The Jirí Mádl-directed movie Waves, a new take on the time before and after the invasion of Czechoslovakia by Soviet Union-led Warsaw Pact troops, is the Czech Republic’s submission for the best international feature race at the 2025 Oscars.
The film, which had its world premiere at the 58th edition of the Karlovy Vary International Film Festival (Kviff) where it won the audience award, was unveiled as the official Czech contender on Tuesday.
“The film revolves around the international news office at Czechoslovak Radio, a place full of talented individuals possessing broad insight, linguistic skills and above all a commitment to honest journalistic work with a focus on the truth,” whose broadcasts played a key role during the Soviet invasion and occupation of Czechoslovakia in August 1968, according to a synopsis. “An epic, dynamically shot, rewarding film, which embraces uncommon heroism in the face of an oppressive regime, the strength...
The film, which had its world premiere at the 58th edition of the Karlovy Vary International Film Festival (Kviff) where it won the audience award, was unveiled as the official Czech contender on Tuesday.
“The film revolves around the international news office at Czechoslovak Radio, a place full of talented individuals possessing broad insight, linguistic skills and above all a commitment to honest journalistic work with a focus on the truth,” whose broadcasts played a key role during the Soviet invasion and occupation of Czechoslovakia in August 1968, according to a synopsis. “An epic, dynamically shot, rewarding film, which embraces uncommon heroism in the face of an oppressive regime, the strength...
- 9/10/2024
- by Georg Szalai
- The Hollywood Reporter - Movie News
Screen is profiling every submission for best international feature at the 96th Academy Awards.
Entries for the 2024 Oscar for best international feature are underway, and Screen is profiling each one on this page.
The 96th Academy Awards is set to take place on March 10, 2024 at the Dolby Theatre in Los Angeles.
An international feature film is defined as a feature-length motion picture (over 40 minutes) produced outside the US with a predominantly (more than 50%) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between December 1, 2022, and October 31, 2023. The deadline...
Entries for the 2024 Oscar for best international feature are underway, and Screen is profiling each one on this page.
The 96th Academy Awards is set to take place on March 10, 2024 at the Dolby Theatre in Los Angeles.
An international feature film is defined as a feature-length motion picture (over 40 minutes) produced outside the US with a predominantly (more than 50%) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between December 1, 2022, and October 31, 2023. The deadline...
- 9/12/2023
- by Screen staff
- ScreenDaily
Screen is profiling every submission for best international feature at the 96th Academy Awards.
Entries for the 2024 Oscar for best international feature are underway, and Screen is profiling each one on this page.
The 96th Academy Awards is set to take place on March 10, 2024 at the Dolby Theatre in Los Angeles.
An international feature film is defined as a feature-length motion picture (over 40 minutes) produced outside the US with a predominantly (more than 50%) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between December 1, 2022, and October 31, 2023. The deadline...
Entries for the 2024 Oscar for best international feature are underway, and Screen is profiling each one on this page.
The 96th Academy Awards is set to take place on March 10, 2024 at the Dolby Theatre in Los Angeles.
An international feature film is defined as a feature-length motion picture (over 40 minutes) produced outside the US with a predominantly (more than 50%) non-English dialogue track and can include animated and documentary features.
Submitted films must have been released theatrically in their respective countries between December 1, 2022, and October 31, 2023. The deadline...
- 9/12/2023
- by Screen staff
- ScreenDaily
Festival will also host a retrospective of the work of Japanese filmmaker Yasuzo Masumura.
The Karlovy Vary International Film Festival (Kviff) will host a retrospective on Iranian cinema as part of its 2023 edition, which will also honour the work of Czech actress Daniela Kolarova.
Under the title ‘Another Birth. Iranian Cinema, Here And Now’, the festival will play nine Iranian films from the past four years. Titles include Vahid Vakilifar’s 2020 sci-fi K9, about the efforts of a group of extremists after a solar eclipse has drenched the earth in darkness; and Farzin Mohammadi’s 2019 Black And White River, about...
The Karlovy Vary International Film Festival (Kviff) will host a retrospective on Iranian cinema as part of its 2023 edition, which will also honour the work of Czech actress Daniela Kolarova.
Under the title ‘Another Birth. Iranian Cinema, Here And Now’, the festival will play nine Iranian films from the past four years. Titles include Vahid Vakilifar’s 2020 sci-fi K9, about the efforts of a group of extremists after a solar eclipse has drenched the earth in darkness; and Farzin Mohammadi’s 2019 Black And White River, about...
- 4/25/2023
- by Ben Dalton
- ScreenDaily
The festival is returning to its early July dates this year.
Karlovy Vary International Film Festival is debuting talent development programme Kviff Talents at its 2022 edition; which will also host the Works-in-Progress platform of Ukraine’s Odesa Film Festival.
Kviff Talents is a year-round programme for emerging filmmakers from the Czech Republic and Slovakia, which will expand to Central and Eastern Europe in future editions.
Selected filmmakers will receive financing for development, expert mentoring, and the opportunity to present their projects to potential partners at the festival.
Kviff Talents will run separately from the festival’s Eastern Promises industry programme,...
Karlovy Vary International Film Festival is debuting talent development programme Kviff Talents at its 2022 edition; which will also host the Works-in-Progress platform of Ukraine’s Odesa Film Festival.
Kviff Talents is a year-round programme for emerging filmmakers from the Czech Republic and Slovakia, which will expand to Central and Eastern Europe in future editions.
Selected filmmakers will receive financing for development, expert mentoring, and the opportunity to present their projects to potential partners at the festival.
Kviff Talents will run separately from the festival’s Eastern Promises industry programme,...
- 4/26/2022
- by Ben Dalton
- ScreenDaily
Czech director Jiri Menzel, who helmed the Oscar-winning feature Closely Watched Trains, died on Saturday after a long battle with an undisclosed illness. He was 82.
His wife, Olga confirmed his death on Instagram and Facebook. “It was our utmost honor and privilege that we could be with you on your last pilgrimage to eternity,” she wrote, translated to English. “Your love for me, and for our girls was the kind of love that never lays down conditions.”
She added, “I am also grateful to you for the last three years, as hard as they were. You kept always helping me with your courage, with your appetite and your will to live, and with your humor. I wish for you “a pretty little cloud” as you often used to say… Death cannot end anything. I believe we will meet again, in whatever way. It simply must be so because I feel it cannot be otherwise.
His wife, Olga confirmed his death on Instagram and Facebook. “It was our utmost honor and privilege that we could be with you on your last pilgrimage to eternity,” she wrote, translated to English. “Your love for me, and for our girls was the kind of love that never lays down conditions.”
She added, “I am also grateful to you for the last three years, as hard as they were. You kept always helping me with your courage, with your appetite and your will to live, and with your humor. I wish for you “a pretty little cloud” as you often used to say… Death cannot end anything. I believe we will meet again, in whatever way. It simply must be so because I feel it cannot be otherwise.
- 9/6/2020
- by Dino-Ray Ramos
- Deadline Film + TV
Oscar-winning Czech director, writer and actor Jiri Menzel died Saturday following a long illness.
Menzel’s death was confirmed by his wife, Olga, who posted the news on Instagram and Facebook late Sunday. Menzel was 82.
Winner of the Academy Award for best foreign-language film for the 1966 bittersweet Nazi occupation story “Closely Watched Trains,” Menzel was a leading figure of the Czech New Wave along with boundary-breaking directors such as Milos Forman and Vera Chytilova
Also nominated for a foreign-language Oscar in 1986 for the dark comedy “My Sweet Little Village,” Menzel was celebrated for his ironic takes on life, satires of authority figures and classic Czech character studies.
A longtime collaborator with Czech novelist Bohumil Hrabal, who wrote the book on which “Closely Watched Trains” was based, Menzel also adapted his books “Cutting it Short” and “Larks on a String.” The latter film, a 1969 send-up of young people forcibly recruited to a labor camp,...
Menzel’s death was confirmed by his wife, Olga, who posted the news on Instagram and Facebook late Sunday. Menzel was 82.
