"Today's the perfect day for bloodbath." Brainstorm Media has revealed the official US trailer for an action epic about a real moment in history titled Stockholm Bloodbath, yet another new film made by Swedish director Mikael Håfström. He also directed this year's Slingshot, but this film was finished before that one and premiered in Sweden last year - only now getting a US release. Anne and Freja seek revenge on the men who murdered their family. They end up in Stockholm, where they are drawn into a political power struggle between Sweden and Denmark which culminates in a mass execution. Featuring a big cast of international actors, including Sophie Cookson, Claes Bang, and Alba August, Stockholm Bloodbath is an action, adventure, and comedy that follows two sisters who seek revenge on the powerful men who brutally slayed their family. The cast also features Mikkel Boe Følsgaard, Jakob Oftebro, Ulrich Thomsen,...
- 10/4/2024
- by Alex Billington
- firstshowing.net
With the success of Game of Thrones and House of the Dragon, fans are clamoring for more Westeros-related series. The HBO prequel already gave a glimpse into the history of the Targaryen civil war, but another developing project, Aegon’s Conquest, will be tracing back the story to the first Targaryen ruler of the Seven Kingdoms.
Aegon’s Conquest via A Wiki of Ice and Fire
However, it seems like many fans are craving for another epic tale that’s centered on Robert’s Rebellion. For starters, this is the war that eventually led to the makings of the Game of Thrones.
What Happened During Robert’s Rebellion?
Aegon’s Conquest is a planned spinoff series based on George R.R. Martin’s novel, Fire & Blood. The project is still in its early development, as House of the Dragon showrunner Ryan Condal confirmed to Entertainment Weekly that “people are picking my brain all the time.
Aegon’s Conquest via A Wiki of Ice and Fire
However, it seems like many fans are craving for another epic tale that’s centered on Robert’s Rebellion. For starters, this is the war that eventually led to the makings of the Game of Thrones.
What Happened During Robert’s Rebellion?
Aegon’s Conquest is a planned spinoff series based on George R.R. Martin’s novel, Fire & Blood. The project is still in its early development, as House of the Dragon showrunner Ryan Condal confirmed to Entertainment Weekly that “people are picking my brain all the time.
- 7/30/2024
- by Ariane Cruz
- FandomWire
Viaplay Content Distribution has closed the first raft of deals for its ambitious action drama film “Stockholm Bloodbath” directed by Mikael Håfström.
Ahead of Viaplay’s official streaming premiere in 2024, “Stockholm Bloodbath” will be distributed in the Nordics by Scanbox Entertainment. It will roll out in Denmark on Jan. 18th and in Sweden and Norway on Jan. 19. Splendid Film, meanwhile, has acquired all rights for Germany, Austria and German-speaking Switzerland.
“Stockholm Bloodbath” is part of Viaplay Content Distribution’s roster which will be unveiled at the Cannes Film Festival to international buyers. The company will present new and exclusive material from the film.
Set in 1520, “Stockholm Bloodbath” explores a dark chapter in Sweden’s history, which saw the infamous massacre of nearly 100 nobles and civilians in the Swedish capital. The film follows Anne (Sophie Cookson) and her foster sister Freja (Alba August) as they seek revenge on the men who...
Ahead of Viaplay’s official streaming premiere in 2024, “Stockholm Bloodbath” will be distributed in the Nordics by Scanbox Entertainment. It will roll out in Denmark on Jan. 18th and in Sweden and Norway on Jan. 19. Splendid Film, meanwhile, has acquired all rights for Germany, Austria and German-speaking Switzerland.
“Stockholm Bloodbath” is part of Viaplay Content Distribution’s roster which will be unveiled at the Cannes Film Festival to international buyers. The company will present new and exclusive material from the film.
Set in 1520, “Stockholm Bloodbath” explores a dark chapter in Sweden’s history, which saw the infamous massacre of nearly 100 nobles and civilians in the Swedish capital. The film follows Anne (Sophie Cookson) and her foster sister Freja (Alba August) as they seek revenge on the men who...
- 5/11/2023
- by Elsa Keslassy
- Variety Film + TV
More than 100 key figures from the UK film and TV industry have signed a letter urging the UK government to take “immediate action” against Iranian authorities for “gross violations of human rights and women’s rights” in their response to the wave of public protests that erupted last year.
The industry leaders, including Barbara Broccoli, Phoebe Waller-Bridge, and Edgar Wright, are calling for the UK government to “actively campaign to stop the violence used against the protesters in Iran, including an immediate stop to all executions” and “demand the release of all political prisoners in Iran.”
“Enough is enough. If the global community, which the UK is an active and influential member of, does not act firmly, these atrocities will continue,” the letter reads. “We need to sincerely support the people of Iran in their fight for justice and freedom.”
The letter was organized by British-Iranian filmmaker Babak Anvari (Under...
