You’ll recall in late 2020, during Disney‘s major blitz where the company showed off its brand wares, Marvel, Pixar, and more, about ten new Lucasfilm projects were announced. Among things like “The Book Of Boba Fett” and an “Ahsoka Tano” limited series, a new anime anthology series, “Star Wars: Visions,” was announced. And today, at Anime Expo Lite, Disney+ dropped a special look teaser of the show and announced the names of the seven Japanese anime studios bringing their unique talent and perspective to “Star Wars: Visions.”
Listen: The Future Of ‘Star Wars: Lucasfilm, Let The Past Die, Kill It You Have To [The Playlist Podcast]
Creating this collection of animated short films are Kamikaze Douga, Geno Studio (Twin Engine), Studio Colorido (Twin Engine), Trigger, Kinema Citrus, Science Saru, and Production Ig.
Continue reading ‘Star Wars: Visions’ Special Look Teaser: Lucasfilm’s New Anime Anthology Series Hits Disney+ In September at The Playlist.
Listen: The Future Of ‘Star Wars: Lucasfilm, Let The Past Die, Kill It You Have To [The Playlist Podcast]
Creating this collection of animated short films are Kamikaze Douga, Geno Studio (Twin Engine), Studio Colorido (Twin Engine), Trigger, Kinema Citrus, Science Saru, and Production Ig.
Continue reading ‘Star Wars: Visions’ Special Look Teaser: Lucasfilm’s New Anime Anthology Series Hits Disney+ In September at The Playlist.
- 7/3/2021
- by Rodrigo Perez
- The Playlist
Olaf Möller in front of Katharine Hepburn posters for Christopher Strong and Spitfire: "Das Spukschloss im Spessart [The Haunted Castle]! Which is fantastic. Great musical! It's a horror musical." Photo: Anne-Katrin Titze
On the opening night of The Lost Years of German Cinema: 1949–1963 at the Film Society of Lincoln Center, film historian Olaf Möller, following his introduction of Gottfried Kolditz's White Blood (Weißes Blut), joined me for a conversation on the program he curated that includes sensational work of filmmakers Helmut Käutner, Hans Heinz König, Fritz Lang, Peter Lorre, Kurt Hoffmann, Harald Braun, Wolfgang Staudte, Aleksander Ford, Konrad Petzold, and Robert Siodmak.
Earlier in the day at the Walter Reade Theater I watched Robert Siodmak's The Devil Strikes At Night (Nachts, Wenn Der Teufel Kam) and Hans Heinz König's Roses Bloom In The Moorland (Rosen Blühen Auf Dem Heidegrab). I started out with a couple of childhood television memories.
Fritz Lang's The Tiger Of Eschnapur...
On the opening night of The Lost Years of German Cinema: 1949–1963 at the Film Society of Lincoln Center, film historian Olaf Möller, following his introduction of Gottfried Kolditz's White Blood (Weißes Blut), joined me for a conversation on the program he curated that includes sensational work of filmmakers Helmut Käutner, Hans Heinz König, Fritz Lang, Peter Lorre, Kurt Hoffmann, Harald Braun, Wolfgang Staudte, Aleksander Ford, Konrad Petzold, and Robert Siodmak.
Earlier in the day at the Walter Reade Theater I watched Robert Siodmak's The Devil Strikes At Night (Nachts, Wenn Der Teufel Kam) and Hans Heinz König's Roses Bloom In The Moorland (Rosen Blühen Auf Dem Heidegrab). I started out with a couple of childhood television memories.
Fritz Lang's The Tiger Of Eschnapur...
- 11/18/2017
- by Anne-Katrin Titze
- eyeforfilm.co.uk
Epilogue - In which we rank films, learn Life Lessons, climb Mount Hepburn, and wrap this up with the party it deserves!
Happy New Year, everybody! Before 2014 and A Year With Kate officially end, I wanted to give us all a proper send off. If Kate got 9 more years after she retired in 1994, consider this our own ride into the sunset, complete with gifs, gifts, and thank yous.
At the beginning of A Year With Kate, I set some unofficial goals. The most obvious was to watch all 52 films chronologically. In order to do this, I started building a stack of research that I dubbed “Mount Hepburn.” It changed size and content a bit thanks to library deadlines and a lot of late nights on ebay. To the right is a picture of Mount Hepburn at present, having outgrown my table and moved to the floor. It stands just about 3 feet tall.
Happy New Year, everybody! Before 2014 and A Year With Kate officially end, I wanted to give us all a proper send off. If Kate got 9 more years after she retired in 1994, consider this our own ride into the sunset, complete with gifs, gifts, and thank yous.
At the beginning of A Year With Kate, I set some unofficial goals. The most obvious was to watch all 52 films chronologically. In order to do this, I started building a stack of research that I dubbed “Mount Hepburn.” It changed size and content a bit thanks to library deadlines and a lot of late nights on ebay. To the right is a picture of Mount Hepburn at present, having outgrown my table and moved to the floor. It stands just about 3 feet tall.
- 12/31/2014
- by Anne Marie
- FilmExperience
Don't cry just yet, Kate the Great fans. While it's true that there is only one wrap-up episode left Tomorrow in Anne Marie's mammoth undertaking "A Year with Kate"* in which she reviewed every performance in Katharine Hepburn's fascinating career, we have exciting news. We're making it into a book! Details are not yet concrete but if you would like to be included in updates about pre-order and other 'Don't Miss It' news, please fill out this form at our Facebook page!
