IMDb RATING
6.9/10
2.5K
YOUR RATING
The Grim Reaper takes the form of a Prince in an attempt to relate to humans and, along the way, also learns what it is to love.The Grim Reaper takes the form of a Prince in an attempt to relate to humans and, along the way, also learns what it is to love.The Grim Reaper takes the form of a Prince in an attempt to relate to humans and, along the way, also learns what it is to love.
- Awards
- 1 win & 1 nomination
Guy Standing
- Duke Lambert
- (as Sir Guy Standing)
G.P. Huntley
- Eric
- (as G. P. Huntley Jr.)
Otto Hoffman
- Fedele
- (as Otto Hoffmann)
Anna De Linsky
- Cora
- (uncredited)
Moroni Olsen
- Religious Dignitary
- (uncredited)
Hector V. Sarno
- Pietro
- (uncredited)
Phillips Smalley
- Casino Manager
- (uncredited)
Frank Yaconelli
- Flower Vendor
- (uncredited)
Storyline
Did you know
- TriviaClaudette Colbert was initially slated for the role of Grazia.
- GoofsIn one of the opening scenes, Grazia is praying in a Catholic Church. She makes the Sign of the Cross and is meditating when Corrado joins her. When leaving, she fails to genuflect , something they both would have done in real life.
- Quotes
Prince Sirki: I wish that we may never meet when you are less beautiful, and I must be less kind.
- ConnectionsEdited from The Godless Girl (1928)
- SoundtracksValse Triste
(uncredited)
from "Kuolema, Op. 44"
Composed by Jean Sibelius
[Performed offscreen by an orchestra, and also during the end credits]
Featured review
First of all, the director of this film, Mitchell Leisen is one of the most underrated talents of 30's and 40's. He's acquired something of a bad reputation because of pretty vicious remarks made about him by Preston Sturges and Billy Wilder when talking about the films he directed from their scripts in the days before they were allowed to direct their *own* scripts. However, he doesn't deserve the derision. He's made some fluff films, for sure, but he's a consistently entertaining filmmaker who, more often than not, really delivers.
Anyway, Death Takes a Holiday is sort of his "art film" and it has a lot of great things in it. Fredric March's performance as Death is wonderful, the atmosphere is thick, the humor works, the scene setting is smart and romantic, and the opening titles are fun and weird, immediately presenting the film as something that's going to be a little unusual.
The problem with the film lies in Fredric March's romance with Evelyn Venable. The idea of Death falling in love with a human is great, but it's just not convincing here, mostly due to Venabale turning in a wooden performance that almost suggests she might be hypnotized. Also, the dialogue between them, particularly in the closing scene, is melodramatic and pseudo poetic beyond belief. You almost want to laugh at it.
It's a shame this most important aspect of the movie was handled so badly because just about everything else in film is great, particularly the interaction between Fredric March and just about everyone else in film who isn't Evelyn Venable. All of the good stuff just bursts with intruiging ideas.
And for that I would recommend the film to all potential viewers. The film is not without it's problems, but the good stuff is just good enough for me to say that the proverbial glass is definitely half full.
Anyway, Death Takes a Holiday is sort of his "art film" and it has a lot of great things in it. Fredric March's performance as Death is wonderful, the atmosphere is thick, the humor works, the scene setting is smart and romantic, and the opening titles are fun and weird, immediately presenting the film as something that's going to be a little unusual.
The problem with the film lies in Fredric March's romance with Evelyn Venable. The idea of Death falling in love with a human is great, but it's just not convincing here, mostly due to Venabale turning in a wooden performance that almost suggests she might be hypnotized. Also, the dialogue between them, particularly in the closing scene, is melodramatic and pseudo poetic beyond belief. You almost want to laugh at it.
It's a shame this most important aspect of the movie was handled so badly because just about everything else in film is great, particularly the interaction between Fredric March and just about everyone else in film who isn't Evelyn Venable. All of the good stuff just bursts with intruiging ideas.
And for that I would recommend the film to all potential viewers. The film is not without it's problems, but the good stuff is just good enough for me to say that the proverbial glass is definitely half full.
- oliverkneale
- Jun 10, 2000
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Details
- Release date
- Country of origin
- Languages
- Also known as
- Strange Holiday
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 19 minutes
- Color
- Aspect ratio
- 1.37 : 1
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