The industry leaders, including Barbara Broccoli, Phoebe Waller-Bridge, and Edgar Wright, are calling for the UK government to “actively campaign to stop the violence used against the protesters in Iran, including an immediate stop to all executions” and “demand the release of all political prisoners in Iran.”
“Enough is enough. If the global community, which the UK is an active and influential member of, does not act firmly, these atrocities will continue,” the letter reads. “We need to sincerely support the people of Iran in their fight for justice and freedom.”
The letter was organized by British-Iranian filmmaker Babak Anvari (Under...
- 1/17/2023
- by Zac Ntim
- Deadline Film + TV
A growing number of figures from the film and TV industry in the U.K. have signed a letter urging British politicians to support the people of Iran as the country faces global condemnation for executing several of those involved in the wave of protests that erupted last year.
The letter, instigated by British-Iranian filmmaker Babak Anvari, calls for members of U.K. parliament to actively campaign for Iran to stop violence against protesters and end all executions, to hold Iran accountable for the “gross violations of human rights and women’s rights,” and to demand that Iran releases all political prisoners.
Among the almost 100 names to have signed the letter, which is still circulating and gathering attention, are Olivia Colman, Martin McDonagh, Jessie Buckley, Phoebe Waller-Bridge, Brett Goldstein, Jonathan Pryce, Hugh Bonneville, Richard Curtis, Gillian Anderson, Felicity Jones, George Mackay, Edgar Wright and Hayley Atwell.
The letter is the latest...
The letter, instigated by British-Iranian filmmaker Babak Anvari, calls for members of U.K. parliament to actively campaign for Iran to stop violence against protesters and end all executions, to hold Iran accountable for the “gross violations of human rights and women’s rights,” and to demand that Iran releases all political prisoners.
Among the almost 100 names to have signed the letter, which is still circulating and gathering attention, are Olivia Colman, Martin McDonagh, Jessie Buckley, Phoebe Waller-Bridge, Brett Goldstein, Jonathan Pryce, Hugh Bonneville, Richard Curtis, Gillian Anderson, Felicity Jones, George Mackay, Edgar Wright and Hayley Atwell.
The letter is the latest...
- 1/16/2023
- by Alex Ritman
- The Hollywood Reporter - Movie News
Warning: The following interview has spoilers of Andor‘s Season 1 finale “Rix Road” on Disney+
Star Wars creator George Lucas once wrote about “the taxation of trade routes” in the opening prologue of Star Wars – Episode I: The Phantom Menance, and if Disney+’s Star Wars series has given die-hard fans anything, it’s the binary, granular look at how such universe politics come to be.
While The Mandalorian, Obi-Wan Kenobi and The Book of Boba Fett have been intoxicated by callbacks to legacy characters and all-things atmospheric from Lucas and even Star Wars animation architect Dave Filoni’s imaginings, Gilroy has focused on the smaller conversations — the clerical details if you will, of how a bureaucratic Imperial force rises and how a rebellion among disparate factions comes together —.
One such jaw-dropping detail revealed in the epilogue: Those big steel wheels that Cassian and the Narkina 5 prisoners were assembling a few episodes ago were parts for the Death Star’s firing cannon. Duh. It’s those type of Easter eggs that Andor has thrived on, versus, say deep universe cameos from the Filoni animation shows.
(L-r): Corv (Noof Ousellam), Lieutenant Keysax (Nick Moss), Supervisor Dedra Meero (Denise Gough) and Captain Vanis Tigo (Wilf Scolding)
Season 1 completes the first year in rebel-to be Cassian Andor’s life. He returns to Ferrix for his adoptive mother Maarva’s (Fiona Shaw) funeral, but he can’t exactly be out in the open. The Imperials are sniffing out something is about to go down, and it does, as droid B2Emo projects a hologram of Maarva before the crowd, and in Obi-Wan style, encourages them to fight the power (“Fight the Empire!”). At which point, there’s an outburst worse than a drunk Mardi Gras with pipe bombs going off. Let the Star Wars begin. Andor escapes through furnace tunnels, and Imperial Security Bureau supervisor Dedra Meero (the sublime Denise Gough) is trampled by protestors, only to be rescued by her twin flame, anti-Andor, uber-Imperial wannabe Syril Karn (Kyle Soller). It was just a few episodes ago, she was playing hard to get. Now it looks to be a romance steamier than anything on Grey’s Anatomy.
All things end on Luthen Rael’s (Stellan Skarsgård) Fondor, where he’s confronted by Cassian.
“You came to kill me,” Andor says. “You don’t make it easy,” answers Luthen.
“I will now,” Andor says, giving up. “Kill me… or take me with.”
Luthen grins, knowing that Andor is part of the Rebel cause.
Here’s our interview with Andor creator Tony Gilroy, who was taking a break from shooting season 2 over in England:
Maarva (Fiona Shaw) in a scene from Lucasfilm’s Andor, exclusively on Disney+. ©2022 Lucasfilm Ltd. & Tm. All Rights Reserved.
