would be hired and it worked. In fact this was only Linda Darnell's second feature film all together.

The story involves the age old gambit of the spouse starting to suspect the husband is cheating on her. In this case Darnell has a candidate with the flirtatious Wendy Barrie who is Ty's secretary and would love to have him nail her. Darnell also has a confidante in the older much married Binnie Barnes who is functioning as Eve Arden here. She feeds Darnell's suspicions with a good wisecrack or three.

So Linda goes out in the working world and becomes a secretary to another man with a roving eye, Warren William. Of course that Power and William are business associates she doesn't know and finds out after she's taken the job. That's when the film gets interesting.

Joan Davis is in Day-Time Wife as the receptionist at William's office and she's somewhat subdued and a bit wasted here. Her zaniness was not all that in evidence.

Day-Time Wife will never make the list of best screwball comedies of the era nor of the top ten films of Tyrone Power or Linda Darnell. Still it's a pleasant and none too taxing diversion for the viewer.

1939 may have been the shiniest of Hollywood's Golden Years, but this gilded stinker should certainly keep us from getting too gassy about the whole thing.

Yes, the principals are pretty, and given that (if you can believe the biographical info) Darnell had barely entered puberty by the time she was outfitted in this ermine-lined straitjacket, she acquits herself fairly well (altho her girlish piping seems bizarre vis a vis the later, memorable alto of "Letter to Three Wives").

But if you ever needed proof that Tyrone Power was no Cary Grant, brother, stop here. His double-takes and eye-rolling are appalling and his comic timing non-existent. Power looks heroic in a dinner jacket, but otherwise he's just plain rotten here.

So is most of the dialogue. And the direction.

I suppose "Day-Time Wife" merits some historical attention as one more '30's "comedy of remarriage," but its essential feature is its mind-boggling stupidity.

This comedy is a watchable time-passer and nothing more. It's really amazing, as Tyrone Power was a hugely popular actor at the time and 1939 is known to cinema historians as probably the best year for Hollywood films ever. Well, to every rule, there must be exceptions. Now I am not saying this is a bad film, but it certainly isn't particularly good thanks to a rather poor script. Also, while I think one of the reviewers was a tad too harsh on Power, I do agree that Cary Grant could have probably made this film work a bit better--Tyrone just isn't a great actor in this style of film.

DAY-TIME WIFE begins with Linda Darnell and Power as husband and wife. By the way their apartment looks, Power's job must make him a ton of money and you'd think they would be wildly happy (I know I would have if I was married to Darnell!). However, Power is not a particularly good husband and appears to be cheating on her. Now here's where it gets weird. Darnell is positive that he's lying about working late nights and there is every reason to assume that he's cheating. So what does she do? She gets a job as a secretary and investigates what lecherous bosses want from their comely employees. In other words, after getting a job with a real heel (Warren William in a role rather typical for him), she'll learn the tricks secretaries know to attract men. Why secretaries are suddenly experts, why Darnell is so forgiving of Power and why she goes to so much trouble just doesn't make sense. She is a lousy role model for women, that's for sure!! Later in the film, it turns out that Darnell's boss and Power have a working relationship and this is bad because she doesn't want her husband to know that she's working. So, there are a few kooky times they almost meet in the work place and ultimately they do meet--when she goes out with William for a night on the town as well as some hanky-panky....and Power and his secretary come along for the fun.

Overall, a silly and rather sleazy plot that makes little sense but somehow works due to the usual 20th Century-Fox polish and decent acting from Darnell and William. As for Power, this is a sad episode and was fortunately soon forgotten. He was just so much better in dramas or swashbucklers than in this sort of silly fluff. His next film, JOHNNY APOLLO, was a dandy film and thankfully he was soon back to form.

Day-Time Wife is an absolute gem of a film that is easily enjoyable for its own sake, not merely as a vintage curiosity.

Linda Darnell is sparkling as the young, neglected wife and Tyrone Power very watchable as the handsome but wandering husband.