Winner of the Academy Award for best foreign-language film for the 1966 bittersweet Nazi occupation story “Closely Watched Trains,” Menzel was a leading figure of the Czech New Wave along with boundary-breaking directors such as Milos Forman and Vera Chytilova
Also nominated for a foreign-language Oscar in 1986 for the dark comedy “My Sweet Little Village,” Menzel was celebrated for his ironic takes on life, satires of authority figures and classic Czech character studies.
A longtime collaborator with Czech novelist Bohumil Hrabal, who wrote the book on which “Closely Watched Trains” was based, Menzel also adapted his books “Cutting it Short” and “Larks on a String.” The latter film, a 1969 send-up of young people forcibly recruited to a labor camp,...
- 9/6/2020
- by Will Tizard
- Variety Film + TV
Star of Pawel Pawlikowski’s ‘Cold War’ joins sci-fi detective feature.
Polish actor Tomasz Kot, best known for his starring role in Pawel Pawlikowski’s Cold War, will star in Czech director Robert Hloz’s Restore Point.
The sci-fi detective project won the Screen International Best Pitch Award at Tallinn’s Baltic Event co-production market in 2017.
It is set in Europe 2038 where everyone has the right of recovery in case of unnatural death and in this society, ‘absolute’ murder is nearly impossible. It is against this backdrop that an ambitious female detective takes on the case of a murdered married...
Polish actor Tomasz Kot, best known for his starring role in Pawel Pawlikowski’s Cold War, will star in Czech director Robert Hloz’s Restore Point.
The sci-fi detective project won the Screen International Best Pitch Award at Tallinn’s Baltic Event co-production market in 2017.
It is set in Europe 2038 where everyone has the right of recovery in case of unnatural death and in this society, ‘absolute’ murder is nearly impossible. It is against this backdrop that an ambitious female detective takes on the case of a murdered married...
- 11/28/2019
- by 158¦Martin Blaney¦40¦
- ScreenDaily
My Top Ten Oscar® Submissions for Best Foreign Language Film includes Darkest Horse: from Slovakia, ‘The Line’You know how, when you finally see a movie you really love, all things seem possible? How a great movie transports you to a new reality? Without that experience, normal life seems drab and dreary unless you use other means of transcendance, like hope, art, music, dancing, religion or drugs.
Have I yet raved about any of the 25 foreign language submissions?
Yes, but it was a long time ago when it won the Golden Bear at the Berlin Film Festival, that I was so enamoured Hungarian director Ildikó Enyedi’s Of Body and Soul (as I was with her previous film, the 1989 Cannes Film Festival Camera d’or winner, My Twentieth Century, which was seen by about a .02% of the population). But that was way back in February.
I would put my body...
Have I yet raved about any of the 25 foreign language submissions?
Yes, but it was a long time ago when it won the Golden Bear at the Berlin Film Festival, that I was so enamoured Hungarian director Ildikó Enyedi’s Of Body and Soul (as I was with her previous film, the 1989 Cannes Film Festival Camera d’or winner, My Twentieth Century, which was seen by about a .02% of the population). But that was way back in February.
I would put my body...
- 12/10/2017
- by Sydney Levine
- Sydney's Buzz
Tala Hadid, Wong Chun also win prizes at Hong Kong International Film Festival.
Georgian filmmakers Nana and Simon’s My Happy Family won the Firebird Award in the Young Cinema Competition of the Hong Kong International Film Festival (Hkiff) on Sunday night, while Amit V. Masurkar’s Newton took the Jury Prize.
My Happy Family follows a middle-aged woman who decides to move out of the family home, while Newton, which premiered in Berlin, revolves around an election polling booth in Naxalite territory in the Indian jungle. Nana and Simon previously won Hkiff’s Firebird Award for In Bloom in 2013.
The Young Cinema Competition jury was headed by Polish director Agnieszka Holland and also included former Toronto International Film Festival programmer Colin Geddes, Le Monde’s Thomas Sotinel and Hong Kong actor Anthony Wong.
In the Documentary Competition, Tala Hadid’s Morocco-set House In The Fields won the Firebird Award, while Ma Li’s...
Georgian filmmakers Nana and Simon’s My Happy Family won the Firebird Award in the Young Cinema Competition of the Hong Kong International Film Festival (Hkiff) on Sunday night, while Amit V. Masurkar’s Newton took the Jury Prize.
My Happy Family follows a middle-aged woman who decides to move out of the family home, while Newton, which premiered in Berlin, revolves around an election polling booth in Naxalite territory in the Indian jungle. Nana and Simon previously won Hkiff’s Firebird Award for In Bloom in 2013.
The Young Cinema Competition jury was headed by Polish director Agnieszka Holland and also included former Toronto International Film Festival programmer Colin Geddes, Le Monde’s Thomas Sotinel and Hong Kong actor Anthony Wong.
In the Documentary Competition, Tala Hadid’s Morocco-set House In The Fields won the Firebird Award, while Ma Li’s...
- 4/24/2017
- by [email protected] (Liz Shackleton)
- ScreenDaily
Hungarian drama won best film and best actor, while Czech features also saw success.
Szabolcs Hajdu’s Hungarian drama It’s Not the Time Of My Life was the major winner at the 51st Karlovy Vary International Film Festival in the Czech Republic, which handed out its awards on Saturday night (July 9).
The film took the Crystal Globe for best feature film, which comes with a $25,000 prize, as well as best actor for director Hajdu, who also stars.
Ivan Terdovskiy’s surreal drama Zoology took the special jury prize, while Slovenian director Damjan Kozole took best director for his dark thriller Nightlife. Two Czech features also triumphed: Zuzana Mauréry won best actress for her performance in Jan Hrebejk’s school comedy The Teacher, and the final feature of the late Jan Nemec, who passed away in March this year, The Wolf From Royal Vineyard Street, received a special mention.
A further special mention went to Catalin Mitulescu’s Romanian-Swedish-Italian...
Szabolcs Hajdu’s Hungarian drama It’s Not the Time Of My Life was the major winner at the 51st Karlovy Vary International Film Festival in the Czech Republic, which handed out its awards on Saturday night (July 9).
The film took the Crystal Globe for best feature film, which comes with a $25,000 prize, as well as best actor for director Hajdu, who also stars.
Ivan Terdovskiy’s surreal drama Zoology took the special jury prize, while Slovenian director Damjan Kozole took best director for his dark thriller Nightlife. Two Czech features also triumphed: Zuzana Mauréry won best actress for her performance in Jan Hrebejk’s school comedy The Teacher, and the final feature of the late Jan Nemec, who passed away in March this year, The Wolf From Royal Vineyard Street, received a special mention.
A further special mention went to Catalin Mitulescu’s Romanian-Swedish-Italian...
- 7/10/2016
- ScreenDaily
The final film of Jan Nemec, who died in March, to play in the main competition.Scroll down for competition line-ups
The 51st Karlovy Vary International Film Festival (July 1-9) has unveiled the competition titles in its Official Selection, East of the West and Documentary sections.
The 12-strong main competition will comprise eight world premieres and four international premieres, including the last film from renowned Czech director Jan Nemec, who died in March.
The Czech filmmaker was a notable voice of the country’s New Wave movement of the 1960s with titles such as Diamonds Of The Night (1964). His final film, The Wolf From Royal Vineyard Street, will world premiere at Kviff and is an adaptation of his own quasi-autobiographical short stories.
Other titles include Slovak-Czech drama The Teacher from Jan Hrebejk while Roberto Andò is returning to Kviff with The Confessions, three years after his hit Viva la Libertà.
Debut features...
The 51st Karlovy Vary International Film Festival (July 1-9) has unveiled the competition titles in its Official Selection, East of the West and Documentary sections.
The 12-strong main competition will comprise eight world premieres and four international premieres, including the last film from renowned Czech director Jan Nemec, who died in March.