Deadline: Was there something in history that the Season 1 finale was inspired by? Especially with everything that is going on in Ukraine.
Tony Gilroy: It’s just so incredibly sad how easily available all of the things that seemed contemporaneously sad are through history, and that they just continue to repeat themselves.
There are things all the way through the show, and I don’t want to go through and quote chapter and verse, but this is the Russian Revolution. This is the Montagnard. This is something interesting that happened in the Haitian Revolution. This is the Anc. Oh, this is the Earth Gun Building, Palestine. This is the Continental Congress. This goes all the way…I mean, you could drop a needle in the last, I don’t know what is recorded history, 3,000 years, legitimate recorded, I mean, slavery, oppression, colonialism, bad behavior, betrayal, heroism, I mean, it’s a continuum.
Deadline: The fleshing out of Rebel cofounder Mon Mothma – she feels like a nod to Nancy Pelosi. She’s this upper class person who knows she’s a catalyst to make a difference and right wrongs.
Gilroy: Her job description is Senator, longtime politician, power player, doesn’t get everything she wants, doesn’t get everything he wants. I certainly wasn’t thinking about the American Speaker of the House when I was writing the scripts.
Luthen Rael (Stellan Skarsgard) in Lucasfilm’s Andor
Deadline: The cliffhanger where Cassian lays his life on the line and faces off with Luthen Rael — were you always planning that?
Gilroy: I said we take 12 episodes, across a year, we’ll take this entire expanse of time, and we’ll take somebody who’s completely disillusioned and completely self-interested and really having the worst day of their life, and just someone who’s turning into a roach, and we’re going to turn that person in one year, we’re going to make the first turn to being the guy who’s in Rogue One, and we’re going to make him sign up.
And so, yeah, the final moment of this is a blood out. It took us this long to do it. It is what it is, the road to Damascus, or it’s 12 stations of the cross, or whatever context you want to put it in. He’s gone through everything to become: To sort of give a blood out at the end of the show and say, ‘That’s it, I’m in.’ His commitment to the Rebellion and to fight the Empire and to dedicate his life to that, we’re not going to put that in doubt now. Going forward, we have a whole bunch of new issues that we’re going to deal with. But that final line was on the table before many other things were worked up.
Deadline: Mapping out next season, how many episodes per each year of Cassian’s life?
Gilroy: We’re going to cover in the next 12 episodes, we’re going to cover the next four years. So, each block of three episodes that we shoot, and that happens to be our organizing principle for production.
So, when we come back for our second half, it’ll be a year later. An entire year will have gone on. All kinds of things will have happened, and we’ll pick up the show; sometimes we’ll do a week, we’ll do three days, we’ll do four days, whatever, and then we’ll drop a year in between.
The last one will be the last, I don’t know what it is, three, four days before the beginning of Rogue One, and then our final scene has always been known, which will be walking him into the first scene of Rogue One. So, we will be dealing with time in a different way, but it’ll be blocks of three. That’ll be our principle.
Deadline: Can you tease Season 2?
Gilroy: We will be dealing with, by the time you get to Rogue One, you have the Rebel Alliance, which is a whole bunch of different disparate factions and people that have arrived at Yavin and have coalesced into what will become an organized rebellion. Well, we have four years to examine how difficult it is to put a revolution together, how difficult it is to become a leader, how difficult it is to be a victim.
But what happens to the original gangsters? What happens to the outliers? What happens to the people who were…every revolution consumes people and glorifies people, and not always the people that did the thing that mattered. How do you scale up something that essentially does not thrive in sunshine? How do you that? And those issues and all the chaos of that is going to be of great interest to us going forward.
Duncan Pow, who plays Melshi, will be back. Obviously, we’re playing there with that, because he’s going to be in Rogue One.
Deadline: The Imperials seem to be making Cassian a more notorious guy than he really is. They seem to be giving him this larger than life reputation. Do you agree?
Gilroy: One doesn’t even really know who he really is. They don’t even really know how bad he is. They don’t know. I mean, they think he might have been in Aldhani, but the reason that Denise Gough’s Dedra Meero is trying to get him so bad — it’s a great hunter and hunted relationship. It’s a desperate thing and she’s right to be chasing him. She’s thinks enough like him that she’s the first person who realizes that Aldhani isn’t a robbery, it’s an announcement. And she’s going to be chasing him for a long time, and you know, Cassian is the link. That is the only viable link that she can find. If she can find him, she might find Luthen. Stellan’s Luthen doesn’t know who Cassian is.
Deadline: That epilogue with the building of the Death Star, was that always in the cards?
Gilroy: Yeah, when we came up with the prison and then we started saying, ‘What are we making?’ and then we built the thing. It’s like, ‘Oh, my God. Well, let’s have it do that. How ironic and how potent and how round and synchronicitis that is.’
