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Younger generation vs. "older" folks on vacation at an Italian villa.

An amnesiac man and his estranged wife restart their romance, only to find themselves hounded by unscrupulous figures from his past life.

Biopic of Mafia boss Lucky Luciano, covering his life from 1946 to 1962 with occasional flashbacks.

An Italian policeman goes undercover to break up an international heroin smuggling ring, and butts heads with a hot-tempered Interpol agent assigned to the same task.

Trapped in a damaged cryogenic pod, a man is forced to watch a series of horrific science-fiction tales while his life support systems run out. Featuring eight intense stories of the unknown and other-worldly, equally wonderful and terrifying. Visit the GALAXY OF HORRORS, if you dare! Curated from Rue Morgue & Unstable Ground's Little Terrors Festival.

This is a buddy film with a small-time thug (Victor Lobianco) meeting a high-profile gangster (Lee Van Cleef) while in prison. The pair team up to attempt a prison breakout.

A woman is tormented by dreams that she is the reincarnation of a dead countess. Her father, trying to get her to stop the dreams, takes her to a village near the castle of the late countess. In the village she meets a reporter who is investigating reports of the deaths of two young women who it is believed were killed by a creature that lives in the castle.

The band of musketeers; D'Artagnan, Porthos, Aramis and Athos, portrayed in a purely self-ironic and disenchanted key, in a series of adventures in order to save King Louis XIV.

A police officer meets a girl who is near to falling into the net of shady individuals. To prevent this, he invites her into the police station and tells her a story.

Two old friends are training to participate in the New York Marathon. The long training sessions become an opportunity for them to confront each other, joke around, argue, and take stock of their lives.

Giorgio is a famous journalist who, together with his ex-wife, takes care of his teenage son, Tito. The latter has a conflicted relationship with his father and prefers to spend time with friends, but everything changes when he meets Alice.

... It all started with a sudden feeling that something has permanently changed around us and in our life in the past 15 or 20 years. We have never noticed how the changes were taking place within our presence. As if we never have existed and there have never been all those years. The time of exposure is the life span of an object in frame. In this regard, any photo is not just two-dimensional graphic composition - it always has the third, temporal dimension, the temporal depth. A photo is a time carrier, a time vessel. It means - a vessel of memory... But whose memory?.. Of the Face or the Thing or the Landscape which are still on the photo?.. Of the Photographer?.. Having chosen photos as material of the film and memory as the theme, we inevitably find ourselves in a labyrinth of our own and the others' memories, of our own and the others' time being. And seeking for the escape we are becoming a part of this labyrinth and the material of the own film. This is a film about relationships that have developed between the Author and the Raw Material at the heart of his Creative Work to a point when the Material itself becomes the main character and the Author is compelled to become a part of the Material to keep a possibility of interacting with It on an equal footing.

The President, an intern and two fiber optics specialists find themselves trapped in the Oval Office after discovering the windows and doors have been rigged to explode.

While world religious leaders gather for a top secret meeting in La Spezia, the Reverend Jones, a famous television preacher and the creator of 'Reverend Jones's Sauce', is set on replacing them all and imposing his credo on the unsuspecting world. To that end he hires the services of a sophisticated and infallible killer named Omega whose only defect lies in the perfection with which he carries out his mission. His success rate bores him rigid and in order to drum up some well-needed enthusiasm, Omega creates a whole set of difficulties for himself while on the job. Given the unique nature of the task that the Reverend Jones has assigned him, Omega decides to tell someone what he is about to do. But instead of telling someone in authority, Omega chooses a name at random from the phone book: Carlo Maggi, a normal twenty-eight year old about to be married and live a normal, albeit boring life. Carlo tries to warn the police, who ignore him and then he goes to the papers. The only person to believe his tall tale is Anna Letizia Kohler, a young and ambitious journalist. They decide to try and stop Omega and set out together for La Spezia in a Fiat 500 that has seen better days. A journey that would normally take a couple of hours takes them an entire day. Will they be in time?

Margherita, a regular girl just about to turn thirty, has got a life and a normal job, a boyfriend whom she loves and a she did not get any strange ideas. Her existence is disrupted by the death of her beloved grandmother who had raised her. The old woman was hiding a secret that had torn her soul for years: discovering what happened to her mother, a young actress in twenties, disappeared during the shooting of a film directed by a madman named Agenore Venturi. After the grandmother's funeral, Margherita begins to have terrifying visions and fears to going crazy. Even her boyfriend begins to doubt her sanity. The visions are increasingly disturbing and Margherita decides to seek help from a priest, her confidant. The man reveals to her something terrible about Venturi's past. After overcoming many misfortunes, Margherita succeeded in finding copy of the film that was supposed to be lost. The vision of those images reveals a truth that had to remain buried in the oblivion of time.

The Crossing takes us along on one of the most dangerous journeys of our time with a group of Syrians fleeing war and persecution, crossing a sea, two continents and five countries, searching for a home to rekindle the greatest thing they have lost - Hope. They make it to Europe, only to find out that the hardest part of their journey still lies ahead.

