Missing for seven years and presumed dead, a woman returns home on the day of her husband's second marriage.Missing for seven years and presumed dead, a woman returns home on the day of her husband's second marriage.Missing for seven years and presumed dead, a woman returns home on the day of her husband's second marriage.
- Nominated for 3 Oscars
- 3 nominations total
Jean Acker
- Postponed Case Witness
- (uncredited)
Murray Alper
- Yosemite Bartender
- (uncredited)
Leon Belasco
- Waiter - Pacific Club Poolside
- (uncredited)
Joe Cabrillas
- Phillip
- (uncredited)
Bill Cartledge
- Page Boy Paging Burkett
- (uncredited)
Chester Clute
- Shoe Salesman
- (uncredited)
Corky
- Corky the Dog
- (uncredited)
Storyline
Did you know
- TriviaCary Grant and Randolph Scott, who play rivals in this film, lived together on and off between 1932 and 1944.
- GoofsWhen Ellen has her first hot shower in seven years, she's wearing a bathing cap, rather than wash her hair in the shower.
- Quotes
Nick Arden: I came here with my wife... hum... my bride really. Now my wife, not my bride... my wife... Why should I bore you with details?
Hotel clerk: I won't be bored.
Nick Arden: Listen, it's just simple as A B C.
Hotel clerk: Don't tell me you got someone in B?
- Crazy creditsRather than the normal "The End" title as the movie concludes, "Good Night" is drawn in cursive handwriting.
- ConnectionsEdited into Marilyn: Something's Got to Give (1990)
- SoundtracksJingle Bells
(1857) (uncredited)
Written by James Pierpont
Played as part of the score when Cary Grant dons his Santa Claus costume
Featured review
...albeit a little slow-paced in the first half. Leo McCarey's chaotic pace which made The Awful Truth so much fun is missed here, but Garson Kanin directs capably in his absence and the script and actors deliver enough good wit and chemistry to keep it all balanced out in the end.
Cary Grant gets himself into an unwitting romantic pickle when he's confronted by his thought to be long dead wife on his honeymoon with his new bride. Hilarity ensues, as it does in every brilliant screwball comedy Grant was the star of, and there are some priceless moments along the way.
As in The Awful Truth, Grant and Irene Dunne make a fetching and compatible screen couple. Dunne's comedic felinity and tendency to affect nutty stereotypes in order to get what she wants is better than Katharine Hepburn's imitation of her in Bringing Up Baby and The Philadelphia Story. Grant and Hepburn were terrific in their movies together too, and not taking anything away from Great Kate, but Grant and Dunne's chemistry was just that much better and it's a shame they never made more comedies together.
Hilarious in-jokey scenes between Grant and Randolph Scott, and a near scene stealing turn by Granville Bates as The Judge round out a pretty funny flick.
The Doris Day/James Garner remake "Move Over, Darling" is memorable in its own right and viewed right after this would make for a good video double-bill.
Cary Grant gets himself into an unwitting romantic pickle when he's confronted by his thought to be long dead wife on his honeymoon with his new bride. Hilarity ensues, as it does in every brilliant screwball comedy Grant was the star of, and there are some priceless moments along the way.
As in The Awful Truth, Grant and Irene Dunne make a fetching and compatible screen couple. Dunne's comedic felinity and tendency to affect nutty stereotypes in order to get what she wants is better than Katharine Hepburn's imitation of her in Bringing Up Baby and The Philadelphia Story. Grant and Hepburn were terrific in their movies together too, and not taking anything away from Great Kate, but Grant and Dunne's chemistry was just that much better and it's a shame they never made more comedies together.
Hilarious in-jokey scenes between Grant and Randolph Scott, and a near scene stealing turn by Granville Bates as The Judge round out a pretty funny flick.
The Doris Day/James Garner remake "Move Over, Darling" is memorable in its own right and viewed right after this would make for a good video double-bill.
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Details
- Runtime1 hour 28 minutes
- Color
- Aspect ratio
- 1.37 : 1
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