The scene in which the two secretaries and their bosses end up at the same restaurant, where Darnell more than gets her revenge on her excruciated husband, is exquisite.

The ending also manages to be truly sweet and happy in a plausible way. He's been a fool, but not a total fool.

The only implausibility, perhaps, is the notion of a man neglecting a young wife as beautiful and vivacious as Darnell for his significantly older, less pretty and less amusing secretary. Not that Wendy Barrie isn't a beauty in her own right, but she's eclipsed from every angle by Darnell.

Definitely give this one a watch: it's hugely funny, with a plot that's strong enough to merit a modern remake. This would also be excellent as a play.

Yikes. what a cursed cast. Tyrone Power dies at 44. Linda Darnell dies at 41. and she was only 16 when she plays the wife in this film. pretty creepy. so young, and it really shows. Warren William died at 53. Joan Davis, who plays a secretary, died at 48. Mildred Gover (plays the maid) only made it to 41. Binnie Barnes actually made it to 95! In the story, when Ken is fooling around with his secretary, his wife Jane takes matters into her own hands, in the name of revenge. and that includes pouring perfume on the dog. how bizarre. there's just no magic between the actors. the sound quality is pretty bad. the script is pretty rough as well. the whole thing is like an episode of I Love Lucy. Joan Davis was the best part of this... she really steals the show. the rest of it is just very okay. shows on Fox Metro channel. Directed by Greg Ratoff. was an accomplished actor and director. and of course, was Max Fabian in "All About Eve"!

Stupid stupid stupid! Tried very hard to sit through this incredibly ridiculous, terrible excuse for a movie, I just could not do it. It is quite awful. Even though Tyrone Power has hardly ever given a performance worth watching (except for NIGHTMARE ALLEY), he in particularly painful to watch in this idiotic hokum. I usually don't like to give a movie a bad rap, but rather move on and find praise for one. However, this I must warn you about. It's just plain silly and not even worth seeing for the great character people that pop up, Marie Blake, Leonid Kinskey and Mary Gordon. As usual, Power and Darnell look great, as does the art direction, but thats about it. Steer clear!

"Day-Time Wife" is the kind of comedy in which one roots for one of the characters to expose or get the upper hand on another. In this case, it's Jane Norton finding out and exposing husband Ken who has been spending too much time at the office lately. But, her purpose is to reign him in. All of this is possible and works as a comedy because Ken and Jane have been married three years and still are madly in love. To best enjoy the comedy, one needs to pretend that a husband deeply in love with his wife would rather be out with a female office employee than at home with the love of his life.

Hollywood has made many films - comedies, murder mysteries and others - about unfaithful husbands, and boss and secretary affairs. This is a rare film with a clever plot in which there is no infidelity, but other circumstances that are the basis for many good laughs. It turns the tables on the usual types of characters, with Tyrone Power again in a straight-man role, and Linda Darnell playing wonderful comedy off of him, along with a great second comedy lead in Warren William.

Power's Ken Norton owns a roofing contracting business. Darnell is his wife, Jane. As she tells friend, Blanche, Ken stays out of her kitchen and she stays out of his office. Blanche is on her fourth husband, and she's in the plot as an acquaintance of Jane and Ken from somewhere. She intimates to Jane that there may be something more when Ken is late or out so many nights, especially when his secretary calls to give the message. Jane is not naïve, but she also is not like most women portrayed in such situations. She doesn't jump to the conclusion that Ken is having an affair. She is a woman who really knows her man very well and that he loves her as she loves him - totally. But, after this goes on so long, Jane decides to get a secretarial job on the q.t. She does this to find out what it is about a secretary who can lure a boss to dally and/or go astray.

So, Jane gets a job as Bernard Dexter's secretary. Warren William is the perfect actor to play the part of this guy with a large, architectural firm. He has a beautiful wife, but clearly has strayed in the past. His colorful character has some hilarious aspects that make up an extra clever part in the screenplay. On top of that, the Dexter and Norton firms may be doing business together - which makes it hard for Jane to remain incognito.

