IMDb RATING
7.5/10
6.7K
YOUR RATING
Three adopted English brothers join the French Foreign Legion in North Africa after one of them steals their adoptive family's famous heirloom sapphire.Three adopted English brothers join the French Foreign Legion in North Africa after one of them steals their adoptive family's famous heirloom sapphire.Three adopted English brothers join the French Foreign Legion in North Africa after one of them steals their adoptive family's famous heirloom sapphire.
- Nominated for 2 Oscars
- 2 nominations total
G.P. Huntley
- Augustus Brandon
- (as George P. Huntley)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAt the film's world premiere, the first reel of the 1926 silent version of "Beau Geste" was shown just before the entire 1939 sound version, in an effort to demonstrate how far films had advanced in thirteen years. This almost backfired because the film apparently, followed the 1926 one extremely closely, and some of the first-night critics were annoyed, rather than pleased at this, feeling that this remake should have been more imaginative. However, this did not keep it from becoming a smash hit and a film classic.
- GoofsWhen the "Blue Water" is stolen with the lights out it appears pitch black, but that can't be correct because there is a bright fire burning in the fireplace.
- Quotes
[last lines]
[after she reads the letter Beau had written to explain what happened to the jewel - he has signed the letter with his name - she reads...]
Lady Patricia Brandon: "Beau Geste"
Lady Patricia Brandon: [to John] Beau Geste... gallant gesture. We didn't name him wrong, did we?
- Crazy creditsOpening credits prologue: "The love of a man for a woman wanes and waxes like the moon . . . but the love of brother for brother is steadfast as the stars, and endures like the word of the prophet."
. . . Arabian Proverb.
- ConnectionsEdited into The Last Remake of Beau Geste (1977)
Featured review
People who know Julien Duvivier's "la bandera"(1935) will find analogies between the two movies.In both of them, the legion is an escape from law.The approach is different however:in "la bandera",the hero and his mates are simple,crude people.In Wellmann's work,they are distinguished,"noblesse oblige" characters.Wellman's movie has a romantic flavor,which is totally absent in Duvivier's pessimistic story.
It seems that "beau geste" has worn well,better than Duvivier's dated saga.Both movies have the same flaw:the Tuaregs are the "villains",we absolutely know nothing about them.In Duvivier's movie,we don't even see them,and they are always referred to as "the bastards" (sic)They seem reduced to attacking baddies,an entity whose humanity is denied. Wellmann's superiority lies in the fact that he plays the game of adventure ,now matter how unlikely it is while Duvivier has "realist" ambitions.
Wellmann smartly blends a whodunit with pure adventure elements.The solution of the mystery,which we learn at the very end of the movie is very unexpected and gives the movie some kind of Hustonian touch (and in 1939,Huston had yet to make a movie!)
As for the directing is concerned,the last third of the movie shines.If the legion routine life scenes inside the fort are inferior to those of Duvivier,on the other hand its finale is more moving and more astonishing.The sergeant,using dead bodies as scarecrows ,is almost surrealist and might have influenced the conclusion of Anthony Mann's "Cid".A scene we saw at the beginning ,"the Viking funeral" finds an absolutely brilliant explanation .While John (Ray Milland) is preparing the "ceremony" in a fort full of dead bodies,we don't realize.It's only when he explains to his brother (yes,there was a dog at his feet)that we understand.
A very fine cast,including Susan Hayward on the threshold of a brilliant career (it's her second movie).The title is justified too.Because "Beau Geste" means in French "Beautiful gesture".
NB: A trip to Norway taught me this:the Vikings were buried in the ground on their boats.
It seems that "beau geste" has worn well,better than Duvivier's dated saga.Both movies have the same flaw:the Tuaregs are the "villains",we absolutely know nothing about them.In Duvivier's movie,we don't even see them,and they are always referred to as "the bastards" (sic)They seem reduced to attacking baddies,an entity whose humanity is denied. Wellmann's superiority lies in the fact that he plays the game of adventure ,now matter how unlikely it is while Duvivier has "realist" ambitions.
Wellmann smartly blends a whodunit with pure adventure elements.The solution of the mystery,which we learn at the very end of the movie is very unexpected and gives the movie some kind of Hustonian touch (and in 1939,Huston had yet to make a movie!)
As for the directing is concerned,the last third of the movie shines.If the legion routine life scenes inside the fort are inferior to those of Duvivier,on the other hand its finale is more moving and more astonishing.The sergeant,using dead bodies as scarecrows ,is almost surrealist and might have influenced the conclusion of Anthony Mann's "Cid".A scene we saw at the beginning ,"the Viking funeral" finds an absolutely brilliant explanation .While John (Ray Milland) is preparing the "ceremony" in a fort full of dead bodies,we don't realize.It's only when he explains to his brother (yes,there was a dog at his feet)that we understand.
A very fine cast,including Susan Hayward on the threshold of a brilliant career (it's her second movie).The title is justified too.Because "Beau Geste" means in French "Beautiful gesture".
NB: A trip to Norway taught me this:the Vikings were buried in the ground on their boats.
- dbdumonteil
- Oct 27, 2001
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Details
- Runtime1 hour 52 minutes
- Color
- Aspect ratio
- 1.37 : 1
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