And then, Mohen Leo and Tj Falls, who are visual arts department, who are just amazing and they were on Rogue One, they were like, ‘Oh, let us play with that.’ And you know, six months later you go into a visual master deal and it’s like, oh, we have a special gift to launch today and it’s like, the raw version of that, it was so cool. They did all that and we helped refine it, but it’s their piece as well.
The Q&a was edited for length and clarity.
Star Wars creator George Lucas once wrote about “the taxation of trade routes” in the opening prologue of Star Wars – Episode I: The Phantom Menance, and if Disney+’s Star Wars series has given die-hard fans anything, it’s the binary, granular look at how such universe politics come to be.
While The Mandalorian, Obi-Wan Kenobi and The Book of Boba Fett have been intoxicated by callbacks to legacy characters and all-things atmospheric from Lucas and even Star Wars animation architect Dave Filoni’s imaginings, Gilroy has focused on the smaller conversations — the clerical details if you will, of how a bureaucratic Imperial force rises and how a rebellion among disparate factions comes together —.
One such jaw-dropping detail revealed in the epilogue: Those big steel wheels that Cassian and the Narkina 5 prisoners were assembling a few episodes ago were parts for the Death Star’s firing cannon. Duh. It’s those type of Easter eggs that Andor has thrived on, versus, say deep universe cameos from the Filoni animation shows.
(L-r): Corv (Noof Ousellam), Lieutenant Keysax (Nick Moss), Supervisor Dedra Meero (Denise Gough) and Captain Vanis Tigo (Wilf Scolding)
Season 1 completes the first year in rebel-to be Cassian Andor’s life. He returns to Ferrix for his adoptive mother Maarva’s (Fiona Shaw) funeral, but he can’t exactly be out in the open. The Imperials are sniffing out something is about to go down, and it does, as droid B2Emo projects a hologram of Maarva before the crowd, and in Obi-Wan style, encourages them to fight the power (“Fight the Empire!”). At which point, there’s an outburst worse than a drunk Mardi Gras with pipe bombs going off. Let the Star Wars begin. Andor escapes through furnace tunnels, and Imperial Security Bureau supervisor Dedra Meero (the sublime Denise Gough) is trampled by protestors, only to be rescued by her twin flame, anti-Andor, uber-Imperial wannabe Syril Karn (Kyle Soller). It was just a few episodes ago, she was playing hard to get. Now it looks to be a romance steamier than anything on Grey’s Anatomy.
All things end on Luthen Rael’s (Stellan Skarsgård) Fondor, where he’s confronted by Cassian.
“You came to kill me,” Andor says. “You don’t make it easy,” answers Luthen.
“I will now,” Andor says, giving up. “Kill me… or take me with.”
Luthen grins, knowing that Andor is part of the Rebel cause.
Here’s our interview with Andor creator Tony Gilroy, who was taking a break from shooting season 2 over in England:
Maarva (Fiona Shaw) in a scene from Lucasfilm’s Andor, exclusively on Disney+. ©2022 Lucasfilm Ltd. & Tm. All Rights Reserved.
Deadline: Was there something in history that the Season 1 finale was inspired by? Especially with everything that is going on in Ukraine.
Tony Gilroy: It’s just so incredibly sad how easily available all of the things that seemed contemporaneously sad are through history, and that they just continue to repeat themselves.
There are things all the way through the show, and I don’t want to go through and quote chapter and verse, but this is the Russian Revolution. This is the Montagnard. This is something interesting that happened in the Haitian Revolution. This is the Anc. Oh, this is the Earth Gun Building, Palestine. This is the Continental Congress. This goes all the way…I mean, you could drop a needle in the last, I don’t know what is recorded history, 3,000 years, legitimate recorded, I mean, slavery, oppression, colonialism, bad behavior, betrayal, heroism, I mean, it’s a continuum.
Deadline: The fleshing out of Rebel cofounder Mon Mothma – she feels like a nod to Nancy Pelosi. She’s this upper class person who knows she’s a catalyst to make a difference and right wrongs.
Gilroy: Her job description is Senator, longtime politician, power player, doesn’t get everything she wants, doesn’t get everything he wants. I certainly wasn’t thinking about the American Speaker of the House when I was writing the scripts.
Luthen Rael (Stellan Skarsgard) in Lucasfilm’s Andor
Deadline: The cliffhanger where Cassian lays his life on the line and faces off with Luthen Rael — were you always planning that?
Gilroy: I said we take 12 episodes, across a year, we’ll take this entire expanse of time, and we’ll take somebody who’s completely disillusioned and completely self-interested and really having the worst day of their life, and just someone who’s turning into a roach, and we’re going to turn that person in one year, we’re going to make the first turn to being the guy who’s in Rogue One, and we’re going to make him sign up.
And so, yeah, the final moment of this is a blood out. It took us this long to do it. It is what it is, the road to Damascus, or it’s 12 stations of the cross, or whatever context you want to put it in. He’s gone through everything to become: To sort of give a blood out at the end of the show and say, ‘That’s it, I’m in.’ His commitment to the Rebellion and to fight the Empire and to dedicate his life to that, we’re not going to put that in doubt now. Going forward, we have a whole bunch of new issues that we’re going to deal with. But that final line was on the table before many other things were worked up.
