For a fallen-down Catholic boy like me, seeing Risen, a take on the weeks after Christ's Resurrection, should have offered me a year's supply of cynicism. As it turns out, the film was a pleasant trip back to the days when I did believe, when awe was a companion of my faith.
This uninspired Biblical thriller shows a powerful Roman tribune, Flavius (an underplaying to good effect Joseph Fiennes), ordered by Pilate (Peter Firth) to get rid of the Nazarene, and after His resurrection, find Him, and kill Him again. With restraint, director Kevin Reynolds makes even me a brief believer because the actors, from Cliff Curtis (Yeshua--Jesus) to Mary Magdalene (Maria Botto), play their roles with a natural affection that's supported by no swelling music or dazed looks.
But it's Fiennes who impressed me most: As he plays a character who is probably meant to be a surrogate for doubters like me in the audience, he actually makes us believers for the moment. So dedicated he is to proving this Messiah a hoax that his growing belief becomes a balm for our disbelief.
Beyond this nicely played worship is a set that looks like it came from a hundred other "B" movie sword and sandal epics. Yet, the underplayed plot, which pretty much follows the New Testament depiction of Christ's resurrection, has a quiet charm that reminds us of the Biblical text that needs no resurrection: It is with us forever.
This uninspired Biblical thriller shows a powerful Roman tribune, Flavius (an underplaying to good effect Joseph Fiennes), ordered by Pilate (Peter Firth) to get rid of the Nazarene, and after His resurrection, find Him, and kill Him again. With restraint, director Kevin Reynolds makes even me a brief believer because the actors, from Cliff Curtis (Yeshua--Jesus) to Mary Magdalene (Maria Botto), play their roles with a natural affection that's supported by no swelling music or dazed looks.
But it's Fiennes who impressed me most: As he plays a character who is probably meant to be a surrogate for doubters like me in the audience, he actually makes us believers for the moment. So dedicated he is to proving this Messiah a hoax that his growing belief becomes a balm for our disbelief.
Beyond this nicely played worship is a set that looks like it came from a hundred other "B" movie sword and sandal epics. Yet, the underplayed plot, which pretty much follows the New Testament depiction of Christ's resurrection, has a quiet charm that reminds us of the Biblical text that needs no resurrection: It is with us forever.