The Czech filmmaker was a notable voice of the country’s New Wave movement of the 1960s with titles such as Diamonds Of The Night (1964). His final film, The Wolf From Royal Vineyard Street, will world premiere at Kviff and is an adaptation of his own quasi-autobiographical short stories.
Other titles include Slovak-Czech drama The Teacher from Jan Hrebejk while Roberto Andò is returning to Kviff with The Confessions, three years after his hit Viva la Libertà.
Debut features...
- 5/31/2016
- by [email protected] (Michael Rosser)
- ScreenDaily
The Karlovy Vary International Film Festival, which was launched in 1946 and has become the leading film festival in Central and Eastern Europe, has announced the three dozen films that will make up the competitive lineup for its 51st festival, which will kick off on July 1 in the spa town west of Prague in the Czech Republic. The main competition will consist of 12 films, including “The Wolf From Royal Vineyard Street,” the final film from celebrated Czech director Jan Nemec, as well as frequent Karlovy Vary participant Jan Hrebejk’s “The Teacher” and one English-language film, Canadian director Jesse...
- 5/31/2016
- by Steve Pond
- The Wrap
Prague International Film Festival’s primary award went to Iceland for the second year running.
Rúnar Rúnarsson’s Sparrows was awarded the Grand Prix in the New Europe Competition at this year’s Prague International Film Festival - Febiofest which closed with the Czech premiere of Dexter Fletcher’s Eddie The Eagle.
Rúnarsson’s sensitive coming of age story is the second Icelandic film in a row to receive the top honour in Prague after Baldvin Zophoniasson’s Life In A Fishbowl took the Grand Prix home in 2015.
Amnesty International Award
Febiofest’s 23rd edition also saw the launching of a new prize, the Amnesty International Febiofest Award.
A jury consisting of the actress Martha Issová, the director of Amnesty International Czech Republic, Mark Martin, and the former Rotterdam programmer Gertjan Zuilhof selected Carlos Tribino Mamby’s The Silence Of The River from a line-up including Mustang, Nahid and Strange Heaven.
Speaking to Screen...
Rúnar Rúnarsson’s Sparrows was awarded the Grand Prix in the New Europe Competition at this year’s Prague International Film Festival - Febiofest which closed with the Czech premiere of Dexter Fletcher’s Eddie The Eagle.
Rúnarsson’s sensitive coming of age story is the second Icelandic film in a row to receive the top honour in Prague after Baldvin Zophoniasson’s Life In A Fishbowl took the Grand Prix home in 2015.
Amnesty International Award
Febiofest’s 23rd edition also saw the launching of a new prize, the Amnesty International Febiofest Award.
A jury consisting of the actress Martha Issová, the director of Amnesty International Czech Republic, Mark Martin, and the former Rotterdam programmer Gertjan Zuilhof selected Carlos Tribino Mamby’s The Silence Of The River from a line-up including Mustang, Nahid and Strange Heaven.
Speaking to Screen...
- 3/29/2016
- by [email protected] (Martin Blaney)
- ScreenDaily
One of the most anticipated films of the upcoming fall festival season is Abel Ferrara's Pasolini, featuring Willem Dafoe in the title role and focusing on the final days of the filmmaker and poet's life. Evan Louison talks with Ferrara for 1985. More interviews in today's roundup: Werner Herzog, John Waters, Isabelle Huppert, Jan Hrebejk and Robert Pattison. Plus Lena Dunham on Lawrence Kasdan's The Big Chill (1983), an excerpt from Glenn Kenny's new book on Robert De Niro, David Simon's next television series and remembrances of the legendary makeup artist Dick Smith. » - David Hudson...
- 7/31/2014
- Fandor: Keyframe
One of the most anticipated films of the upcoming fall festival season is Abel Ferrara's Pasolini, featuring Willem Dafoe in the title role and focusing on the final days of the filmmaker and poet's life. Evan Louison talks with Ferrara for 1985. More interviews in today's roundup: Werner Herzog, John Waters, Isabelle Huppert, Jan Hrebejk and Robert Pattison. Plus Lena Dunham on Lawrence Kasdan's The Big Chill (1983), an excerpt from Glenn Kenny's new book on Robert De Niro, David Simon's next television series and remembrances of the legendary makeup artist Dick Smith. » - David Hudson...
- 7/31/2014
- Keyframe
Berlinale festival director Dieter Kosslick and veteran Polish film-maker Andrzej Wajda are to receive the Kristian Award for their Contributions to World Cinema at this week’s Prague International Film Festival – Febiofest.
The award for Wajda will be accepted on his behalf by the actor Robert Więckiewicz, who plays the title in the director’s latest film Walesa: Man Of Hope, at Febiofest’s opening ceremony on 20 March.
“There is probably not a person in Central European cinema who would document their homeland’s history with such consistency and emphasis on the desire for freedom and protection of elementary moral values,” Febiofest’s programme director Stefan Uhrik commented.
“Visionary“ Kosslick
The honour for Kosslick will be his first Czech award to add to a host of other distinctions he has received during over 30 years working in the world of film funding and, latterly, festival programming at the Berlinale since 2001.
“He is a visionary man who is also...
The award for Wajda will be accepted on his behalf by the actor Robert Więckiewicz, who plays the title in the director’s latest film Walesa: Man Of Hope, at Febiofest’s opening ceremony on 20 March.
“There is probably not a person in Central European cinema who would document their homeland’s history with such consistency and emphasis on the desire for freedom and protection of elementary moral values,” Febiofest’s programme director Stefan Uhrik commented.
“Visionary“ Kosslick
The honour for Kosslick will be his first Czech award to add to a host of other distinctions he has received during over 30 years working in the world of film funding and, latterly, festival programming at the Berlinale since 2001.
“He is a visionary man who is also...
- 3/18/2014
- by [email protected] (Martin Blaney)
- ScreenDaily
Honeymoon
Written by Petr Jarchovský
Directed by Jan Hrebejk
Czech Republic/Slovakia, 2013
One of the Czech Republic’s most prolific directors working today, Jan Hrebejk is known as a master satirist, looking at the Czech Republic’s past and its influence on the country today. He has been praised in the past for being able to eloquently capture in his films what other Czechs are still grappling with today. Most of his films deal with the mark left upon contemporary Czech society by decades of Soviet rule. He has explored these themes with great success in several celebrated black comedies and even in his most widely known work, the serio-comic World War II film Divided Fall.
Honeymoon finds him working once more with longtime collaborator Petr Jarchovský on perhaps his least comedic film yet. The story begins with the wedding of Tereza (Anna Geislerová) and Radim (Stanislav Majer), which seems...
Written by Petr Jarchovský
Directed by Jan Hrebejk
Czech Republic/Slovakia, 2013
One of the Czech Republic’s most prolific directors working today, Jan Hrebejk is known as a master satirist, looking at the Czech Republic’s past and its influence on the country today. He has been praised in the past for being able to eloquently capture in his films what other Czechs are still grappling with today. Most of his films deal with the mark left upon contemporary Czech society by decades of Soviet rule. He has explored these themes with great success in several celebrated black comedies and even in his most widely known work, the serio-comic World War II film Divided Fall.
Honeymoon finds him working once more with longtime collaborator Petr Jarchovský on perhaps his least comedic film yet. The story begins with the wedding of Tereza (Anna Geislerová) and Radim (Stanislav Majer), which seems...
- 9/19/2013
- by Laura Holtebrinck
- SoundOnSight
Brief notes on three more Tiff pictures
Honeymoon
Maybe I would be a fan of Jan Hrebejk if I saw more of his pictures? He's been submitted three times for Oscar consideration in Best Foreign Film but of the three I've only seen his most recent Kawasaki Rose which I liked quite a lot. We don't yet know if the Czech Republic will submit his latest, Honeymoon, but it's an involving drama about our past selves and how well we know the ones we love. I really liked the gradual unfolding of its story-puzzle which takes place during a wedding weekend in which an uninvited gayish stranger spoils the proceedings for the bride and groom though they don't quite know why. Or maybe someone does but they're not saying. The relationships were intriguing and the groom is the sexiest ginger bearded actor this side of Fassbender. Though it maybe pushes...
