In 1928, Miskatonic University folklore professor Albert Wilmarth enjoys debunking theories of the occult, even though he is roundly trounced – on radio, no less – by Charles Fort when they have a debate on whether certain stories in Vermont that have come to light following a flood are based in fact. He has also been carrying on correspondence with an intelligent, yet fearful, farmer in Vermont, who insists that the strange beings seen in the floodwaters are real, and are all around his farm. Wilmarth is curious, especially after he finds the original manuscript of a very rare book of folklore collected in Vermont back in the 1800s, containing stories which seem to correspond to what his farmer correspondent, Henry Akeley, has described in his letters. So when he receives a strange letter from Akeley that completely up-ends the farmer's previous fears about alien creatures and that invites Wilmarth to come to the farm to discuss the wondrous things that he has learned, well, Wilmarth can't possibly turn the invitation down. But when he arrives in the hills of Vermont, the local folk he meets all seem downright hostile, and when he arrives at the farm, he finds that Akeley himself is not well. And that is just the beginning of the discoveries that await him....
This film, created by a collective called the HP Lovecraft Historical Society, is clearly lovingly made – done in black and white and in the style of the early 1930s, it tells one of Lovecraft's more evocative tales and then expands upon it. (Lovecraft's story ends at about the one-hour mark of the film, which continues for another 40 minutes or so.) The atmosphere is terrific, and the style of the story-telling really permits the audience to feel themselves back in the early 1930s, even up to the various mad-scientist gadgets that evoke such classics as the lab in the original "Frankenstein" film. The monsters are more or less what one might expect to see in an early 1930s film based on an HP Lovecraft story, but that doesn't make them any less menacing or eerie. You don't need to be a Lovecraft fan to love this movie, though it wouldn't hurt; you probably don't even need to be a fan of old movies. You just have to love movies, especially ones with great atmosphere and straight-up acting and a storyline that keeps you involved every step of the way. Highly recommended!
This film, created by a collective called the HP Lovecraft Historical Society, is clearly lovingly made – done in black and white and in the style of the early 1930s, it tells one of Lovecraft's more evocative tales and then expands upon it. (Lovecraft's story ends at about the one-hour mark of the film, which continues for another 40 minutes or so.) The atmosphere is terrific, and the style of the story-telling really permits the audience to feel themselves back in the early 1930s, even up to the various mad-scientist gadgets that evoke such classics as the lab in the original "Frankenstein" film. The monsters are more or less what one might expect to see in an early 1930s film based on an HP Lovecraft story, but that doesn't make them any less menacing or eerie. You don't need to be a Lovecraft fan to love this movie, though it wouldn't hurt; you probably don't even need to be a fan of old movies. You just have to love movies, especially ones with great atmosphere and straight-up acting and a storyline that keeps you involved every step of the way. Highly recommended!