In San Francisco, a villainous land owner with underworld connections seeks to steal the property of an old Spanish family.In San Francisco, a villainous land owner with underworld connections seeks to steal the property of an old Spanish family.In San Francisco, a villainous land owner with underworld connections seeks to steal the property of an old Spanish family.
Anders Randolf
- Michael Brandon
- (as Anders Randolph)
Charles Emmett Mack
- Terrence O'Shaughnessy
- (as Chas. E. Mack)
Angelo Rossitto
- Chang Loo - the Dwarf
- (as Angelo Rossita)
Louise Carver
- Big-nosed Woman on the Mile of Hell
- (uncredited)
Rose Dione
- Madame in Den of Iniquity
- (uncredited)
Willie Fung
- Chang Sue Lee's Laughing Servant
- (uncredited)
Sôjin Kamiyama
- Lu Fong
- (uncredited)
Andy MacLennan
- Man at Lu Fongs Place
- (uncredited)
Scotty Mattraw
- Coach Driver
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaA restaurant called "The Poodle Dog" is the setting for some scenes in this film. There was an actual upscale eatery with that name in San Francisco that operated from several locations, opening in 1849 until it closed in 1985.
- Quotes
Terrence O'Shaughnessy: Please, Senorita - I am not bold - I'm Irish.
- Alternate versionsThe print in the Turner library is a UCLA preservation print containing music and sound effects.
- ConnectionsEdited into The Sisters (1938)
Featured review
In turn of the the century San Francisco the noble Vasquez family are threatened with the loss of their property by the unscrupulous Mongol, Chris Buckwell. Buckwell, a Chinatown denizen holds considerable influence and sway in Frisco and does not hesitate to acquire by dubious means a piece of the action from local area merchants and land owners. The Vasquez family who has fought and died to keep their land over generations now must pin their hopes on the beautiful daughter Dolores (Dolores Costello) of the patriarch who aligns herself with a rambunctious Irishman (Charles Mack) to combat the diabolical Buckwell who in turn has lascivious designs on Dolores.
Despite being wrought with bias and ethnic stereotyping, Old San Francisco is a splendid example of visual poetry that displays the silent art form in all it's glory. Camera movement is minimal (but used brilliantly at the films climax) with nearly every image a beautiful tableaux of light and composition in group shot and close-up. The underground Chinatown that Buckwell moves between from his 112 Sierra avenue address is a dark, mysterious nether world, both exotic and threatening.
Warner Oland as Buckwell is a superb villain. In addition to desiring all things Vasquez he uses his formidable connections to shake down local Chinese merchants who claim that while "he is of the blood he is not of the breed". In addition to his greed and pursuit of power he worships false idols, exploits the religious fervor of others and keeps his dwarf brother in a cage. For the most part he remains stoic, utilizing an evil sneer that understatedly sums up his consummate villainy.
While director Alan Crosland (The Jazz Singer) is at best a footnote in film history he helms a work as good as any silent master. Once he gets past a boiler plate prologue his use of light and shadow, close-up and reaction shot as well as utilization of props as insignificant as a broken gate show the work of a storyteller in complete control. Combined with a beautiful musical score and title cards of polished prose Old San Francisco is a feast of esoteric ambiance and textbook silent film making.
Despite being wrought with bias and ethnic stereotyping, Old San Francisco is a splendid example of visual poetry that displays the silent art form in all it's glory. Camera movement is minimal (but used brilliantly at the films climax) with nearly every image a beautiful tableaux of light and composition in group shot and close-up. The underground Chinatown that Buckwell moves between from his 112 Sierra avenue address is a dark, mysterious nether world, both exotic and threatening.
Warner Oland as Buckwell is a superb villain. In addition to desiring all things Vasquez he uses his formidable connections to shake down local Chinese merchants who claim that while "he is of the blood he is not of the breed". In addition to his greed and pursuit of power he worships false idols, exploits the religious fervor of others and keeps his dwarf brother in a cage. For the most part he remains stoic, utilizing an evil sneer that understatedly sums up his consummate villainy.
While director Alan Crosland (The Jazz Singer) is at best a footnote in film history he helms a work as good as any silent master. Once he gets past a boiler plate prologue his use of light and shadow, close-up and reaction shot as well as utilization of props as insignificant as a broken gate show the work of a storyteller in complete control. Combined with a beautiful musical score and title cards of polished prose Old San Francisco is a feast of esoteric ambiance and textbook silent film making.
Details
Box office
- Budget
- $300,000 (estimated)
- Runtime1 hour 28 minutes
- Aspect ratio
- 1.33 : 1
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