Honeymoon
Maybe I would be a fan of Jan Hrebejk if I saw more of his pictures? He's been submitted three times for Oscar consideration in Best Foreign Film but of the three I've only seen his most recent Kawasaki Rose which I liked quite a lot. We don't yet know if the Czech Republic will submit his latest, Honeymoon, but it's an involving drama about our past selves and how well we know the ones we love. I really liked the gradual unfolding of its story-puzzle which takes place during a wedding weekend in which an uninvited gayish stranger spoils the proceedings for the bride and groom though they don't quite know why. Or maybe someone does but they're not saying. The relationships were intriguing and the groom is the sexiest ginger bearded actor this side of Fassbender. Though it maybe pushes...
- 9/13/2013
- by NATHANIEL R
- FilmExperience
Once again the European Film Promotion’s (Efp) Film Sales Support (Fss) initiative will come to Toronto to link sales companies from all over Europe to a great array of buyers from across the globe. Supported by the Media Programme of the European Union, Fss has now been aiding the European film industry fro the last 10 years.
"Toronto has and is an important informal market and an important festival for European films, the distributors see the films in a different mood, more quietly, the public screenings are working well. It is a key place to launch a film or to complete previous sales on films that were in Cannes, Venice, Locarno...” (Loïc Magneron, Wide)
“Tiff is a major pillar of the annual festival calendar. Aside from a proliferation of North American buyers, it also attracts top tier international distributors so a favorable reception at Tiff can significantly increase a film's commercial prospects”. (Andrew Orr, Independent)
Due to the limited amount of resources, only 52 out of the 60 films submitted to the Efp will receive financial support to be marketed during the Tiff, which runs from September 5 to 15. This year alone, 372 films total, over 150 from Europe, will screen at the festival many of which will see their world or international premiers there.
Supported films and companies at Tiff 2013
Alpha Violet (France), rep. Virginie Devesa The Summer of Flying Fish (El Verano de los Peces Voladores) by Marcela Said, France, Chile, 2013
Arri Worldsales (Germany), rep. Moritz Hemminger Exit Marrakech by Caroline Link, Germany, 2013 Home from Home (Die Andere Heimat) by Edgar Reitz, Germany, France, 2013
Athens Filmmakers' Co-Operative (Greece), rep. Venia Vergou Wild Duck by Yannis Sakaridis, Greece, 2013
Bac Films Distribution (France), rep. Clémentine Hugot The Strange Color of Your Body's Tears (L'Entrange Couleur Ded Larmes De Ton Corps) by Hélène Cattet & Bruno Forzani, Belgium, Luxembourg, France, 2013
Beta Cinema (Germany), rep. Tassilo Hallbauer Le Grand-Cahier by János Szász, Germany, Hungary, Austria, France, 2013
Blonde S. A. (Greece), rep. Fenia Cossovitsa Standing Aside, Watching (Na Kathese Kai Na Kitas) by Yorgos Servetas, Greece, 2013
Capricci Films (France), rep. Julien Rejl Story of My Death (Historia De La Meva Mort) by Albert Serra, Spain, France, 2013 The Battle of Tabato (A Batalha De Tabato) by João Viana, Portugal, Guinea-Bissau, 2013
Celluloid Dreams (France), rep. Hengameh Panahi Those Happy Years (Anni Felici) by Daniele Luchetti, Italy, 2013
Cité Films (France), rep. Raphaël Berdugo Faith Connections (Faith Connections) by Pan Nalin, France, India, 2013
Doc & Film International (France), rep. Daniela Elstner, Alice Damiani Violette by Martin Provost, France, Belgium, 2013 South is Nothing (Il Sud E'Niente by Fabio Mollo, Italy, France, 2013
Dogwoof (United Kingdom), rep. Ana Vincente Inreallife by Beeban Kidron, UK, 2013
Ealing Metro International (United Kingdom), rep. Natalie Brenner, Will Machin Half of a Yellow Sun by Biyi Bandele, UK, 2013 The Stag by John Butler, Ireland, 2013
Embankment Films (United Kingdom), rep. Tim Haslam Le Week-End by Roger Michell, UK, 2013
Eyeworks Film & TV Drama (The Netherlands), rep. Maarten Swart The Dinner (Het Diner) by Menno Meyjes, The Netherlands, 2013
Fantasia Ltd (Greece), rep. Nicoletta Romeo The Daughter (I Kori) by Thanos Anastopoulos, Greece, Italy, 2013
Film Factory Entertainment (Spain), rep. Vicente Canales Cannibal (Canibal) by Manuel Martín Cuenca, Spain, 2013 Zip & Zap and the Marble Gang (Zipi & Zape y el Club de la Canica) by Oskar Santos, Spain, 2013
Films Boutique (Germany), rep. Jean-Christophe Simon Walesa. Man of Hope (Walesa) by Andrzej Wajda, Poland, 2013
Films Distribution (France), rep. Nicolas Brigaud-Robert, François Yon Eastern Boys by Robin Campillo, France, 2013 Under the Starry Sky (Des Etoiles) by Dyana Gaye, France, Senegal, 2013
Heretic (Greece), rep. Giorgos Karnavas The Eternal Return of Antonis Paraskevas (I Aionia Epistrofi Tou Antoni Paraskeva) by Elina Psykou, Greece, 2013
Independent Film Sales (United Kingdom), rep. Karina Gechtman, Abigail Walsh The Sea by Stephen Brown, UK, Ireland, 2013 Starred Up by David Mackenzie, UK, 2013
Latido Films (Spain), rep. Miren Zamora Honeymoon (Libanky) by Jan Hrebejk, Czech Republic/Slovak Republic, 2013
LevelK (Denmark), rep. Tine Klint Sex, Drugs & Taxation (Spies Og Glistrup) by Christoffer Boe, Denmark, 2013
Linel Films (United Kingdom), rep. Aran Hughes To The Wolf (Sto Lyko) by Aran Hughes & Christina Koutsospyrou, Greece, UK, France, 2013
Minds Meet (Belgium), rep. Tomas Leyers I'm The Same I'm An Other by Caroline Strubbe, Belgium, The Netherlands, 2013
MK2 (France), rep. Victoire Thevenin Hotel (Hotell) by Lisa Langseth, Sweden, Denmark, 2012
Mpm Film (France), rep. Pierre Menahem For Those Who Can Tell No Tales by Jasmila Žbanić, Bosnia and Herzegovina, Germany, 2013
Negativ s.r.o. (Czech Republic), rep. Zuzana Bielikova Miracle (Zazrak) by Juraj Lehotský, Czech Republic, Slovakia, 2013
Pathé Distribution (France), rep. Muriel Sauzay The Finishers by Nils Tavernier, France, 2013 Quai d'Orsay by Bertrand Tavernier, France, 2013
Pausilypon Films (Greece), rep. Menelaos Karamaghiolis J.A.C.E. - Just Another Confused Elephant by Menelaos Karamaghiolis, Greece, Portugal, Macedonia, Turkey, 2012
Picture Tree International (Germany), rep. Andreas Rothbauer Mary Queen of Scots by Thomas Imbach, Switzerland, 2013 Metalhead (Malmhaus) by Ragnar Bragason, Iceland, Norway, 2013
PPProductions (Greece), rep. Thanassis Karathanos Septmeber by Penny Panayotopoulou, Greece, Germany, 2013
Pyramide International (France), rep. Agathe Mauruc Giraffada by Rani Massalha, France, Germany, Italy, 2013
Rezo (France), rep. Laurent Danielou, Sebastien Chesneau The Station (Blutgletscher) by Marvin Kren, Austria, 2013 Abuse of Weakness (Abus De Faibless) by Catherine Breillat, France, Belgium, Germany, 2013
The Match Factory (Germany), rep. Michael Weber, Thania Dimitrakopoulou The Police Officer's Wife (Die Frau Des Polizisten) by Philip Gröning, Germany, 2013 Qissa (Quissa) by Anup Singh, Germany, India, The Netherlands, France, 2013
The Yellow Affair (Sweden), rep. Miira Paasilinna Heart of a Lion (Leijonasydan) by Dome Karukoski, Finland, 2013
TrustNordisk (Denmark), rep. Susan Wendt, Nicolai Korsgaard Pioneer (Pioner) by Erik Skjoldbjaerg, Norway, 2013 We Are The Best (Vi Ar Bast!) by Lukas Moodysson, Sweden, 2013
Wide (France), rep. Loic Magneron Bobo by Ines Oliveira, Portugal, 2013
Wide House (France), rep. Garreau Geoffrey Ain't Misbehavin, A Marcel Ophuls Journey (Un Voyageur) by Marcel Ophuls, France, 2013
Wild Bunch (France), rep. Vicent Maraval, Gary Farkas Going Away (Un Beau Dimanche) by Nicole Garcia, France, 2013 A Promise (Une Promesse) by Patrice Leconte, France, Belgium, 2013...