Deadline: Mapping out next season, how many episodes per each year of Cassian’s life?
Gilroy: We’re going to cover in the next 12 episodes, we’re going to cover the next four years. So, each block of three episodes that we shoot, and that happens to be our organizing principle for production.
So, when we come back for our second half, it’ll be a year later. An entire year will have gone on. All kinds of things will have happened, and we’ll pick up the show; sometimes we’ll do a week, we’ll do three days, we’ll do four days, whatever, and then we’ll drop a year in between.
The last one will be the last, I don’t know what it is, three, four days before the beginning of Rogue One, and then our final scene has always been known, which will be walking him into the first scene of Rogue One. So, we will be dealing with time in a different way, but it’ll be blocks of three. That’ll be our principle.
Deadline: Can you tease Season 2?
Gilroy: We will be dealing with, by the time you get to Rogue One, you have the Rebel Alliance, which is a whole bunch of different disparate factions and people that have arrived at Yavin and have coalesced into what will become an organized rebellion. Well, we have four years to examine how difficult it is to put a revolution together, how difficult it is to become a leader, how difficult it is to be a victim.
But what happens to the original gangsters? What happens to the outliers? What happens to the people who were…every revolution consumes people and glorifies people, and not always the people that did the thing that mattered. How do you scale up something that essentially does not thrive in sunshine? How do you that? And those issues and all the chaos of that is going to be of great interest to us going forward.
Duncan Pow, who plays Melshi, will be back. Obviously, we’re playing there with that, because he’s going to be in Rogue One.
Deadline: The Imperials seem to be making Cassian a more notorious guy than he really is. They seem to be giving him this larger than life reputation. Do you agree?
Gilroy: One doesn’t even really know who he really is. They don’t even really know how bad he is. They don’t know. I mean, they think he might have been in Aldhani, but the reason that Denise Gough’s Dedra Meero is trying to get him so bad — it’s a great hunter and hunted relationship. It’s a desperate thing and she’s right to be chasing him. She’s thinks enough like him that she’s the first person who realizes that Aldhani isn’t a robbery, it’s an announcement. And she’s going to be chasing him for a long time, and you know, Cassian is the link. That is the only viable link that she can find. If she can find him, she might find Luthen. Stellan’s Luthen doesn’t know who Cassian is.
Deadline: That epilogue with the building of the Death Star, was that always in the cards?
Gilroy: Yeah, when we came up with the prison and then we started saying, ‘What are we making?’ and then we built the thing. It’s like, ‘Oh, my God. Well, let’s have it do that. How ironic and how potent and how round and synchronicitis that is.’
And then, Mohen Leo and Tj Falls, who are visual arts department, who are just amazing and they were on Rogue One, they were like, ‘Oh, let us play with that.’ And you know, six months later you go into a visual master deal and it’s like, oh, we have a special gift to launch today and it’s like, the raw version of that, it was so cool. They did all that and we helped refine it, but it’s their piece as well.
The Q&a was edited for length and clarity.
- 11/24/2022
- by Anthony D'Alessandro
- Deadline Film + TV
Netflix has debuted a new trailer for the relationship drama ‘The One’.
Based on a book by John Marrs, the eight-episode series is set ‘five minutes in the future’, in a world where a DNA test can find your perfect partner – the one person you’re genetically predisposed to fall passionately in love with. No matter how good your relationship, which one of us can honestly say we haven’t thought about whether there is someone better out there? What if a hair sample is all it takes to find them? The idea is simple, but the implications are explosive. We will never think of love and relationships in the same way again.
Created by Howard Overman (Misfits), the series stars Hannah Ware, Dimitri Leonidas, Amir El-Masry, Stephen Campbell Moore, Wilf Scolding, Diarmaid Murtagh, Lois Chimimba, Eric Kofi-Abrefa, Pallavi Sharda, Zoë Tapper and Gregg Chillin.
Also in trailers – Liam Neeson...
Based on a book by John Marrs, the eight-episode series is set ‘five minutes in the future’, in a world where a DNA test can find your perfect partner – the one person you’re genetically predisposed to fall passionately in love with. No matter how good your relationship, which one of us can honestly say we haven’t thought about whether there is someone better out there? What if a hair sample is all it takes to find them? The idea is simple, but the implications are explosive. We will never think of love and relationships in the same way again.
Created by Howard Overman (Misfits), the series stars Hannah Ware, Dimitri Leonidas, Amir El-Masry, Stephen Campbell Moore, Wilf Scolding, Diarmaid Murtagh, Lois Chimimba, Eric Kofi-Abrefa, Pallavi Sharda, Zoë Tapper and Gregg Chillin.
Also in trailers – Liam Neeson...
