A cabaret dancer witnesses a murder and is forced to hide from gangsters by disguising herself as a male Princeton student.A cabaret dancer witnesses a murder and is forced to hide from gangsters by disguising herself as a male Princeton student.A cabaret dancer witnesses a murder and is forced to hide from gangsters by disguising herself as a male Princeton student.
- Nominated for 1 Oscar
- 1 win & 1 nomination total
- Buzz Jones
- (as Edward Nugent)
- Martha - the Mercers' Maid
- (uncredited)
- Detective
- (uncredited)
- Lawton's Secretary
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhile filming this picture, the spirit gum holding Bing Crosby's ears back failed; he insisted on completing the film with his ears out, and never used the gum again.
- Quotes
Curly Flagg: Can I play the part? What's it like?
Gus McNeal: Well, you're dancing in a nightclub. A gangster comes after you. Somebody like, er, George Raft.
Curly Flagg: Swell!
Gus McNeal: He tries to make love to you but you fight him off.
Curly Flagg: Comedy, huh?
Gus McNeal: Oh, no, no, no. This is serious. You are a pure, sweet girl.
Curly Flagg: Yeah?
Gus McNeal: Yeah. But some instinct tells you what he wants so you fight him off. He tears part of your clothes off. And you stand there before him half-clothed.
Curly Flagg: Swell!
Gus McNeal: Now then, your brother comes in just in time and shoots him. You run away so you won't have to appear as a witness against your brother and a college boy finds you and hides you.
Curly Flagg: Say, that's a co-incidence.
Gus McNeal: Yeah, isn't it? Well, you and the boy fall in love with each other. But his father, a fanatic, accuses you of being a bad girl. You convince the father that you are pure so he tries to get you. He tears your clothes off.
Curly Flagg: Yay!
Gus McNeal: This time, the son rescues you. And marries you.
Curly Flagg: Then he tears my clothes off?
Gus McNeal: That is an idea.
- ConnectionsReferenced in Kid Millions (1934)
- SoundtracksPut a Little Rhythm in Every Little Thing You Do
(uncredited)
Music by Harry Revel
Lyrics by Mack Gordon
Sung and danced by Miriam Hopkins
The movie begins with the opening titles and credits over the view of a Princeton University in which off-screen students are heard singing "Three Cheers for All, That's All." Then while the credits are still imposed on the screen, the scene changes focus to a nightclub in Philadelphia where Curly Flagg (Miriam Hopkins) is singing and dancing to a jive number, "Put a Little Rhythm in Every Little Thing You Do." While she is doing her tap dance, gun shots are heard and a man falls dead, causing excitement and screaming among the patrons. Because Curly happens to be the closest one to witness it, and not wanting to get mixed up in a gangland killing, she sneaks away from the nightclub and heads straight to the nearby train station. With only 75 cents to her name, Curly uses it to buy a ticket going as far as Princeton University. After arriving at the university, Curly, quite hungry, comes upon an open window where she finds Paul Lawton (Bing Crosby), a student who not only writes songs, but is studying to become a surgeon. Paul then encounters Curly, and with the help of his roommate, "Buzz" Jones (Edward J. Nugent), the two young men decide to help Curly by cutting her hair and dressing her up as one of the boys. Complications ensue in trying to keep Curly from giving herself away. Later, Lawton meets Midge Mercer (Kitty Carlisle), the dean's (Henry Stephenson) daughter, and becomes very much interested in her, in spite of he being engaged another girl, the snobbish Frances Arbuthnot (Judith Allen). The rest of the plot focuses on the gangsters who, after learning of Curly's whereabouts, coming to Princeton to try and kidnap her, and Lawton and Jones trying to prevent themselves from getting expelled shortly before graduation after the dean learns of what's happening.
SHE LOVES ME NOT was a highly successful comedy upon its release, but for now, comes somewhat forced, especially by Miriam Hopkins who is sometimes hilarious in her role, but then again her occasional screeching and screaming growing tiresome after a while. Aside from the usual college hi-jinx, the movie is presented with some nice tunes, mostly sung in good voice by Bing Crosby on the piano. In the supporting the cast are Lynne Overman, George Barbier, Ralf Harolde, Vince Barnett and Warren Hymer. Barnett and Hymer play gangster stooges hired by Harolde to kidnap Curly. Hymer's kidnapping methods comes off a bit strange here, for which he not only tries to get his victim unconscious by strapping a pillow over the girl's face, but for the men, forces them at gunpoint to drop their pants and leaving them in boxer shorts! Judith Allen, who was Crosby's featured co-star in TOO MUCH HARMONY (Paramount, 1933), appears in a secondary role as his fiancée as well as a kidnapping victim mistaken for Curly (Hopkins).
The songs composed for the movie include: "Put a Little Rhythm in Every Little Thing You Do" (by Mack Gordon and Harry Revel); "Cocktails for Two" (by Johnny Burke, Sam Coslow and Arthur Johnston, instrumental/ danced by Miriam Hopkins); "Straight From the Shoulder, Right From the Heart" (by Gordon and Revel); "Love in Bloom" (by Leo Robin and Ralph Rainger, both sung by Crosby and Kitty Carlisle); "I'm Humming, I'm Whistling, I'm Singing" (by Gordon and Revel, sung by Crosby); "Love in Bloom" (reprise); "Three Cheers for All, That's All," followed by other traditional college songs; and "I'm Humming, I'm Whistling, I'm Singing" (reprise by Crosby). Of all the melodies heard in this production, only "Love in Bloom" became a solid hit. So popular, it was nominated for an Academy Award for the initial Best Song category of 1934. While it did not win that honor, losing to "The Continental" from THE GAY Divorcée (RKO), it soon became comedian Jack Benny's lifelong theme song in both his radio and television shows. Plugged twice in the story by Crosby and Carlisle, the reprise comes off quite memorable as the couple converse on the telephone in a split screen view with a telephone pole between them as the two decide to sing their love song together.
SHE LOVES ME NOT was remade by Paramount in 1942 as TRUE TO THE ARMY starring Judy Canova, Allan Jones and Ann Miller, in the Hopkins, Crosby and Carlisle roles; and again by 20th Century-Fox in 1955 as HOW TO BE VERY, VERY POPULAR with Betty Grable, Robert Cummings and Sherre North. All three are seldom seen these days, but to watch and compare all three, start with the original. (***)
Details
- Runtime1 hour 25 minutes
- Color
- Aspect ratio
- 1.37 : 1