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Having seen Robbery (1967) and Bullitt (1968), it comes as no surprise that Peter Yates started out as a professional racing car driver and team manager - albeit briefly - before turning his attention to film. The son of a military man, he was educated at Charterhouse School and trained at RADA, gaining his first experience as an actor with local repertory companies. In the early 1950's, he worked as a dubbing assistant, cutter, stage manager and theatre director (Royal Court), eventually graduating to assistant director on The Inn of the Sixth Happiness (1958). He cut his teeth, directing many episodes of The Saint (1962) and Secret Agent (1964) for television, before helming his first feature film, the musical Summer Holiday (1963).

"Summer Holiday" did nothing for his career. However, the exhilarating car chase through the streets of London - staged for his next film, "Robbery" - so impressed Steve McQueen that he requested Yates to direct him in "Bullitt". The rest is history: for many years, THAT car chase became the yard stick by which all others were measured. The success of this venture prompted Yates to remain in America, adapting himself to a variety of other genres, though continuing to be preoccupied with action subjects. His best films include the stylish and ingenious caper comedy The Hot Rock (1972); the underwater adventure The Deep (1977), based on the novel and screenplay by Peter Benchley; and the quirky coming-of-age comedy Breaking Away (1979). For the latter, Yates received simultaneous Oscar nominations as Best Director and Best Producer.

He was nominated again for a more cerebral 'actor's piece', The Dresser (1983), starring Albert Finney and Tom Courtenay , based on a play about an ageing stage actor and his long-standing assistant. Never a prolific director, Yates subsequently made only a few more films. Most memorable, perhaps, were the courtroom thriller Suspect (1987), the political drama The House on Carroll Street (1988) and the enjoyably old-fashioned comedy It All Came True (1998), starring Michael Caine and Maggie Smith as a couple of theatrical ghosts.

Peter Yates in The House on Carroll Street (1988)

Yates&#39; three favorites among his own films are <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0070077/?ref_=nmtrv_trv">The Friends of Eddie Coyle (1973)</a>, <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0085461/?ref_=nmtrv_trv">The Dresser (1983)</a> and <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0078902/?ref_=nmtrv_trv">Breaking Away (1979)</a>.

Has directed 3 actors to Oscar nominations: <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0057363/?ref_=nmtrv_trv">Barbara Barrie</a> (Best Supp.
Actress - <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0078902/?ref_=nmtrv_trv">Breaking Away (1979)</a>) &amp; <a class="ipc-md-link ipc-md-link--entity" href="/name/nm0183822/?ref_=nmtrv_trv">Tom Courtenay</a>/<a class="ipc-md-link ipc-md-link--entity" href="/name/nm0001215/?ref_=nmtrv_trv">Albert Finney</a> (Best Actor - <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0085461/?ref_=nmtrv_trv">The Dresser (1983)</a>).

He has directed one film that has been selected for the National Film Registry by the Library of Congress as being &quot;culturally, historically or aesthetically&quot; significant: <a class="ipc-md-link ipc-md-link--entity" href="/title/tt0062765/?ref_=nmtrv_trv">Bullitt (1968)</a>.

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Peter Yates

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