- 2/26/2021
- by Zehra Phelan
- HeyUGuys.co.uk
Exclusive: Hitman: Agent 47 and The First actress Hannah Ware is to headline Netflix’s soulmate science fiction series The One, which the U.S. streamer plans to premiere on March 12.
Ware plays Rebecca, the ambitious and impulsive founding CEO of MatchDNA, a tech company that has designed a DNA test that allows people to identify their perfect partner. She most recently starred in Beau Willamon’s Hulu series The First, while other credits include ABC’s Betrayal and Starz’s Boss.
The One was first announced by Netflix in 2018 and is based on a novel by John Marrs. The series is created and written by Misfits creator Howard Overman, whose production company, Urban Myth Films, is producing in association with Studio Canal.
2020-21 Netflix Pilots & Series Orders
Other cast includes Riviera actor Dimitri Leonidas, who plays Rebecca’s best friend and the co-founder of MatchDNA, and Industry star Amir El-Masry...
Ware plays Rebecca, the ambitious and impulsive founding CEO of MatchDNA, a tech company that has designed a DNA test that allows people to identify their perfect partner. She most recently starred in Beau Willamon’s Hulu series The First, while other credits include ABC’s Betrayal and Starz’s Boss.
The One was first announced by Netflix in 2018 and is based on a novel by John Marrs. The series is created and written by Misfits creator Howard Overman, whose production company, Urban Myth Films, is producing in association with Studio Canal.
2020-21 Netflix Pilots & Series Orders
Other cast includes Riviera actor Dimitri Leonidas, who plays Rebecca’s best friend and the co-founder of MatchDNA, and Industry star Amir El-Masry...
- 2/12/2021
- by Jake Kanter
- Deadline Film + TV
Doctor Who‘s Peter Capaldi and Mark Gatiss were both last seen on the show back in 2017’s Christmas special “Twice Upon a Time,” but they’ll be teaming up again this yuletide for a chilling new ghost story.
Gatiss, who’s also the co-creator of Sherlock alongside former Doctor Who showrunner Steven Moffat, has penned Martin’s Close, a 30-minute adaptation of a classic tale from Victorian horror author M.R. James that’s set to arrive on the BBC this December. James’ story is presented as a record of the trial of John Martin, a man accused of killing his lover, who may just be haunted by her vengeful spirit.
The Twelfth Doctor himself will feature in the cast as barrister Dolben. He’ll be joined by Wilf Scolding, Simon Williams, Sara Crowe, Fisayo Akinade and Elliot Levey. Martin’s Close follows on from 2018’s The Dead Room, an...
Gatiss, who’s also the co-creator of Sherlock alongside former Doctor Who showrunner Steven Moffat, has penned Martin’s Close, a 30-minute adaptation of a classic tale from Victorian horror author M.R. James that’s set to arrive on the BBC this December. James’ story is presented as a record of the trial of John Martin, a man accused of killing his lover, who may just be haunted by her vengeful spirit.
The Twelfth Doctor himself will feature in the cast as barrister Dolben. He’ll be joined by Wilf Scolding, Simon Williams, Sara Crowe, Fisayo Akinade and Elliot Levey. Martin’s Close follows on from 2018’s The Dead Room, an...
- 8/21/2019
- by Christian Bone
- We Got This Covered
Peter Capaldi is to star in a Mark Gatiss-penned ghost story for the BBC. The Doctor Who star is to feature in Martin’s Close, an adaptation of the M.R. James story, for BBC Four alongside Wilf Scolding, Simon Williams, Sara Crowe, Fisayo Akinade and Elliot Levey.
Written by Doctor Who and Sherlock writer Gatiss, who also starred in Game of Thrones, the story follows the murder trial of John Martin. It is presented as a report of the trial in 1684, where Martin has been accused of murdering a young girl named Ann Clark, with whom he had a one-sided romance. The prosecution presents the case that Martin murdered Ann Clark, because she ruined a good marriage proposal for him. During the trial, an event is described in which Martin acted in a guilty manner when confronted with a possible apparition of the girl. In the end, Martin...
Written by Doctor Who and Sherlock writer Gatiss, who also starred in Game of Thrones, the story follows the murder trial of John Martin. It is presented as a report of the trial in 1684, where Martin has been accused of murdering a young girl named Ann Clark, with whom he had a one-sided romance. The prosecution presents the case that Martin murdered Ann Clark, because she ruined a good marriage proposal for him. During the trial, an event is described in which Martin acted in a guilty manner when confronted with a possible apparition of the girl. In the end, Martin...
- 8/21/2019
- by Peter White
- Deadline Film + TV
In today’s film news roundup, an Alice Eve comedy gets a release, AMC and Dolby celebrate a milestone and Disney teams with Dole to promote good nutrition.
Release Date
Kew Media has set a July 2 VOD release in North America and the U.K. for the dark comedy “Bees Make Honey” from writer-director Jack Eve, starring his sister Alice Eve and father Trevor Eve, Variety has learned exclusively.