"Toronto has and is an important informal market and an important festival for European films, the distributors see the films in a different mood, more quietly, the public screenings are working well. It is a key place to launch a film or to complete previous sales on films that were in Cannes, Venice, Locarno...” (Loïc Magneron, Wide)
“Tiff is a major pillar of the annual festival calendar. Aside from a proliferation of North American buyers, it also attracts top tier international distributors so a favorable reception at Tiff can significantly increase a film's commercial prospects”. (Andrew Orr, Independent)
Due to the limited amount of resources, only 52 out of the 60 films submitted to the Efp will receive financial support to be marketed during the Tiff, which runs from September 5 to 15. This year alone, 372 films total, over 150 from Europe, will screen at the festival many of which will see their world or international premiers there.
Supported films and companies at Tiff 2013
Alpha Violet (France), rep. Virginie Devesa The Summer of Flying Fish (El Verano de los Peces Voladores) by Marcela Said, France, Chile, 2013
Arri Worldsales (Germany), rep. Moritz Hemminger Exit Marrakech by Caroline Link, Germany, 2013 Home from Home (Die Andere Heimat) by Edgar Reitz, Germany, France, 2013
Athens Filmmakers' Co-Operative (Greece), rep. Venia Vergou Wild Duck by Yannis Sakaridis, Greece, 2013
Bac Films Distribution (France), rep. Clémentine Hugot The Strange Color of Your Body's Tears (L'Entrange Couleur Ded Larmes De Ton Corps) by Hélène Cattet & Bruno Forzani, Belgium, Luxembourg, France, 2013
Beta Cinema (Germany), rep. Tassilo Hallbauer Le Grand-Cahier by János Szász, Germany, Hungary, Austria, France, 2013
Blonde S. A. (Greece), rep. Fenia Cossovitsa Standing Aside, Watching (Na Kathese Kai Na Kitas) by Yorgos Servetas, Greece, 2013
Capricci Films (France), rep. Julien Rejl Story of My Death (Historia De La Meva Mort) by Albert Serra, Spain, France, 2013 The Battle of Tabato (A Batalha De Tabato) by João Viana, Portugal, Guinea-Bissau, 2013
Celluloid Dreams (France), rep. Hengameh Panahi Those Happy Years (Anni Felici) by Daniele Luchetti, Italy, 2013
Cité Films (France), rep. Raphaël Berdugo Faith Connections (Faith Connections) by Pan Nalin, France, India, 2013
Doc & Film International (France), rep. Daniela Elstner, Alice Damiani Violette by Martin Provost, France, Belgium, 2013 South is Nothing (Il Sud E'Niente by Fabio Mollo, Italy, France, 2013
Dogwoof (United Kingdom), rep. Ana Vincente Inreallife by Beeban Kidron, UK, 2013
Ealing Metro International (United Kingdom), rep. Natalie Brenner, Will Machin Half of a Yellow Sun by Biyi Bandele, UK, 2013 The Stag by John Butler, Ireland, 2013
Embankment Films (United Kingdom), rep. Tim Haslam Le Week-End by Roger Michell, UK, 2013
Eyeworks Film & TV Drama (The Netherlands), rep. Maarten Swart The Dinner (Het Diner) by Menno Meyjes, The Netherlands, 2013
Fantasia Ltd (Greece), rep. Nicoletta Romeo The Daughter (I Kori) by Thanos Anastopoulos, Greece, Italy, 2013
Film Factory Entertainment (Spain), rep. Vicente Canales Cannibal (Canibal) by Manuel Martín Cuenca, Spain, 2013 Zip & Zap and the Marble Gang (Zipi & Zape y el Club de la Canica) by Oskar Santos, Spain, 2013
Films Boutique (Germany), rep. Jean-Christophe Simon Walesa. Man of Hope (Walesa) by Andrzej Wajda, Poland, 2013
Films Distribution (France), rep. Nicolas Brigaud-Robert, François Yon Eastern Boys by Robin Campillo, France, 2013 Under the Starry Sky (Des Etoiles) by Dyana Gaye, France, Senegal, 2013
Heretic (Greece), rep. Giorgos Karnavas The Eternal Return of Antonis Paraskevas (I Aionia Epistrofi Tou Antoni Paraskeva) by Elina Psykou, Greece, 2013
Independent Film Sales (United Kingdom), rep. Karina Gechtman, Abigail Walsh The Sea by Stephen Brown, UK, Ireland, 2013 Starred Up by David Mackenzie, UK, 2013
Latido Films (Spain), rep. Miren Zamora Honeymoon (Libanky) by Jan Hrebejk, Czech Republic/Slovak Republic, 2013
LevelK (Denmark), rep. Tine Klint Sex, Drugs & Taxation (Spies Og Glistrup) by Christoffer Boe, Denmark, 2013
Linel Films (United Kingdom), rep. Aran Hughes To The Wolf (Sto Lyko) by Aran Hughes & Christina Koutsospyrou, Greece, UK, France, 2013
Minds Meet (Belgium), rep. Tomas Leyers I'm The Same I'm An Other by Caroline Strubbe, Belgium, The Netherlands, 2013
MK2 (France), rep. Victoire Thevenin Hotel (Hotell) by Lisa Langseth, Sweden, Denmark, 2012
Mpm Film (France), rep. Pierre Menahem For Those Who Can Tell No Tales by Jasmila Žbanić, Bosnia and Herzegovina, Germany, 2013
Negativ s.r.o. (Czech Republic), rep. Zuzana Bielikova Miracle (Zazrak) by Juraj Lehotský, Czech Republic, Slovakia, 2013
Pathé Distribution (France), rep. Muriel Sauzay The Finishers by Nils Tavernier, France, 2013 Quai d'Orsay by Bertrand Tavernier, France, 2013
Pausilypon Films (Greece), rep. Menelaos Karamaghiolis J.A.C.E. - Just Another Confused Elephant by Menelaos Karamaghiolis, Greece, Portugal, Macedonia, Turkey, 2012
Picture Tree International (Germany), rep. Andreas Rothbauer Mary Queen of Scots by Thomas Imbach, Switzerland, 2013 Metalhead (Malmhaus) by Ragnar Bragason, Iceland, Norway, 2013
PPProductions (Greece), rep. Thanassis Karathanos Septmeber by Penny Panayotopoulou, Greece, Germany, 2013
Pyramide International (France), rep. Agathe Mauruc Giraffada by Rani Massalha, France, Germany, Italy, 2013
Rezo (France), rep. Laurent Danielou, Sebastien Chesneau The Station (Blutgletscher) by Marvin Kren, Austria, 2013 Abuse of Weakness (Abus De Faibless) by Catherine Breillat, France, Belgium, Germany, 2013
The Match Factory (Germany), rep. Michael Weber, Thania Dimitrakopoulou The Police Officer's Wife (Die Frau Des Polizisten) by Philip Gröning, Germany, 2013 Qissa (Quissa) by Anup Singh, Germany, India, The Netherlands, France, 2013
The Yellow Affair (Sweden), rep. Miira Paasilinna Heart of a Lion (Leijonasydan) by Dome Karukoski, Finland, 2013
TrustNordisk (Denmark), rep. Susan Wendt, Nicolai Korsgaard Pioneer (Pioner) by Erik Skjoldbjaerg, Norway, 2013 We Are The Best (Vi Ar Bast!) by Lukas Moodysson, Sweden, 2013
Wide (France), rep. Loic Magneron Bobo by Ines Oliveira, Portugal, 2013
Wide House (France), rep. Garreau Geoffrey Ain't Misbehavin, A Marcel Ophuls Journey (Un Voyageur) by Marcel Ophuls, France, 2013
Wild Bunch (France), rep. Vicent Maraval, Gary Farkas Going Away (Un Beau Dimanche) by Nicole Garcia, France, 2013 A Promise (Une Promesse) by Patrice Leconte, France, Belgium, 2013...
