Quando seu filho é capturado, um peixe-palhaço tímido embarca em uma viagem para trazê-lo para casa.Quando seu filho é capturado, um peixe-palhaço tímido embarca em uma viagem para trazê-lo para casa.Quando seu filho é capturado, um peixe-palhaço tímido embarca em uma viagem para trazê-lo para casa.
- Ganhou 1 Oscar
- 49 vitórias e 63 indicações no total
Albert Brooks
- Marlin
- (narração)
Ellen DeGeneres
- Dory
- (narração)
Alexander Gould
- Nemo
- (narração)
Willem Dafoe
- Gill
- (narração)
Brad Garrett
- Bloat
- (narração)
Allison Janney
- Peach
- (narração)
Austin Pendleton
- Gurgle
- (narração)
Stephen Root
- Bubbles
- (narração)
Vicki Lewis
- Deb
- (narração)
- …
Geoffrey Rush
- Nigel
- (narração)
Andrew Stanton
- Crush
- (narração)
Elizabeth Perkins
- Coral
- (narração)
Nicholas Bird
- Squirt
- (narração)
Bob Peterson
- Mr. Ray
- (narração)
Barry Humphries
- Bruce
- (narração)
Bruce Spence
- Chum
- (narração)
Enredo
Você sabia?
- CuriosidadesAndrew Stanton pitched his idea and story to Pixar head John Lasseter in an hour-long session, using elaborate visual aids and character voices. At the end of it, an exhausted Stanton asked Lasseter what he thought, to which Lasseter replied, "You had me at 'fish.'"
- Erros de gravaçãoMarlin and Dory are advised to swim to the back of the whale's throat and to be blown out of the whale's blowhole. This is not physically possible as whales' mouths and digestive systems are not connected to their respiratory system and blowhole.
- Cenas durante ou pós-créditosVicki Lewis is credited as "Deb (and Flo)" which refers to the gag in the film where Deb thinks the reflection in the glass is her twin sister.
- Versões alternativasIn the 3D re-release the old Disney logo is replaced with the new Disney logo and the Pixar logo that was used in the 3D version of Up - Altas Aventuras (2009). These changes were also made in the 3D Blu-ray release (The regular Pixar logo is used in the 2012 DVD & 2D Blu-ray version).
- ConexõesEdited into The Paul Behragam Talk Show: "Balto 3" R&T Part 6 (2015)
- Trilhas sonorasThe Girl from Ipanema
Written by Antonio Carlos Jobim, Vinicius de Moraes, and Norman Gimbel
Avaliação em destaque
Remember back when you were little.you know, back when tall to you was about as high as a mailbox? In those days, Disney animated films (e.g. `Lion King' and `Beauty and the Beast') were some of the coolest things out there and were movies to watch over and over (much to your parents' chagrin). Now, animated movies aren't exactly the `coolest' things to see, but an exception can be made for the uber-hip Pixar movies, the most recent of which being `Finding Nemo'.
After losing all but one of his brood, Marlin (Albert Brooks) an over-protective clown fish that strangely lacks a sense of humor, has resolved to protect his one (slightly disabled) `child' remaining, Nemo (Alexander Gould). But disaster strikes as Nemo is taken by a Sydney dentist and plopped into a fish tank where he is comforted by a host of other captive fish (William Dafoe, Vicki Lewis, Allison Janney, et al). But back in the big ocean Down Under, Marlin has resolved to search out his one remaining progeny.
Along the way on his quest, Marlin acquires a tag-along `friend', Dory (Ellen DeGeneres)-a fish with, well, the memory capacity of a fish. The two must surmount hurdles like a group of sharks (Eric Bana, Barry Humphries and Bruce Spence) that have (mostly) sworn off eating other fish, a nasty swarm of jellyfish, a bird-brained flock of seagulls, and others.
This is the bridge! Well, in a way. Back when I was younger, one of my favorite films was `The Incredible Mr. Limpet', which, for the uninitiated, combined live-action with under-the-sea fish animation. What Pixar has done here was bring back that film to my mind and start me thinking, because they have created a wondrous undersea environment (with `normal-looking' fish instead of 1960s animated fish).