The film, set in 1935, also stars Hermione Corfield, Joséphine de La Baume, Wilf Scolding, Joshua McGuire, Anatole Taubman and Ivanno Jeremiah. Alice Eve plays a character desperately attempting to solve the murder of her husband by recreating the exact circumstances a year later.
“Bees Make Honey” is the debut feature film from Jack Eve, whose short film “Lithgow Saint” premiered at Toronto International Film Festival and was acquired by Curzon Cinemas in the UK.
“Bees Make Honey” is an Xploseve Production in association with Flexibon Films,...
Release Date
Kew Media has set a July 2 VOD release in North America and the U.K. for the dark comedy “Bees Make Honey” from writer-director Jack Eve, starring his sister Alice Eve and father Trevor Eve, Variety has learned exclusively.
The film, set in 1935, also stars Hermione Corfield, Joséphine de La Baume, Wilf Scolding, Joshua McGuire, Anatole Taubman and Ivanno Jeremiah. Alice Eve plays a character desperately attempting to solve the murder of her husband by recreating the exact circumstances a year later.
“Bees Make Honey” is the debut feature film from Jack Eve, whose short film “Lithgow Saint” premiered at Toronto International Film Festival and was acquired by Curzon Cinemas in the UK.
“Bees Make Honey” is an Xploseve Production in association with Flexibon Films,...
- 5/25/2018
- by Dave McNary
- Variety Film + TV
Image Source: HBO If you're still recovering from the insane season seven finale of Game of Thrones, I don't blame you. Season eight isn't supposed to come out for another two whole years, and I still don't know if that's enough time for me to process all of those cliffhangers. You know who's taking all of Westeros's insanity in stride, though? Rhaegar Targaryen and the Night King. In fact, they recently grabbed lunch together. Ok, Ok, a hangout between those two characters is impossible for a multitude of reasons (chiefly, does the Night King eat anything other than sorrow?), but the real-life stars - Vladimír Furdík and Wilf Scolding - are apparently pals. Wilf, who plays Rhaegar, shared a selfie of the two of them on Instagram with the caption, "Spot of lunch with the Night King." A post shared by Wilf Scolding (@wilf.scolding) on Oct 22, 2017 at 5:28am...
- 10/24/2017
- by Quinn Keaney
- Popsugar.com
Bran Stark (Isaac Hempstead Wright) might be the Three-Eyed Raven now, but he’s still working out the kinks in his new role. He may have access to every event that has happened and is currently happening in his mind, but that doesn’t mean he actually has absorbed this information yet.
In this past season of “Game of Thrones,” Bran only knew part of the secret of Jon Snow’s (Kit Harington) parentage, that he’s actually the son of Prince Rhaegar Targaryen (Wilf Scolding) and Lyanna Stark (Aisling Franciosi). But it was Samwell Tarly (John Bradley) who informed Bran that Rhaegar and Lyanna were secretly married, which makes Jon the legitimate heir to the Iron Throne and not a bastard after all. Only after hearing that did Bran mystically visit that point in history to confirm the event.
Read More:‘Game of Thrones’ Finale Director Reveals How Daenerys...
In this past season of “Game of Thrones,” Bran only knew part of the secret of Jon Snow’s (Kit Harington) parentage, that he’s actually the son of Prince Rhaegar Targaryen (Wilf Scolding) and Lyanna Stark (Aisling Franciosi). But it was Samwell Tarly (John Bradley) who informed Bran that Rhaegar and Lyanna were secretly married, which makes Jon the legitimate heir to the Iron Throne and not a bastard after all. Only after hearing that did Bran mystically visit that point in history to confirm the event.
Read More:‘Game of Thrones’ Finale Director Reveals How Daenerys...
- 8/30/2017
- by Hanh Nguyen
- Indiewire
Alas, the Song of Ice and Fire draws to a close once again.
Season 7 really has been one hell of a thrill ride. Daenerys (Emilia Clarke) met Jon Snow (Kit Harrington), the Night King (Vladimir Furdik) met, and brought down, a dragon, Arya (Maisie Williams) and Sansa (Sophie Turner) were finally reunited and Jaime (Nikolaj Coster-Waldau) managed to put yet another bun in Cersie’s (Lena Headey) oven. It’s also boasted the best battle scenes that Game of Thrones has shown yet, with the production team finally being gifted the budget the show has been dying for since day one. Indeed, spectacle wise, it would be very easy to label Season 7 as the best of all.
However.
Things have seemed a tad – un Game of Throneish this year. Maybe it’s because the story is finally getting going, and characters are being reunited, that have been apart for a number of seasons.
