IMDb RATING
7.5/10
1.6K
YOUR RATING
Three outlaws come to the aid of a young girl after her father is killed.Three outlaws come to the aid of a young girl after her father is killed.Three outlaws come to the aid of a young girl after her father is killed.
George Harris
- Joe Minsk
- (as Georgie Harris)
Alec B. Francis
- Rev. Benson
- (as Alec Francis)
Grace Gordon
- Millie's Pal
- (uncredited)
George Irving
- Gen. Neville
- (uncredited)
Bud Osborne
- Hunter's Henchman
- (uncredited)
Vester Pegg
- Henchman Shooting Lucas
- (uncredited)
Walter Perry
- Pat Monahan
- (uncredited)
Eleanore Vogel
- Woman
- (uncredited)
Storyline
Did you know
- TriviaAssuming its copyright has not lapsed already, this film and all others produced in 1926 enter the U.S. public domain in 2022.
- GoofsDuring the bathing sequence, the tent appears to be normal size from the outside, but it is several times as big in the interior shots.
- Quotes
[title card]
Title Card: Mike Costigan and 'Spade' Allen weren't exactly thieves - but they had a habit of finding horses that nobody had lost
- Alternate versionsThe version shown on the American Movie Classics channel had an uncredited piano score. It was provided by 20th Century-Fox and ran 92 minutes.
- ConnectionsFeatured in Directed by John Ford (1971)
- SoundtracksCarry Me Back to Old Virginny
(uncredited)
Traditional Southern ballad (1840s) rewritten by James Alan Bland (1878)
Integrated into restoration score as a theme for Lee's father.
Featured review
This film convinces me that John Ford deserves his legendary status. He seems to have had his unique gift for cinema story telling from his beginnings. This is a starkly realistic tale depicting , unromantically , some of the brutal hardship of the late 19th century west.
There is great poignancy in the loyalty and ethos which surface in even the most "bad" of men. To convey this in a silent film , with fairly minimal use of dialogue screens , required some pretty good acting and good camera work. There are several protracted facial studies which convey the critical messages very eloquently. Through most of the film I forgot that there was no "talking" dialogue. There are some surprisingly "contemporary" humor lines on the dialogue screens , not typical of westerns but quite typical of Fords evolving love of pathos.
There is great poignancy in the loyalty and ethos which surface in even the most "bad" of men. To convey this in a silent film , with fairly minimal use of dialogue screens , required some pretty good acting and good camera work. There are several protracted facial studies which convey the critical messages very eloquently. Through most of the film I forgot that there was no "talking" dialogue. There are some surprisingly "contemporary" humor lines on the dialogue screens , not typical of westerns but quite typical of Fords evolving love of pathos.
- geocon90293
- Mar 9, 2005
- Permalink
Details
- Runtime2 hours 2 minutes
- Sound mix
- Aspect ratio
- 1.33 : 1
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