IMDb RATING
7.3/10
1.3K
YOUR RATING
Aging down on her luck cabaret singer murders a respectable composer. On trial she slowly gives in and explains her crime. They had a complicated history.Aging down on her luck cabaret singer murders a respectable composer. On trial she slowly gives in and explains her crime. They had a complicated history.Aging down on her luck cabaret singer murders a respectable composer. On trial she slowly gives in and explains her crime. They had a complicated history.
Joan Valerie
- Wanda
- (as Helen Valkis)
Dawn Bender
- Lisa as a Baby
- (uncredited)
Symona Boniface
- Actress
- (uncredited)
Maurice Brierre
- Actor
- (uncredited)
Maurice Cass
- Music Professor
- (uncredited)
Glen Cavender
- Bailiff
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaDirector Joe May was so determined to make this a close remake of the German film Mazurka (1935) that he kept a print of the German film on the set and frequently ran sections of it, to the annoyance of the new film's cast. In addition to copying the German original shot-by-shot in many scenes, this film also reuses the original score and songs.
- GoofsThe date on the Warsaw Opera House playbill is Wednesday, February 12, 1912. That day was actually a Monday.
- Quotes
Vera Kowalska: What do you all want of me? I killed him. Sentence me.
- ConnectionsRemake of Mazurka (1935)
- SoundtracksOne Hour of Romance
(1935) (uncredited)
(originally "Nur eine Stunde" from Mazurka (1935))
Music by Peter Kreuder
English lyrics by Jack Scholl
Performed by Kay Francis in the Cabaret
Featured review
1937's Confession was a huge hit for Kay Francis, who would soon find Warner Brothers trying to drive her and her big money contract out of the studio with bad scripts. I love when these studios have amnesia about the money a star has made for them.
Confession is a Madame X-type of film, with Francis as a tired, blond cabaret performer a la Dietrich on trial for killing a composer/conductor (Basil Rathbone). She refuses to say anything in her defense, but eventually, she tells her story. In flashback, we see the character of Vera as a young opera singer who gives up her career for love.
The studio treatment of "Confession" was similar to the treatment given "Algiers" - Warners bought up all the prints of "Mazurka," the European version of this film, and kept it from being seen outside of Germany. Walter Wanger tried to buy up all the prints of "Pepe le Moko" when he made Algiers - fortunately, in that case, the ploy didn't work.
The cast is good, with Francis doing a great job as Vera. Rathbone is appropriately dashing and slimy as Michael. Jane Bryan (who married Rexall Drugs and retired) gives an odd performance. Her character, Lisa, keeps saying that she doesn't want to see Michael, yet does - that's understandable, but when she's with him, she acts miserable and like she doesn't want to be there. Not that I blame her, but why go out with him in the first place? She doesn't exhibit, for me anyway, the sexual desire and excitement that would make her nervousness and discomfort believable.
Very good film, recommended, especially for a stunning Kay Francis performance.
Confession is a Madame X-type of film, with Francis as a tired, blond cabaret performer a la Dietrich on trial for killing a composer/conductor (Basil Rathbone). She refuses to say anything in her defense, but eventually, she tells her story. In flashback, we see the character of Vera as a young opera singer who gives up her career for love.
The studio treatment of "Confession" was similar to the treatment given "Algiers" - Warners bought up all the prints of "Mazurka," the European version of this film, and kept it from being seen outside of Germany. Walter Wanger tried to buy up all the prints of "Pepe le Moko" when he made Algiers - fortunately, in that case, the ploy didn't work.
The cast is good, with Francis doing a great job as Vera. Rathbone is appropriately dashing and slimy as Michael. Jane Bryan (who married Rexall Drugs and retired) gives an odd performance. Her character, Lisa, keeps saying that she doesn't want to see Michael, yet does - that's understandable, but when she's with him, she acts miserable and like she doesn't want to be there. Not that I blame her, but why go out with him in the first place? She doesn't exhibit, for me anyway, the sexual desire and excitement that would make her nervousness and discomfort believable.
Very good film, recommended, especially for a stunning Kay Francis performance.
Details
Box office
- Budget
- $513,000 (estimated)
- Runtime1 hour 27 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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