IMDb RATING
6.6/10
1.1K
YOUR RATING
Powell plays an American cryptologist who tangles with German spies while falling in love.Powell plays an American cryptologist who tangles with German spies while falling in love.Powell plays an American cryptologist who tangles with German spies while falling in love.
Lowden Adams
- Butler
- (uncredited)
Rudolph Anders
- Radio Operator
- (uncredited)
Johnny Arthur
- Code Room Clerk
- (uncredited)
Max Barwyn
- Boris Stronskoff - Russian Singer
- (uncredited)
Storyline
Did you know
- TriviaOriginally intended to be a vehicle for William Powell and Myrna Loy, Rosalind Russell was brought in as Loy was "on strike" for better pay after the huge success of The Thin Man (1934).
- GoofsThis movie takes place during World War I. The map of France on Lt. Gordon's office wall includes Alsace and Lorraine, which weren't returned to France until after the war.
- Quotes
Joel Carter: A wife's place is with her husband. When he's in Paris.
Lieutenant Bill Gordon: Ah, but I'll be up at the front.
Joel Carter: But you could come back over weekends.
Lieutenant Bill Gordon: Or we could get the Germans to come right down to Paris, then I wouldn't have to leave you at all. No, darling, you can do just as much harm here as you could in Paris.
- Crazy creditsIntro: Behind every strategic move in war, a secret army toils ceaselessly. On the accuracy of their dangerous work depends on the launching of battles, the sinking of ships and the destinies of thousands of soldiers on land and sea.
- ConnectionsRemade as Pacific Rendezvous (1942)
- SoundtracksYou're In The Army Now
(uncredited)
Music by Isham Jones
Lyrics by Tell Taylor and Ole Olsen
Played during the opening credits
Featured review
With America just entering WWI, Bill Gordon (William Powell) joins the army as a lieutenant, ready to deploy to France and fight. Right before he deploys he "meets cute" a girl at a cocktail party, Joel Carter (Rosalind Russell). They have a bit of a whirlwind courtship, and Joel begs him to stay. Gordon refuses, but along with that refusal admits to Joel a secret about himself - He wrote the ultimate book on cracking codes under a pen name, and the War Department has been moving heaven and earth trying to find out who the author really is. The next morning, getting ready to board his boat, he is ordered to a desk job. Apparently, Joel is the niece of the assistant head of the War Department, and she has ratted him out as an ace code cracker in order to keep him around Washington. Complications ensue.
This was Rosalind Russell's first starring role, so she doesn't really have her screen persona down which she finally develops in "The Women" four years later. So MGM has her playing this annoying creature who causes trouble for Gordon every time she appears. No way do I believe he'd want her around after all of her frustrating antics.
This is almost like a movie actually made in 1917 - it is such an anachronism. First off, by 1935 when this was made, WWI was considered a waste of blood and treasure, and here Europe was feauding with Germany AGAIN. That is why Congress passed some laws to keep us out of any potential war there. Yet Gordon is practically George M. Cohen here, he is just so anxious to land in a trench in France. Then there are the German spies. Remember these are NOT the Nazis and the Nazis won't be taken seriously for another three years or so. But MGM has them acting exactly like Nazis - ready to turn on each other, ready to kill to save their spy ring.
Finally there is the cryptography issue. There were no computers in WWI, and so I'm sure standard blackboards and cryptography wheels were used as shown to crack codes, but the method that Gordon uses to crack the code - mainly a variation on the primitive Vigenère cipher - would be cracked relatively quickly and it would not take an ace cryptographer to do so. Forgive that digression into geekdom.
This is very much worth your time with great performance by William Powell as always and a look at Rosalind Russell in the beginning.
This was Rosalind Russell's first starring role, so she doesn't really have her screen persona down which she finally develops in "The Women" four years later. So MGM has her playing this annoying creature who causes trouble for Gordon every time she appears. No way do I believe he'd want her around after all of her frustrating antics.
This is almost like a movie actually made in 1917 - it is such an anachronism. First off, by 1935 when this was made, WWI was considered a waste of blood and treasure, and here Europe was feauding with Germany AGAIN. That is why Congress passed some laws to keep us out of any potential war there. Yet Gordon is practically George M. Cohen here, he is just so anxious to land in a trench in France. Then there are the German spies. Remember these are NOT the Nazis and the Nazis won't be taken seriously for another three years or so. But MGM has them acting exactly like Nazis - ready to turn on each other, ready to kill to save their spy ring.
Finally there is the cryptography issue. There were no computers in WWI, and so I'm sure standard blackboards and cryptography wheels were used as shown to crack codes, but the method that Gordon uses to crack the code - mainly a variation on the primitive Vigenère cipher - would be cracked relatively quickly and it would not take an ace cryptographer to do so. Forgive that digression into geekdom.
This is very much worth your time with great performance by William Powell as always and a look at Rosalind Russell in the beginning.
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Details
- Runtime1 hour 34 minutes
- Color
- Aspect ratio
- 1.37 : 1
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