- 9/7/2013
- by Carlos Aguilar
- Sydney's Buzz
Final batch of Tiff titles were announced today and among the international hodgepodge of items trickling we find Berlin (Golden Bear winner Child’s Pose), Cannes (The Selfish Giant – Europa Cinemas Label winner and Stranger by the Lake by Alain Guiraudie), Karlovy Vary (Crystal Globe winner Le Grand Cahier ) and Locarno (Corneliu Porumboiu’s When Evening Falls on Bucharest or Metabolism) Film Fest items added to the Toronto Int. Film Festival’s Contemporary World Cinema lineup. Alongside those that have already premiered elsewhere, the titles that have got our attention are world premiere offerings from the likes of award-winning Icelandic helmer Ragnar Bragason (Metalhead), Revanche‘s Götz Spielmann (October November – see pic above) and Mexican filmmaker Fernando Eimbcke’s Club Sandwich. Here’s the added titles to the section which already includes: Catherine Martin’s A Journey (Une Jeune Fille), Ingrid Veninger’s The Animal Project, Terry Miles’ Cinemanovels, Bruce Sweeney...
- 8/13/2013
- by Eric Lavallee
- IONCINEMA.com
The titles just keep coming as we are now just over three weeks away from the start of the 2013 Toronto International Film Festival and they have gone and added 90 new feature length titles to the program and it's not as if they are titles you haven't heard of. New to the Galas selection is Guillaume Canet's Blood Ties which premiered at Cannes earlier this year (read my review here) and Words and Pictures starring Clive Owen and Juliette Binoche. In the Special Presentations selection you find the bulk of the more noted titles including Alex Gibney's new documentary The Armstrong Lie about cyclist Lance Armstrong, Johnnie To's Blind Detective which also premiered at Cannes, James Franco's Child of God based on the Cormac McCarthy novel, John Turturro's Fading Gigolo which features Woody Allen in one of the roles, Kevin Macdonald's How I Live Now...
- 8/13/2013
- by Brad Brevet
- Rope of Silicon
World premieres of Kevin Macdonald’s How I Live Now, Fred Schepisi’s Words And Pictures and John Turturro’s Fading Gigolo are among the Tiff line-up of galas and special presentations.
The Contemporary World Cinema strand includes first views of Jan Hrebejk’s Honeymoon, Donovan Marsh’s iNumber Number and Fernando Coimbra’s A Wolf At The Door.
The Toronto International Film Festival is scheduled to run from Sept 5-15.
Wp = World premiere
IP = International premiere
Np = North American premiere
Cp = Canadian premiere
Tp = Toronto premiere
GALASBlood Ties Guillaume Canet (France-us) NAPBright Days Ahead (Les Beaux Jours) Marion Vernoux (France) NAPWords & Pictures Fred Schepisi (Us) Wpspecial Presentationsa Promise (Une Promesse) Patrice Leconte (Belgium-France) NAPThe Armstrong Lie Alex Gibney (Us) NAPBlind Detective Johnnie To (Hong Kong) NAPChild Of God James Franco (Us) NAPThe Face Of Love Arie Posin (Us) WPFading Gigolo John Turturro (Us) WPThe Finishers Nils Tavernier (Belgium-France) WPHow I Live Now Kevin Macdonald (UK) WPThe...
The Contemporary World Cinema strand includes first views of Jan Hrebejk’s Honeymoon, Donovan Marsh’s iNumber Number and Fernando Coimbra’s A Wolf At The Door.
The Toronto International Film Festival is scheduled to run from Sept 5-15.
Wp = World premiere
IP = International premiere
Np = North American premiere
Cp = Canadian premiere
Tp = Toronto premiere
GALASBlood Ties Guillaume Canet (France-us) NAPBright Days Ahead (Les Beaux Jours) Marion Vernoux (France) NAPWords & Pictures Fred Schepisi (Us) Wpspecial Presentationsa Promise (Une Promesse) Patrice Leconte (Belgium-France) NAPThe Armstrong Lie Alex Gibney (Us) NAPBlind Detective Johnnie To (Hong Kong) NAPChild Of God James Franco (Us) NAPThe Face Of Love Arie Posin (Us) WPFading Gigolo John Turturro (Us) WPThe Finishers Nils Tavernier (Belgium-France) WPHow I Live Now Kevin Macdonald (UK) WPThe...
- 8/13/2013
- by [email protected] (Jeremy Kay)
- ScreenDaily
World premieres of Kevin Macdonald’s How I Live Now, Fred Schepisi’s Words And Pictures and John Turturro’s Fading Gigolo are among the TIFF line-up of galas and special presentations announced on Tuesday [13].
The Contemporary World Cinema strand includes first views of Jan Hrebejk’s Honeymoon, Donovan Marsh’s iNumber Number and Fernando Coimbra’s A Wolf At The Door.
The Toronto International Film Festival is scheduled to run from Sept 5-15.
Wp = World premiere
IP = International premiere
Np = North American premiere
Cp = Canadian premiere
Tp = Toronto premiere
GALASBlood Ties Guillaume Canet (France-us) NAPBright Days Ahead (Les Beaux Jours) Marion Vernoux (France) NAPWords & Pictures Fred Schepisi (Us) Wpspecial Presentationsa Promise (Une Promesse) Patrice Leconte (Belgium-France) NAPThe Armstrong Lie Alex Gibney (Us) NAPBlind Detective Johnnie To (Hong Kong) NAPChild Of God James Franco (Us) NAPThe Face Of Love Arie Posin (Us) WPFading Gigolo John Turturro (Us) WPThe Finishers Nils Tavernier (Belgium-France) WPHow I Live Now [link...
The Contemporary World Cinema strand includes first views of Jan Hrebejk’s Honeymoon, Donovan Marsh’s iNumber Number and Fernando Coimbra’s A Wolf At The Door.
The Toronto International Film Festival is scheduled to run from Sept 5-15.
Wp = World premiere
IP = International premiere
Np = North American premiere
Cp = Canadian premiere
Tp = Toronto premiere
GALASBlood Ties Guillaume Canet (France-us) NAPBright Days Ahead (Les Beaux Jours) Marion Vernoux (France) NAPWords & Pictures Fred Schepisi (Us) Wpspecial Presentationsa Promise (Une Promesse) Patrice Leconte (Belgium-France) NAPThe Armstrong Lie Alex Gibney (Us) NAPBlind Detective Johnnie To (Hong Kong) NAPChild Of God James Franco (Us) NAPThe Face Of Love Arie Posin (Us) WPFading Gigolo John Turturro (Us) WPThe Finishers Nils Tavernier (Belgium-France) WPHow I Live Now [link...
