Two young men, one rich, one middle class, who are in love with the same woman, become fighter pilots in World War I.Two young men, one rich, one middle class, who are in love with the same woman, become fighter pilots in World War I.Two young men, one rich, one middle class, who are in love with the same woman, become fighter pilots in World War I.
- Won 2 Oscars
- 9 wins & 1 nomination total
Charles 'Buddy' Rogers
- Jack Powell
- (as Charles Rogers)
Charles Barton
- Soldier Flirting with Mary
- (uncredited)
Thomas Carr
- Aviator
- (uncredited)
Thomas Carrigan
- Undetermined Role
- (uncredited)
Margery Chapin
- Peasant Woman
- (uncredited)
Andy Clark
- Undetermined Role
- (uncredited)
Best Picture Winners by Year
Best Picture Winners by Year
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Storyline
Did you know
- TriviaWas lost for decades until a copy was discovered languishing in the Cinematheque Francaise film archive in Paris, France.
- GoofsThe film is set during the years 1917-1918, but most of the female civilian clothes and hairstyles are contemporary with the late 1920s, particularly the clothes worn by Clara Bow in the home sequences and in the Folies Bergère sequence. Bow and almost all the other female characters have bobbed hair, common in 1927 but almost non-existent during World War One.
- Quotes
Sergeant in Mervale: Hey, if youse guys need kissin' *I'll* kiss you - wit' a gun-butt!
- Alternate versionsSome showings have trimmed Clara Bow's brief topless scene.
- ConnectionsEdited into The Eagle and the Hawk (1933)
- SoundtracksThe Star Spangled Banner
(credited on 2012 restored score only)
Written by John Stafford Smith & Francis Scott Key
Featured review
This film is, no doubt, a timeless triumph of the silent cinema. I first saw it three years ago and have seen it at least 30 times since then. I've only looked back to see that I have it in my collection...but not on DVD! These studios need to start thinking back to the days in which movies as good as these were made and stop producing so much garbage that they think will make tons of money without considering whether it's done right or not. This film taught me just how important gesture and body language can be in the acting world, whether it be on film or on stage. I know just how "in-character" an actor is just by looking at their face, their eyes, and how they're written in the script. Don't get me wrong, people can overact and underact in certain parts, but if you do anything without considering your character's expression or mood, regardless of whether or not your voice is unbearable to hear, you will never see success past the sound of crickets hiding in the audience. The industry knew that sound was coming. Most didn't accept this truth, but they knew it alright! "Wings" reminds those who've seen it, as with most classics of the silent cinema, that ACTIONS SPEAK A MUCH GREATER VOLUME THAN THE SPOKEN WORD. I've said all I need to say, and now I'll let this picture speak for itself.
- DrezenMedia
- Apr 6, 2004
- Permalink
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Details
Box office
- Budget
- $2,000,000 (estimated)
- Gross worldwide
- $1,684
- Runtime2 hours 24 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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