Season 7 really has been one hell of a thrill ride. Daenerys (Emilia Clarke) met Jon Snow (Kit Harrington), the Night King (Vladimir Furdik) met, and brought down, a dragon, Arya (Maisie Williams) and Sansa (Sophie Turner) were finally reunited and Jaime (Nikolaj Coster-Waldau) managed to put yet another bun in Cersie’s (Lena Headey) oven. It’s also boasted the best battle scenes that Game of Thrones has shown yet, with the production team finally being gifted the budget the show has been dying for since day one. Indeed, spectacle wise, it would be very easy to label Season 7 as the best of all.
However.
Things have seemed a tad – un Game of Throneish this year. Maybe it’s because the story is finally getting going, and characters are being reunited, that have been apart for a number of seasons.
- 8/29/2017
- by Ben McCarthy
- The Cultural Post
[Editor’s Note: The following review contains spoilers for “Game of Thrones” Season 7, Episode 7, “The Dragon and the Wolf.”]
George R.R. Martin’s “A Song of Ice and Fire” was well represented in the Season 7 “Game of Thrones” finale, in the sense that both hot and cold temperatures took center stage. Bringing the fire were dual love stories: one from the past which influenced the one in the present.
A flashback sequence granted courtesy of Bran Stark’s (Isaac Hempstead Wright) Three-Eyed Raven powers reveals the secret marriage between Rhaegar Targaryen (Wilf Scolding) and Lyanna Stark (Aisling Franciosi). The scene is a standout in the series for its utter simplicity, gorgeous scenery, and picture of loving happiness — a rarity on “Game of Thrones.” Narration provided by Bran reflects the action taking place, but the images are interwoven with the current love story between Rhaegar and Lyanna’s son Jon Snow (Kit Harington) and Daenerys Targaryen (Emilia Clarke) and how they make love for the first time on a ship en route to the North.
George R.R. Martin’s “A Song of Ice and Fire” was well represented in the Season 7 “Game of Thrones” finale, in the sense that both hot and cold temperatures took center stage. Bringing the fire were dual love stories: one from the past which influenced the one in the present.
A flashback sequence granted courtesy of Bran Stark’s (Isaac Hempstead Wright) Three-Eyed Raven powers reveals the secret marriage between Rhaegar Targaryen (Wilf Scolding) and Lyanna Stark (Aisling Franciosi). The scene is a standout in the series for its utter simplicity, gorgeous scenery, and picture of loving happiness — a rarity on “Game of Thrones.” Narration provided by Bran reflects the action taking place, but the images are interwoven with the current love story between Rhaegar and Lyanna’s son Jon Snow (Kit Harington) and Daenerys Targaryen (Emilia Clarke) and how they make love for the first time on a ship en route to the North.
- 8/29/2017
- by Hanh Nguyen
- Indiewire
Wilf Scolding is your Rhaegar Targaryen! The handsome actor made his big debut during the 'Game of Thrones' season 7 finale, and now everyone wants to know more about him. Well, HollywoodLife.com has you covered!
- 8/29/2017
- by Avery Thompson
- HollywoodLife
[Editor’s Note: The following review contains spoilers for “Game of Thrones” Season 7, Episode 7, “The Dragon and the Wolf.”]
In the packed “Game of Thrones” Season 7 finale, one detail may have slipped past viewers in light of all the other information that was imparted in a scene between Bran Stark (Isaac Hempstead Wright) and Samwell Tarly (John Bradley).
Bran revealed to Sam that Jon Snow’s (Kit Harington) real parents were Prince Rhaegar Targaryen (Wilf Scolding) and Lyanna Stark (Aisling Franciosi), which would make him a Targaryen bastard. But Sam set Bran straight by revealing that Rhaegar and Lyanna had actually married, which not only made Jon legitimate, but also the heir to the Iron Throne.
Read More:‘Game of Thrones’: Nikolaj Coster-Waldau on Jaime’s Next Steps and Season 8 Hopes and Fears
This crucial bit of information comes out in Episode 5, “Eastwatch.” When Gilly (Hannah Murray) is reading aloud the account of a Septon Maynard, she details the secret marriage before Sam cuts her off and goes...
In the packed “Game of Thrones” Season 7 finale, one detail may have slipped past viewers in light of all the other information that was imparted in a scene between Bran Stark (Isaac Hempstead Wright) and Samwell Tarly (John Bradley).
Bran revealed to Sam that Jon Snow’s (Kit Harington) real parents were Prince Rhaegar Targaryen (Wilf Scolding) and Lyanna Stark (Aisling Franciosi), which would make him a Targaryen bastard. But Sam set Bran straight by revealing that Rhaegar and Lyanna had actually married, which not only made Jon legitimate, but also the heir to the Iron Throne.
Read More:‘Game of Thrones’: Nikolaj Coster-Waldau on Jaime’s Next Steps and Season 8 Hopes and Fears
This crucial bit of information comes out in Episode 5, “Eastwatch.” When Gilly (Hannah Murray) is reading aloud the account of a Septon Maynard, she details the secret marriage before Sam cuts her off and goes...
- 8/29/2017
- by Hanh Nguyen
- Indiewire
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