The managing editor for a newspaper, in hot water with his boss, is demoted to writing the "Nellie Nelson" heart throb column, where he gets the unexpected opportunity to crack a major story... Read allThe managing editor for a newspaper, in hot water with his boss, is demoted to writing the "Nellie Nelson" heart throb column, where he gets the unexpected opportunity to crack a major story.The managing editor for a newspaper, in hot water with his boss, is demoted to writing the "Nellie Nelson" heart throb column, where he gets the unexpected opportunity to crack a major story.
Douglass Dumbrille
- Harvey Dawes
- (as Douglas Dumbrille)
Dorothy Libaire
- Rosa Marinello
- (as Dorothy Le Baire)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFilmed in 1933, but not released until January 1934, narrowly escaping the menacing slash of the Production Code.
- GoofsAt the Merry-Go-Round club, Leo removes Sheldon's hat. But, in the next long shot with Brad and Shammy looking on, Sheldon's hat is back on. Plus, he's slumped over and his face is not visible, so Shammy couldn't identify him. In the next shot, Leo has Sheldon's hat in his hand again.
- Quotes
Samuel N. Bradshaw aka Brad: [upon leaving J.L.'s office after being fired] I'll be suing you.
- ConnectionsEdited into Angels with Dirty Faces (1938)
- SoundtracksHi, Nellie
(1934) (uncredited)
Music by Allie Wrubel
Played during the opening credits and at the end
Also played when Shammy spots Sheldon at the Merry Go Round Club
Featured review
Forced to write the Heartthrobs column, the former managing editor of a big city paper finds himself exposing a story of murder & political corruption.
Fast-moving & fun, HI, NELLIE! is another example of the comedy crime picture that Warner Brothers was so expert at producing. Casts & plots could be shuffled endlessly, with very predictable results. While this assembly line approach created few classics, audience enjoyment could usually be assured. Here, the look & feel of the paper's busy newsroom is smack on the mark and the performances, even with a script that's too plot heavy, never fail to entertain.
Consummate actor Paul Muni gets a rare chance at comedy here and pulls it off brilliantly, adding just the right amount of drama from time to time. Whether he's trashing his office in a fury, fighting with his boss or going nonchalantly into the headquarters of the enemy to collect information, Muni is never less than fascinating. He is teamed with the equally watchable Glenda Farrell, playing another one of her hard-boiled dames with a heart of gold. It is obvious from the script that their two characters were once lovers, but refreshingly no time is wasted with rekindling the flames - they are just chums, wary & respectful. Their unromantic chemistry adds much to the fun of the film.
A fine cast of character actors helps move the story along. Ned Sparks plays his usual acerbic self as an investigative reporter loyal to Muni. Little Donald Meek is equally good as an aged office clerk who provides assistance on the hectic news floor for Muni & Farrell. Berton Churchill as the paper's publisher & Douglass Dumbrille as Muni's rival both score in their roles.
Robert Barrat, Harold Huber & Edward Ellis all play dangerous bad guys who must be dealt with. Frank Reicher, fresh from his double stint as the captain in the KONG movies, here plays a none-to-savvy lawyer.
Movie mavens will recognize an uncredited John Qualen as a tenement custodian.
Fast-moving & fun, HI, NELLIE! is another example of the comedy crime picture that Warner Brothers was so expert at producing. Casts & plots could be shuffled endlessly, with very predictable results. While this assembly line approach created few classics, audience enjoyment could usually be assured. Here, the look & feel of the paper's busy newsroom is smack on the mark and the performances, even with a script that's too plot heavy, never fail to entertain.
Consummate actor Paul Muni gets a rare chance at comedy here and pulls it off brilliantly, adding just the right amount of drama from time to time. Whether he's trashing his office in a fury, fighting with his boss or going nonchalantly into the headquarters of the enemy to collect information, Muni is never less than fascinating. He is teamed with the equally watchable Glenda Farrell, playing another one of her hard-boiled dames with a heart of gold. It is obvious from the script that their two characters were once lovers, but refreshingly no time is wasted with rekindling the flames - they are just chums, wary & respectful. Their unromantic chemistry adds much to the fun of the film.
A fine cast of character actors helps move the story along. Ned Sparks plays his usual acerbic self as an investigative reporter loyal to Muni. Little Donald Meek is equally good as an aged office clerk who provides assistance on the hectic news floor for Muni & Farrell. Berton Churchill as the paper's publisher & Douglass Dumbrille as Muni's rival both score in their roles.
Robert Barrat, Harold Huber & Edward Ellis all play dangerous bad guys who must be dealt with. Frank Reicher, fresh from his double stint as the captain in the KONG movies, here plays a none-to-savvy lawyer.
Movie mavens will recognize an uncredited John Qualen as a tenement custodian.
- Ron Oliver
- Sep 29, 2003
- Permalink
Details
Box office
- Budget
- $223,000 (estimated)
- Runtime1 hour 15 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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