My favorite feature in this movie chock-full of sweet treats must be the sharks. I have always been partial to the shark family, but what has been done in creating three humorous sharks (what a movie concept), just sent paroxysms of laughter through me. Another thing that (mostly) works is Ellen DeGeneres' fish (character?) that provides a fairly constant source of laughter with her antics (although a couple gags do wear on the viewer with time). On the whole though, there is not a single bit of shoddy voice-acting or animation in it.
Compared to `Monsters Inc.', `Finding Nemo' is something of a revival for Pixar. I like how they have stepped up their efforts to make an altogether pleasing film without any big flaws. The thing that I did not like with `Monsters' was the inclusion of a single key (but EXTREMELY annoying) character. Director Andrew Stanton has done an excellent job at making the film work and be (basically) non-annoying to most of the general public (and this critic).
I suppose life has come full circle-now that I am (relatively) old as a high school graduate, animation is cool again, thanks to high-powered computers, at any rate. `Finding Nemo' is one heckuva movie and a good one to take anyone you know to, trust me on this-nine out of ten.
After losing all but one of his brood, Marlin (Albert Brooks) an over-protective clown fish that strangely lacks a sense of humor, has resolved to protect his one (slightly disabled) `child' remaining, Nemo (Alexander Gould). But disaster strikes as Nemo is taken by a Sydney dentist and plopped into a fish tank where he is comforted by a host of other captive fish (William Dafoe, Vicki Lewis, Allison Janney, et al). But back in the big ocean Down Under, Marlin has resolved to search out his one remaining progeny.
Along the way on his quest, Marlin acquires a tag-along `friend', Dory (Ellen DeGeneres)-a fish with, well, the memory capacity of a fish. The two must surmount hurdles like a group of sharks (Eric Bana, Barry Humphries and Bruce Spence) that have (mostly) sworn off eating other fish, a nasty swarm of jellyfish, a bird-brained flock of seagulls, and others.
This is the bridge! Well, in a way. Back when I was younger, one of my favorite films was `The Incredible Mr. Limpet', which, for the uninitiated, combined live-action with under-the-sea fish animation. What Pixar has done here was bring back that film to my mind and start me thinking, because they have created a wondrous undersea environment (with `normal-looking' fish instead of 1960s animated fish).
My favorite feature in this movie chock-full of sweet treats must be the sharks. I have always been partial to the shark family, but what has been done in creating three humorous sharks (what a movie concept), just sent paroxysms of laughter through me. Another thing that (mostly) works is Ellen DeGeneres' fish (character?) that provides a fairly constant source of laughter with her antics (although a couple gags do wear on the viewer with time). On the whole though, there is not a single bit of shoddy voice-acting or animation in it.
Compared to `Monsters Inc.', `Finding Nemo' is something of a revival for Pixar. I like how they have stepped up their efforts to make an altogether pleasing film without any big flaws. The thing that I did not like with `Monsters' was the inclusion of a single key (but EXTREMELY annoying) character. Director Andrew Stanton has done an excellent job at making the film work and be (basically) non-annoying to most of the general public (and this critic).
I suppose life has come full circle-now that I am (relatively) old as a high school graduate, animation is cool again, thanks to high-powered computers, at any rate. `Finding Nemo' is one heckuva movie and a good one to take anyone you know to, trust me on this-nine out of ten.
- ur1403018
- 4 de jun. de 2003
- Link permanente
Principais escolhas
Faça login para avaliar e ver a lista de recomendações personalizadas
Detalhes
- Data de lançamento
- Países de origem
- Centrais de atendimento oficiais
- Idiomas
- Também conhecido como
- Procurando Nemo 3D
- Locações de filme
- Empresas de produção
- Consulte mais créditos da empresa na IMDbPro
Bilheteria
- Orçamento
- US$ 94.000.000 (estimativa)
- Faturamento bruto nos EUA e Canadá
- US$ 380.843.261
- Fim de semana de estreia nos EUA e Canadá
- US$ 70.251.710
- 1 de jun. de 2003
- Faturamento bruto mundial
- US$ 941.637.960
- Tempo de duração1 hora 40 minutos
- Cor
- Mixagem de som
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente