One of the latest trends in world cinema is the “Greek Weird Wave”, with films like “Dogtooth” and “Attenberg,” that take reality and push it to its borders, occasionally surpassing the lines of surrealism. Regarding weirdness however, if Greece has a wave, Japan has a tsunami, and has been having one for decades now. With films like “Robo Geisha” and “Dead Sushi”, Noboru Iguchi is a definite member of the genre, and his latest movie, “Slavemen” is a testament to the fact, as it takes the concept of the “masked hero” to its most extreme, despite the fact that gore is totally absent from this film.
Yasuyuki is a true loser. He aspires to become a filmmaker, but is only a cleaner, spending his days mopping floors, and living with his somewhat abusive sister. Nothing seems to improve his life, and things become even worse when, one day at work,...
Yasuyuki is a true loser. He aspires to become a filmmaker, but is only a cleaner, spending his days mopping floors, and living with his somewhat abusive sister. Nothing seems to improve his life, and things become even worse when, one day at work,...
- 5/12/2019
- by Panos Kotzathanasis
- AsianMoviePulse
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