Anne Marie's last episodes airs tomorrow Wednesday December 31st. But until then... take a peak at any you missed. Some chapters will be substantially rewritten for the book.
1930s: A Bill of Divorcement, Christopher Strong, Morning Glory, Little Women, Spitfire, The Little Minister, Break of Hearts, Alice Adams, Sylvia Scarlett, Mary of Scotland, A Woman Rebels, Quality Street, Stage Door, Bringing Up Baby, Holiday,
1940s: Philadelphia Story,...
Anne Marie's last episodes airs tomorrow Wednesday December 31st. But until then... take a peak at any you missed. Some chapters will be substantially rewritten for the book.
1930s: A Bill of Divorcement, Christopher Strong, Morning Glory, Little Women, Spitfire, The Little Minister, Break of Hearts, Alice Adams, Sylvia Scarlett, Mary of Scotland, A Woman Rebels, Quality Street, Stage Door, Bringing Up Baby, Holiday,
1940s: Philadelphia Story,...
- 12/30/2014
- by NATHANIEL R
- FilmExperience
“It’s just a big story, you know? The book is a big tale. It travels a lot and it goes to a lot of different places. And as I looked at it… the rights holder initially was trying to do it as a feature and I knew that it was never going to be a feature. You would lose everything that was special about the book once you stripped it down to two hours. And still, if you want to do the story justice, if you want to actually enjoy the experience the way the reader enjoys the experience, you have to take your time. You have to sort of drink in the landscape. You have to get to know the people. You need to let the moments breathe. You need to let the story just unwind a little bit. And to create that feeling in television, it just...
- 8/11/2014
- by Mindy Newell
- Comicmix.com
Episode 12 of 52 wherein Anne Marie screens all of Katharine Hepburn's films in chronological order
In which Katharine Hepburn is an old maid at 30 and sometimes I hate Old Hollywood.
It's strangely fitting that the last movie before Kate's string of classics turns out to be the worst film of her Rko career. Yes, I'm including Spitfire. Spitfire was laughably bad. Quality Street is downright insulting. But while groaning through the longest 82 minutes of my life, I did a little research, and I managed to solve the mystery behind the last 11 weeks of (mostly) bad movies. Better yet, I solved it with science. But first a little exposition.
I've been informed that I occasionally skip over major movie details/actor information/whatnot. Here's a quick summary: Based on a J.M. Barrie play, Quality Street is the story of a spinster teacher who, at 30 years old, finds herself too worn and...
In which Katharine Hepburn is an old maid at 30 and sometimes I hate Old Hollywood.
It's strangely fitting that the last movie before Kate's string of classics turns out to be the worst film of her Rko career. Yes, I'm including Spitfire. Spitfire was laughably bad. Quality Street is downright insulting. But while groaning through the longest 82 minutes of my life, I did a little research, and I managed to solve the mystery behind the last 11 weeks of (mostly) bad movies. Better yet, I solved it with science. But first a little exposition.
I've been informed that I occasionally skip over major movie details/actor information/whatnot. Here's a quick summary: Based on a J.M. Barrie play, Quality Street is the story of a spinster teacher who, at 30 years old, finds herself too worn and...
- 3/19/2014
- by Anne Marie
- FilmExperience
Katharine Hepburn on TCM: Keeper Of The Flame, Summertime Schedule (Pt) and synopses from the TCM website: 3:00 Am Spitfire (1934) A backwoods faith healer falls for a married man from the big city. Cast: Katharine Hepburn, Robert Young, Ralph Bellamy. Dir: John Cromwell. Bw-87 mins. 4:30 Am Christopher Strong (1933) An aviatrix’s affair with a married man could cost her her career. Cast: Katharine Hepburn, Colin Clive, Billie Burke. Dir: Dorothy Arzner. Bw-78 mins. 6:00 Am Katharine Hepburn: All About Me (1993) In a rare interview, Katharine Hepburn shares her memories and memorabilia. Dir: David Heeley. C-70 mins. 7:15 Am Mary of Scotland (1936) Biography of the flighty Scottish queen who was brought down by love. Cast: Katharine Hepburn, Fredric March, Florence Eldridge. Dir: John Ford. Bw-124 mins. 9:30 Am Quality Street (1937) A woman masquerades as her own niece to get back at a neglectful suitor. Cast: Katharine Hepburn, Franchot [...]...
- 8/20/2010
- by Andre Soares
- Alt Film Guide
For Equity contract information, refer to our complete listings online at www.backstage.com/spotlight. If your company is not listed but you would like to be included in next year's list, contact Laura A. Butler, Research Editor, at Back Stage, at [email protected] La Jolla Playhouse P.O. Box 12039 La Jolla, CA 92039 (858) 550-1070, fax (858) 550-1075 www.lajollaplayhouse.org Christopher Ashley, artistic director Casting: Casts productions in-house and through independent casting directors by invitation only. Send pix & resumes to above address, Attn: Casting. See website for more information. Internships available. Season: Mandell Weiss Forum Theatre: Continuous City (March 19 - 22). Future schedule Tba. Marin Shakespeare Company P.O. Box 4053 San Rafael, CA 94913 (415) 499-4485, fax (415) 499-1492 [email protected] www.marinshakespeare.org Robert S. Currier, artistic director Casting: Casts productions in-house. Send pix & resumes to: Robert Currier. Please see website for specific audition dates and information. Internships and/or apprenticeships available.
- 2/26/2009
- backstage.com
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