- 8/13/2013
- by [email protected] (Jeremy Kay)
- ScreenDaily
The 48th edition of the Karlovy Vary International Film Festival (Kviff) came to a close in the Bohemian town of the same name this weekend, with Hungarian WWII tale "Le Grand Cahier," based on the bestseller "The Notebook" from Agota Kristof, taking the Crystal Globe for best feature. The competition jury, presided over by Polish director Agnieszka Holland ("In Darkness," episodes of "Treme," "The Wire" and "The Killing") and also including Tribeca Artistic Director Frédéric Boyer, awarded Ben Wheatley's black-and-white oddity "A Field in England" their Special Jury Prize, while U.S. indie "Bluebird" from Lance Edmands, which premiered at Tribeca, walked away with a shared Best Actress award. Local arthouse veteran Jan Hrebejk, whose "Divided We Fall" was nominated for an Oscar in 2001, won Best Director for his latest film, "Honeymoon," which stars his regular lead actress Anna Geislerova as a bride who discovers an ugly episode in...
- 7/8/2013
- by Boyd van Hoeij
- Indiewire
At the closing awards ceremony of the 48th Karlovy Vary International Film Festival, Janos Szasz’s "Le Grand Cahier" (Hungary) took the top prize, the Crystal Globe, which comes with $25,000 to be split by director and producer (Sandor Soth). The film also earned the Europa Cinemas Label. (Full list of winners below.) Based on Agota Kristof’s award-winning World War II novel "The Notebook," "Le Grand Cahier" is about 13-year-old twins who go to live with their grandmother during the war. The first feature backed by the new Hungarian Film Fund, "Le Grand Cahier" is co-produced with Austria's Amour Fou, France's Dolce Vita, Germany's Intuit and Hungary's Hunnia Film Studio. Brit filmmaker Ben Wheatley won the special jury prize ($15,000) for "A Field In England," which opened in the UK on Friday. Czech director Jan Hrebejk won best director for his film "Honeymoon," while Czech director Alice Nellis earned the audience award for "Revival.
- 7/7/2013
- by Anne Thompson
- Thompson on Hollywood
Janos Szasz’s Le Grand Cahier walked away with the Crystal Globe at the 48th Karlovy Vary International Film Festival.Scroll down for full list of winners
The Hungarian film impressed jury and industry alike with its depiction of 13-year-old twins sent to their grandmother during the Second World War (it is based on Agota Kristof’s award-winning novel The Notebook).
The producer of the film, Sandor Soth [pictured], picked up the award in front of a delighted audience. Le Grand Cahier was co-produced with Austria (Amour Fou), France (Dolce Vita) and Germany (Intuit), and it is the first completed feature to be backed by the new Hungarian Film Fund (the Hungarian production company was Hunnia Film Studio.
The Kviff top prize comes with $25,000 to be split by director and producer. The film also won the Europa Cinemas Label.
Ben Wheatley won the special jury prize (worth $15,000) for A Field In England and appeared in a special video thank...
The Hungarian film impressed jury and industry alike with its depiction of 13-year-old twins sent to their grandmother during the Second World War (it is based on Agota Kristof’s award-winning novel The Notebook).
The producer of the film, Sandor Soth [pictured], picked up the award in front of a delighted audience. Le Grand Cahier was co-produced with Austria (Amour Fou), France (Dolce Vita) and Germany (Intuit), and it is the first completed feature to be backed by the new Hungarian Film Fund (the Hungarian production company was Hunnia Film Studio.
The Kviff top prize comes with $25,000 to be split by director and producer. The film also won the Europa Cinemas Label.
Ben Wheatley won the special jury prize (worth $15,000) for A Field In England and appeared in a special video thank...
- 7/7/2013
- ScreenDaily
To my friends and readers: We are about to conclude the Jewish High Holidays which began 10 days ago with Rosh Hashanah and ends tomorrow with Yom Kippur. In the spirit of this season, I must ask everyone, if I have offended any of you, whether knowingly or unknowingly, I ask your forgiveness. If I have not published articles I promised you I would, please forgive me. I meant to when I said I would but have so many other commitments and things I must do. I am sure that the article is not forgotten and I may get to it in the coming year. But I ask forgiveness for overreaching and for commitments and promises I have not kept.
By the way this free ranging stream of consciousness blog will go, it could also be called Jews in the News, the “News” being New Years and New York, and of course films. Imagining this as a new feature, and because it might only run once a year, I am going to use it here as a platform to mention everyone on my mind as they come up as a sort of New Year’s wrap up of things left undone.
To begin, I am writing about all the people and things I saw and did in New York and, again, I hope friends I don’t mention will forgive me. Like Lynda Hansen whom I did see at New York Film Society's Walter Reade Theater…or Wanda Bershan whom I saw across the room at a press screening or Gary Crowdes the editor-in-chief of Cineaste Magazine and whom I meant to greet but didn’t. I saw so many old New York friends and acquaintances and because it was New Years and a time of reflection, I revisited what were my circumstances when I left it in 1985 to return to L.A.
When I first moved to New York in 1980 to work for ABC Video Enterprises, I had spent 5 years practicing Orthodox Judaism. Being in New York represented the apotheosis of all things Jewish (outside of Israel, whose films and festivals will be the subject of another blog - excuse me Katriel Schory of the Israeli Film Fund and Alesia Weston the new director of the Jerusalem Film Festival). In New York, even those who were not Jewish by religion seemed Jewish to me by virtue of living in New York. When I realized this, my own Orthdoxy fell away from me as if I were shedding a cloak. I understood that my Jewish self was Jewish no matter what life style I would live. And I liked the New York life style most of all.
After Tiff 12 (Toronto International Film Festival 2012), Peter and I came for a week of relaxation to New York City. What a city! So New York, in-your-face, loud, crowded, lots of horns honking, and people: People. The best. We saw our friends, we saw New York with New Eyes.
We arrived by train from the airport, straight to our apartment! What great rapid transit, even if it is old and ugly, so blackened by dirt and age. I noticed new decorations on some walls of some stations, some works were better than others. I wish we had such a quick easy way to zoom around our fair city of L.A.
We stayed in an apartment in Chelsea – that of our daughter’s mother-in-law who lives half the year in the apartments built by the Amalgamated Ladies Garment Union. (The other half she spends in Truro.) Such history! Coincidently these are the very apartments I had wanted to live in when I was leaving NYC in 1985.
We were invited to a screening by Hisami Kuroiwa, whose friendship goes back to our early days in Cannes, or back to the days she produced Smoke and Blue in the Face with my other old friend Peter Newman. Araf (Venice Ff, Tokyo Ff, Isa: The Match Factory), which she associate produced, will be presented at the New York Film Festival (NYFF50), September 28 – October 14. The press screening at the new Walter Reade Theater was a great treat. The film’s director, Yesim Ustaoglu, ♀, who also directed Journey to the Sun and Pandora’s Box spoke via Skype at the press Q&A afterward.
Araf in Turkish means “somewhere in between”. The Somewhere in Between in the film is a 24-hour restaurant halfway between Ankara and Istanbul. The young girl whose first job it is; her friend – an “older” woman, not much older than herself who becomes her guide to adulthood; the girl’s childhood friend who works there as a teaboy and whose mother is not much older than the other two women and a truck driver who comes through en route, are the protagonists in this piece which brings to life a very distant place where the people’s most intimate issues are very much like our own to the degree that all the women share the same life issues of sex, love, work and family today in a world where traditions are giving way to the exigencies of modern life.
The issues are so much the same as what we are facing today, namely, our own bodies and all that entails. Parenthetically, these are the same issues in The Patience Stone (Isa: Le Pacte), which takes my prize for the Best Female Film at Tiff 12.
Both of these films deeply affected me in my own ways. When I say “affected”, what I mean is that some thought comes into my head which seems unrelated to the film but comes so suddenly and vividly to me and illuminates some part of my life. When this happens to me during a film, I know the film is really good because it is affecting a subconscious part of me and of something of concern to me. A thought comes to me which makes my life come together in a new way and I sometimes feel transformed by the experience. This is my criteria for what makes a good film. Of course story, script, direction, cast, music, costume and art decoration also count, but in the end, it is the emotional impact a film has upon me as a passive viewer which makes it a winning film for me. The same pertains to me for all art, whether painting, architecture (Wow factor here for NYC on the architecture front!) , sculpture, music, dancing, etc.
