Swedish director and actress Josephine Bornebusch offers us a raw family drama that touches our deepest fibers with a conventional film, but made with all possible sincerity.
The film takes us to an intense family drama in crisis and that little by little will be rediscovered in a harsh truth that changes all the perspectives of each member of this family. The director sets out to give us a sincere drama without limiting herself in any way, destroying relationships, destroying worlds and destroying realities, all of that handled with the subtlety of a very good director who also stars in her own script, which leads us to feel with all the intensity this drama that she offers us.
It is helped by a cast that is also committed, where Pål Sverre Hagen and Sigrid Johnson stand out. Each character has something to tell and something to face their own fears and regrets with, that intensity put into each scene is what captivates us as spectators and at the same time its director is intelligent in not risking anything improper, Bornebusch touches the conventional keys of how to conquer the spectator, but she does it in an authentic way and without looking for anything easy, she does it with a correct look at an intense drama that breaks you as it reaches its final climax where you sense that everything will break definitively.
We are faced with a sad, moving and deeply heartbreaking story that hides nothing and gives you a true story that keeps coming back to you as everything happens. The moments of happiness, especially well placed thanks to intelligent humor, are part of the dose of relief from a deep drama full of sadness and everything that allows you to experience a process of emotions and tears that break the deepest heart of any viewer.
A brave film that, in its well-used conventionality, manages to hit the nail on the head as one of the pleasant and saddest dramas of 2024. Its director continues to demonstrate her directing skills, but also her good work in front of the screen, an interesting proposal that is worth giving a chance to move you and enjoy life's blows.
The film takes us to an intense family drama in crisis and that little by little will be rediscovered in a harsh truth that changes all the perspectives of each member of this family. The director sets out to give us a sincere drama without limiting herself in any way, destroying relationships, destroying worlds and destroying realities, all of that handled with the subtlety of a very good director who also stars in her own script, which leads us to feel with all the intensity this drama that she offers us.
It is helped by a cast that is also committed, where Pål Sverre Hagen and Sigrid Johnson stand out. Each character has something to tell and something to face their own fears and regrets with, that intensity put into each scene is what captivates us as spectators and at the same time its director is intelligent in not risking anything improper, Bornebusch touches the conventional keys of how to conquer the spectator, but she does it in an authentic way and without looking for anything easy, she does it with a correct look at an intense drama that breaks you as it reaches its final climax where you sense that everything will break definitively.
We are faced with a sad, moving and deeply heartbreaking story that hides nothing and gives you a true story that keeps coming back to you as everything happens. The moments of happiness, especially well placed thanks to intelligent humor, are part of the dose of relief from a deep drama full of sadness and everything that allows you to experience a process of emotions and tears that break the deepest heart of any viewer.
A brave film that, in its well-used conventionality, manages to hit the nail on the head as one of the pleasant and saddest dramas of 2024. Its director continues to demonstrate her directing skills, but also her good work in front of the screen, an interesting proposal that is worth giving a chance to move you and enjoy life's blows.