IMDb RATING
7.4/10
8.8K
YOUR RATING
A woman thinks a flirting man is the co-respondent her lawyer has hired to expedite her divorce.A woman thinks a flirting man is the co-respondent her lawyer has hired to expedite her divorce.A woman thinks a flirting man is the co-respondent her lawyer has hired to expedite her divorce.
- Won 1 Oscar
- 1 win & 5 nominations total
Norman Ainsley
- Undetermined Role
- (uncredited)
Jimmy Aubrey
- Undetermined Role
- (uncredited)
Finis Barton
- Undetermined Role
- (uncredited)
Eleanor Bayley
- Dancer
- (uncredited)
De Don Blunier
- Chorus Girl
- (uncredited)
Pokey Champion
- Dancer
- (uncredited)
Jack Chefe
- Night Club Patron
- (uncredited)
Storyline
Did you know
- TriviaThe musical number "The Continental" lasts 17 1/2 minutes, the longest number ever in a musical until Gene Kelly's 18 1/2-minute ballet at the end of An American in Paris (1951) 17 years later. It is also the longest musical number in all of Fred Astaire and Ginger Rogers' films together.
- GoofsCrew member coughs after the chase scene, picnic basket on running board and he's going through item list directly after she says, "After that."
- Quotes
Tonetti: [unable to remember his passphrase "Chance is a fool's name for fate," Tonettie repeatedly muffs it] Chance is the foolish name for fate. / Give me a name for chance and I am a fool. / Fate is a foolish thing to take chances with. / I am a fate to take foolish chances with. / Chances are that fate is foolish. / Fate is the foolish thing. Take a chance.
- Alternate versionsIn the version of the movie released in Brazil in the 1930s, the Brazilian actor Raul Roulien sang in the musical number "The Continental".
- ConnectionsEdited into Joan of Paris (1942)
- SoundtracksDon't Let It Bother You
(1934)
Music and Lyrics by Mack Gordon and Harry Revel
Dance performed by Fred Astaire
Featured review
Quoting the Eric Blore/Alice Brady interchange in the restaurant, this movie is indeed whimsical (or "whumsical") and beautiful to boot. There probably has never been a more perfect dance than "Night and Day"....or a more beautiful song to dance to. That is the highlight of this film, although the rest of it is well worth seeing. Erik Rhodes is absolutely hilarious as the paid correspondent and the humor is not dated which is unusual in a film of this age. The "Chance is a fool's name for fate" routine is priceless. Edward Everett Horton again proves that he is the originator of the befuddled sidekick without being irritating and his little "dance" with a very young Betty Grable is such fun The art deco sets and great 30's clothes are wonderful and it makes you wish for a time when everybody wore evening dress and danced at the drop of a hat. Don't miss it...this is one of the highlight Astaire/Rogers efforts.
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Details
- Release date
- Country of origin
- Languages
- Also known as
- La alegre divorciada
- Filming locations
- Santa Monica, California, USA(Exterior)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $520,000 (estimated)
- Gross worldwide
- $6,879
- Runtime1 hour 47 minutes
- Color
- Aspect ratio
- 1.37 : 1
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