This film is all the more fantastic because it is, however loosely, based on fact. Chan is in one of his finest roles as Chinese hero Wong Fei Hung, fighting foreigners who wish to take artefacts out of China during the Ching dynasty.
An appreciation of turn-of-the-century China does help, but even without it, the film remains incredibly entertaining. The kung-fu choreography is interwoven with a well-written story which should instil pride in any Chinese moviegoer.
Even Chan's acting is excellent, as the young Wong Fei Hung who develops his "drunken boxing" style - a type of kung-fu which is aided by the consumption of alcohol. However, his father forbids his son's drinking, fearing that he will not know when to stop. His stepmother is encouraging, hoping to put her stepson on the map in the local community. The rapport between the characters is superb and realistically acted by the players. The martial arts' choreography here is among the best in any film.
Of Chan's movies set in an earlier time period, Jui Kuen II must rank as his best. An excellent example of the genre.
An appreciation of turn-of-the-century China does help, but even without it, the film remains incredibly entertaining. The kung-fu choreography is interwoven with a well-written story which should instil pride in any Chinese moviegoer.
Even Chan's acting is excellent, as the young Wong Fei Hung who develops his "drunken boxing" style - a type of kung-fu which is aided by the consumption of alcohol. However, his father forbids his son's drinking, fearing that he will not know when to stop. His stepmother is encouraging, hoping to put her stepson on the map in the local community. The rapport between the characters is superb and realistically acted by the players. The martial arts' choreography here is among the best in any film.
Of Chan's movies set in an earlier time period, Jui Kuen II must rank as his best. An excellent example of the genre.