Harald and Rolf lure young women with newspaper adds promising a lucrative future as dancers. Once the girls get hooked they are drugged to submission.

Ten classmates have disappeared on the evening of 3rd March 2011. The boys were in the family home of one of them, Fabio, for a party. But the next morning, none of them was still there. Gone, vanished into thin air. A few months later their parents receive an anonymous DVD, which contains the shooting of what happened the night of the party. They are not just shootings, but something similar to a real movie about that night. Edited, set to music, post-produced. But who shot that video? And why? The truth seems not to be hidden in the content of that video only. LA FESTA is THE FIRST MOVIE 2.0 A film event conceived and designed to be previewed in web distribution and free of charge, as well as to be shared on social media.

Christian is a dreamer who cannot find his place in this world; for the past 10 years he's been living in London, a city of a million opportunities, and training to become a professional in martial arts. At 35 years old, nothing he aspired to has become a reality. When he finds himself unemployed, his girlfriend (tired of his endless excuses) kicks him to the curb. Now he will be forced back to his birthplace, Genoa, where he will have to rediscover himself, reinvent himself, and above all else adapt himself to a new reality of friends and family, a reality far different from that which he imagined.

A US Secret Service agent must go to Hong Kong because of the disappearance of some important documents her former partner carried. These documents, if they fell into enemy hands, could be very dangerous and cause many more deaths.

The story of Luigi "Gigi" Meroni, Torino Football Club winger and representative of Italy who died on October 15, 1967 at the age of 24, hit by a car while crossing a street in Torino.

"80 voglia di te" (I want you so much) is the story of a psychologist in a marital crisis who, except for his work and phobias of various patients, is dedicated to his family, two sons (struggling with first loves and school problems) and his father, grandpa Frederick. One day a new patient comes in to his office. Little does he know that this new patient is actually his wife's lover.

Alessandra Dominici is a member of the government aged 35. Her life is restless and full of political commitments. We meet her as she encounters two representatives of peasant associations. She looks barely interested and through the meeting she is contacted by her secretary: Alessandra must sell an old family property, a farm in Piedmont and she is due north to close the deal. A car is waiting for her. Alessandra, although annoyed, leaves to visit the ancient villa. Once she arrives on site, accompanied by her secretary, she enters the place architecturally attributable to the early 1900s. Arriving to visit the top floor of the villa, Alessandra finds, among the dilapidation and neglect proposed by the house, a dusty and worn brown notebook: Rosa Gentilizi's diary. the diary of the poet, Rosa Gentilizi, who lived in the early 1900s, her ancestor. By reading, the writings left in memory by the old poetess, Alessandra thus enters the history of the poetess: Alessandra has entered Rosa's story, two different time lines overlap with each other (the one of our days, and that of 1900) The diary tells of the impossible love between Rosa, a poet suffering from chronic tuberculosis, locked up by her austere parents in her room, and Antonio, a 1900 farmer with a noble, chivalrous and poetic soul forced to work in the fields, together with his two narrow-minded and grotesque fellow farmers, to lack of a solid education and a solid family behind them. The farmer, Antonio, after hearing about the poetess (a fascinating woman for the town, because everyone has heard of her but no one has ever seen her), and after being mocked by his companions because he showed interest in poetry and noble princes, decides to bet with the two. The bet focuses on Antonio writing a poem to be delivered to the poetess. if his effort is positively received by the poetess with a consequent response to Antonio, he will be safe from the verbal and physical harassment inflicted on him by the two colleagues. If not he will forced to work for the two farmers for the rest of his days. Once the poem has been delivered to the poetess, it is not easy for the farmer to receive a response: Rosa's parents, wanting to protect her from possible disappointments in love, have hidden the envelope containing the poem, written by Antonio, and a bouquet of gardenias. white, left as a gift by the farmer. Antonio having little time available (Rosa's answer must arrive within five days, otherwise he has lost the bet), goes to check, looking for the poetess's gaze, if she has answered: She sees him from her bedroom window but he doesn't see her. One evening, however, taking advantage of Rosa's parents' outing, Rosa finds the poem and the bouquet of gardenias. Having read the poem, Rosa remains amazed and in love with the words written by the farmer: she responds to the letter. Once answered, she goes out onto the balcony of her room, looks intensely at her possible suitor and then, perhaps invaded by too much emotion, collapses at the edge of the balcony: the poetess is dead but she has let her answer fall out of the window. Meanwhile, her parents return home (Antonio hid from them so as not to be seen) and find their daughter dead. Antonio, since the poetess responded, is free from the slavery of the two peasants, but is embittered because he cannot understand if that love story, born out of a bet, could become important for him and her. Alessandra, after seeing the evolution of this story, rushes back into the garden of the villa and finds a small white gardenia petal (remained intact, alive and lively and frozen in time ). The petal is the link between the present and the past. Alessandra is Rosa, Rosa is Alessandra. The MP, therefore, decides to keep home. On the return journey she seems to see Antonio sitting by an old oak and writing his poems.