In 1914 and early 1915, Chaplin did his first comedy shorts. In general, they were pretty awful--with almost no plot and consisting of him mugging it up on camera and hitting people. However, in 1915 he left Keystone Studio and began making better films with Essenay (though there are some exceptions) and finally, in 1916, to Mutual where he made his best comedy shorts. These newer films had more plot and laughs and usually didn't relay on punching or kicking when they ran out of story ideas.
Compared to other Mutual comedies, this one is a bit of a let-down, as again and again it seems like Charlie and the crew really are given no direction. They just wanter about aimlessly and yell a lot and slap each other, but not a whole lot of plot until the very end. This is a pretty spectacular ending, though, as you really get to see Chaplin's athletic skills!
Compared to other Mutual comedies, this one is a bit of a let-down, as again and again it seems like Charlie and the crew really are given no direction. They just wanter about aimlessly and yell a lot and slap each other, but not a whole lot of plot until the very end. This is a pretty spectacular ending, though, as you really get to see Chaplin's athletic skills!