A G-man goes undercover to infiltrate a gang, helping the group's leader escape from prison to gain his trust.A G-man goes undercover to infiltrate a gang, helping the group's leader escape from prison to gain his trust.A G-man goes undercover to infiltrate a gang, helping the group's leader escape from prison to gain his trust.
William Bailey
- Federal Agent
- (uncredited)
Brooks Benedict
- Bar Patron
- (uncredited)
Ed Brady
- Convict in Prison
- (uncredited)
Frank Bruno
- Extra Leaving Theater
- (uncredited)
Lane Chandler
- Train Conductor
- (uncredited)
Cora Sue Collins
- Little Girl
- (uncredited)
Helene Costello
- Convict Wife
- (uncredited)
Nell Craig
- Duff's Secretary with Telegram
- (uncredited)
Frank Darien
- Dr. Hale - Plastic Surgeon
- (uncredited)
Storyline
Did you know
- TriviaContractual requirements were the reason why the name of Lionel Barrymore, who was definitely a secondary and supporting player, as far as the story was concerned, received first billing, and Jean Arthur, the leading lady, but in no way the principal participant, received second billing, while Chester Morris, around whom the entire story revolved, and who was in practically every scene of any consequence, was relegated to third position.
- GoofsDuring the big shoot out, the window frame that "Sonny" peeks out of goes from damaged to undamaged to being damaged again.
- Quotes
Prison Warden: Crane, you were convicted of a hold up.
Jeff Crane: Sure! I stuck up a beer joint and got twelve bucks. Now, I'm buried alive for ten years. Ten years off my life for twelve dirty bucks! Is that fair?
Prison Warden: Yes. If your gun hadn't jammed you'd a killed a man for twelve dirty bucks. Was that fair?
- ConnectionsFeatures The Big House (1930)
Featured review
Public Hero #1 (1935)
*** (out of 4)
Extremely strange film from MGM starts off as a prison drama then moves to a screwball comedy and then goes back to gangster action. An undercover cop (Chester Morris) gets inside of a prison where he befriends a gangster (Joseph Calleia) and soon the two bust out but the gangster gets shot. Near death, the undercover cops goes out to find the gangster's drunken doctor (Lionel Barrymore) but due to a storm they are forced to stay at a hotel where the cop falls for a young woman (Jean Arthur) who turns out to be the gangster's sister. After hearing the news, the cop must try to find a way to bring the gangster down without hurting the sister. This film is pretty much all over the map but it's still a greatly entertaining film that works on ever level that it tries. The prison stuff early on is very entertaining as is the gangster stuff at the end. There's a big shootout at the end, which ranks among the best I've seen from any of these early gangster films. Normally screwball laughs wouldn't fit into a film like this but Barrymore does a terrific job in the comedy department as the drunken doctor. The highlight has to be the scene where he accidentally gets dressed in Arthur's robe due to how drunk he is. Barrymore's comic timing is terrific throughout the film. Arthur is also very strong in her role and delivers a very memorable character and performance. The real star is Morris who is simply wonderful all the way through. He has a lot of roles to play here from the tough guy trying to enter the gang to the cop trying to bring down the bad guy but he also does a great job in the romantic department with Arthur. Calleia, Paul Kelly, Lewis Stone and George E. Stone add nice support as well. It's also worth noting that the film seems partially influenced by the John Dillinger case who of course was murdered after watching MGM's Manhattan Melodrama the previous year and that includes the ending here, which has been slightly changed but still takes place outside a theater.
*** (out of 4)
Extremely strange film from MGM starts off as a prison drama then moves to a screwball comedy and then goes back to gangster action. An undercover cop (Chester Morris) gets inside of a prison where he befriends a gangster (Joseph Calleia) and soon the two bust out but the gangster gets shot. Near death, the undercover cops goes out to find the gangster's drunken doctor (Lionel Barrymore) but due to a storm they are forced to stay at a hotel where the cop falls for a young woman (Jean Arthur) who turns out to be the gangster's sister. After hearing the news, the cop must try to find a way to bring the gangster down without hurting the sister. This film is pretty much all over the map but it's still a greatly entertaining film that works on ever level that it tries. The prison stuff early on is very entertaining as is the gangster stuff at the end. There's a big shootout at the end, which ranks among the best I've seen from any of these early gangster films. Normally screwball laughs wouldn't fit into a film like this but Barrymore does a terrific job in the comedy department as the drunken doctor. The highlight has to be the scene where he accidentally gets dressed in Arthur's robe due to how drunk he is. Barrymore's comic timing is terrific throughout the film. Arthur is also very strong in her role and delivers a very memorable character and performance. The real star is Morris who is simply wonderful all the way through. He has a lot of roles to play here from the tough guy trying to enter the gang to the cop trying to bring down the bad guy but he also does a great job in the romantic department with Arthur. Calleia, Paul Kelly, Lewis Stone and George E. Stone add nice support as well. It's also worth noting that the film seems partially influenced by the John Dillinger case who of course was murdered after watching MGM's Manhattan Melodrama the previous year and that includes the ending here, which has been slightly changed but still takes place outside a theater.
- Michael_Elliott
- Jun 19, 2008
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- El héroe público número 1
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 29 minutes
- Color
- Aspect ratio
- 1.37 : 1
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