Well, this sets the stage for the rest of the film to play out with very funny, good, and some clever scenes and results. One other little comedic aside is how Ken's secretary, Kitty, presumes a lot and takes advantage by not showing up to work some mornings - to his dismay. Wendy Barrie is a hoot as Kitty. One long scene with hardly a spoken word had me in stitches. Jane poured a perfume she found in Ken's pocket, on their dog, Goliath. At the dinner table, the dog is close to his master and Ken smells the perfume. The expressions back and forth, from Jane and Ken are hilarious as he tries to get rid of and hide the aroma.

Power's difficulty with comedy is evident where Ken frowns, scowls and is angry at Jane's ruse and finding him out. But William knows how to play comedy. When Dexter's wife shows up, he becomes nervous and fearful like a kid who just got caught raiding the cookie jar.

Linda Darnell was a very good actress who starred in several films with Tyrone Power. Unfortunately, her personal life was not one of a happy marriage and bliss. She soon became a heavy drinker and struggled most of her adult life with alcoholism. She was married and divorced three times, and she died when she was just 41 years old. She succumbed to severe burns from a 1965 house fire when she was staying with her secretary who lived in a suburb of Chicago.

This is a very funny film, and even a lesson for some. Here are some favorite lines.

Jane Norton, "Say, are you still on speaking terms with your last husband?" Blanche, "Crawford? Oh, sure. I never let a divorce break up a friendship."

Miss (Joyce) Applegate, "You know, Mr. Dexter has a mind of his own. He's a genius. Everybody says so, including Mr. Dexter."

Bernard Dexter, interviewing Jane who is incognito as Jane Blake, "Do you play backgammon?" Jane Norton, "Huh?" Dexter, "Backgammon. Backgammon." Jane, "Oh, uh, yes. Yes." Dexter, "Everybody should play backgammon. That'll be all, Miss Blake."

Miss Applegate, "Well, are you in or out?" Jane Norton, " I... don't know." Applegate, "Did he ask you if you play backgammon?" Jane, "Yes." Applegate, slapping her hand on her desk, "You're in!"

Bernard Dexter, "Did you know that the Persian warriors always played backgammon after a hard day on the battlefield?"

Jane Norton, "Good morning! Oh, I just saw Mrs. Dexter." Bernard Dexter, "Oh, did you? Did she see you?" Jane, "No." Dexter, "You get a bonus."

Bernard Dexter, dictating to Jane with gibberish, "Gentlemen, If we want to take the compaction and stataification of the configuration in confirmation to the angiography, it would represent a super structure with splanchforgustic meltadonographicism. Consequently, I will be unable to indulge in these archolinear gradiscopics inasmuch as I am taking Miss Blake to dinner this evening. What do you say?"

Ken Norton, "Listen, if I have to stay in the doghouse much longer, I'll be barking. Well, aren't you gonna laugh?" Jane Norton, "Well, aren't you gonna bark?"

Linda Darnell is 115° in the shade. The Dallas native, was one of the most beautiful women to be shown on the silver screen.

Born in Dallas, Texas There was no doubt that Linda Darnell had a rare gift for someone so young. When the Hollywood studios sent scouts to the Dallas-Fort Worth area, her mother thought it would be a good idea to take Linda to a tryout. The talent scouts took one look at her and arranged for a screen test. She made the trek to Hollywood, but when her real age became known she was sent home. After two years and more local theater appearances, Linda returned to California and her career was off and running.

Linda convincingly plays the sophisticated wife of well-off businessman Tyrone Power, whom she incorrectly suspects is playing patty-cake with another woman. No one in Hollywood ever played a better womanizer than Warren William, he does it to perfection in this terrific film. Warren is a business associate of Tyrone Power, and he has Linda Darnell on his radar screen. This is a fun, lighthearted movie with beautiful people. Even the bad guy is funny and not seriously threatening. Great entertainment. I'm very happy to have this terrific movie in my 3,000 DVD/Blu-ray collection where I know it cannot be banned or censored in the future.