How they were able to attain funding to produce this..uh..movie, has to be more of a feat than the production itself.
I'm so glad to see Wil Wheaton didn't leave Star Trek: The Next Generation without such promising projects awaiting him.
Wheaton plays an androgenous, Palamino-skinned Frankenstein's Monster with amnesia, who after reading one of several books, the Bible, names himself Lazarus.
With huge vacant lab rooms, filmed using more lens gauze than Penthouse, an eventual laboratory breakout, and a crazy road trip(by the way, when did he take the 'Mad Max' driving course), 'Stitch' can only leave you asking one question? Ron Perlman had plenty of time post-"Beauty and the Beast", but what was Taylor Negron thinking?
I'm so glad to see Wil Wheaton didn't leave Star Trek: The Next Generation without such promising projects awaiting him.
Wheaton plays an androgenous, Palamino-skinned Frankenstein's Monster with amnesia, who after reading one of several books, the Bible, names himself Lazarus.
With huge vacant lab rooms, filmed using more lens gauze than Penthouse, an eventual laboratory breakout, and a crazy road trip(by the way, when did he take the 'Mad Max' driving course), 'Stitch' can only leave you asking one question? Ron Perlman had plenty of time post-"Beauty and the Beast", but what was Taylor Negron thinking?