We were given a week’s guest pass to The Sports Center at Chelsea Piers by Alan Adelson whose documentary about James Joyce's hero, Leo Bloom in Ulysses, In Bed with Ulysses, is an exciting new film which I hope to see in the upcoming festival circuit. At the dinner, prepared and served by Alan and his wife Katie Taverna, an editor, who also has a new documentary about to surface, I was astounded by their home - so New York. Only in New York could someone live in Tribeca’s 19th century warehouse district in such an architecturally unique home amid such astounding works of art. Docu filmmaker, Deborah Schaffer and her late dear husband, the N.Y. architecht, Larry Bagdanow, introduced us to Alan several years ago. He also publishes Jewish Heritage Press, and he gave me a beautiful book entitled, The Last Bright Days: A Young Woman’s life in a Lithuanian Shtetl on the Eve of the Holocaust . Beile Delechy who, along with her brother, were the photographers for a small town called Kararsk in Lithuania, brought her photographs with her when she left Europe for the U.S. in 1938. They show the everyday reality for Jews and Lithuanians during the 1930s. Published by Jewish Heritage and Yivo Institute for Jewish Research, this book embodies my own aspirations. If I could have my books on my family published in such a way as this, I would die happy.
Speaking of Lithuania and this blog, being Jews in the News, must also cover some other Eastern European news because like New York, its innate character still seems Jewish, even though there are very few Jews there. There seems to be a resurgence of interest in the subject however, among the third generation since the Shoah.
Kaunas International Film Festival’s Tomas Tangmark, who heads distribution for the festival, is also a filmmaker whom I met at Wroclaw’s American Film Festival last November. By now his 12 minute short films should have wrapped. In Cannes, when we met again, he showed me his financial plan for “Breshter Bund – A Union Forever” which has received Development Support from the Swedish Film Institute and money from Swedish TV, has a production budget of around €25,000. It is about the workers at the Vindsberg factory in Vilkaviskis, Lithuania in 1896. Influenced by the current events in the world, the workers at the factory organize a strike. Their demand is a 10-hour working day. Whether they win, or lose, the outcome could change The Russian Empire. It was to shoot on location in Vilkaviskis, Lithuania in Yiddish this year.
This 12 minute short is only 1 of the 2 Yiddish language films we have heard about. Peter also heard about a feature which will be entirely in Yiddish. Thank you Coen Brothers whose A Serious Man opened the way!
When I was in Cannes this past year, I heard about Jewish Alley (Judengasse) at The Short Film Corner. Unfortunately Blancke Degenhardt Schuetz Film Produktion GmbH did not include any contact information on the brochure I picked up. Judengassse tells of the ordeal that the Jewish family Blumenfeld undergoes from 1933 to 1938. It is shot in B&W from a single camera position and presents the Holocaust and thoughts for the coexistence of different cultures in our modern society.
Also in Cannes I was so sorry to miss Raphael Berdugo’s second film since he left his company, Roissy Films, in the hands of EuropaCorp in 2008. The Other Son (Le fils de l’Autre) (Isa: La Cite, U.S.: Cohen Media Group) directed by Lorraine Levy ♀ about a man preparing to join the Israeli army who discovers he is not his parents’ biological son. In fact, he was inadvertently switched at birth with the son of a Palestinian family from the West Bank.
Returning to the subject of Eastern Europe in Cannes, Odessa comes to mind. Odessa cinema tradition began in 1894, a year and a half before the Lumiere brothers showed on the Boulevard des Capucines and its first studio opened in 1907. Serge Eisenstein made Odessa legend. On the very place where Battleship Potemkin was filmed, the Odessa Film Festival holds an open-air screening for 12,000 with a view of the sea. During their first year, there were 30,000 attendees. By year three, there were 100,000. It takes place in an opera house on a level of that in Vienna, but their emperor did not pay as in Austria; the people themselves paid for the building. There are $15,000 cash prizes giving for Best Film, Best, Director, and Best Actor. Tomboy won last year. It has a small market for Russian and Ukrainian films, a pitch session and a “summer school” where the students live in tents at attend master classes and a sort of Talent Campus. There is good food by the sea! Don’t you want to attend? I’m hoping to find a way to go, especially after Ilya Dyadik, the program director, so graciously showed me all that goes on there and introduced me to Denis Maslikov, the Managing Director of the Ukrainian Producers Association. It takes place in July.
Estonia is another country on my mind. During Tiff A Lady in Paris (Isa: Pyramide) warmed my soul. Starring Jeanne Moreau, and costarring Laine MÄGI, an actress who reminds me of Katie Outinen, (Kaurimaki's favorite actress) the film was about women and love and oh so French! How could you not love the imperious Jeanne Moreau wearing Chanel and being won over by an Eastern European drudge who, under Moreau’s tutelage transforms herself in a vividly chic woman. And ,Patrick Pineau, who plays the owner of of those upscale cafes you like to have lunch in when in Paris, only needs to take one small step toward Laine, and oh la la, you too fall in love with him!
Edith Sepp, the film advisor for the Estonian Ministry of Culture, met us originally at the Vilnius Film Festival in Lithuania and we had a lot of fun hanging out there. We already had a connection to Estonia because the Estonian American documentary The Singing Revolution was our client’s film. We introduced our client to Richard Abramowitz in 2006 who did extraordinarily well with the film’s theatrical release. Edith invited us to their Cannes reception at Plage des Palmes and we continued our conversation. At Tiff 12 and Karlovy Vary, their film Mushrooming screened, but the one I am really eager to see is In the Crosswind. It shot through four seasons. The director is a 23 year old young man and this is his first film. It cost 700,000 Euros which went into historical costumes, extras and a new technology he is creating to make a profound drama about the relocation of whole populations by the Soviets, a theme which has shaped European history. I hope to see it in Berlin…or Cannes…or Venice.. The film is a sort of documentary story, somewhat similar to Waltz with Bashir, but it is old in live action and with still photography. During Cannes, they were seeking 200,000 Euros to complete the film. There is much to say about both of the Eastern European countries with their new generation of articulate and talented filmmakers. I hope they will be the subject of another blog or two in the coming year.
One last note on Eastern European films. A veteran Czech producer, Rudolf Biermann whom we know since the early days of Karlovy Vary's freedom from the Soviet bloc, is still producing young, fresh comedies like the one one that showed at Tiff 12, The Holy Quaternity by Jan Hrebejk (Isa: Montecristo). This romp brings marital sex which has become boring to a new and simple solution between two couples who have been best friends throughout their marriage. It's risque and sweet and plays with two generations' differing views on the sex games we play for fun.
But I have digressed from New York...And now I must go to Yom Kippur services for the rest of today. This blog will be continued tomorrow!! Watch for Part II which will be about New York!
By the way this free ranging stream of consciousness blog will go, it could also be called Jews in the News, the “News” being New Years and New York, and of course films. Imagining this as a new feature, and because it might only run once a year, I am going to use it here as a platform to mention everyone on my mind as they come up as a sort of New Year’s wrap up of things left undone.
To begin, I am writing about all the people and things I saw and did in New York and, again, I hope friends I don’t mention will forgive me. Like Lynda Hansen whom I did see at New York Film Society's Walter Reade Theater…or Wanda Bershan whom I saw across the room at a press screening or Gary Crowdes the editor-in-chief of Cineaste Magazine and whom I meant to greet but didn’t. I saw so many old New York friends and acquaintances and because it was New Years and a time of reflection, I revisited what were my circumstances when I left it in 1985 to return to L.A.
When I first moved to New York in 1980 to work for ABC Video Enterprises, I had spent 5 years practicing Orthodox Judaism. Being in New York represented the apotheosis of all things Jewish (outside of Israel, whose films and festivals will be the subject of another blog - excuse me Katriel Schory of the Israeli Film Fund and Alesia Weston the new director of the Jerusalem Film Festival). In New York, even those who were not Jewish by religion seemed Jewish to me by virtue of living in New York. When I realized this, my own Orthdoxy fell away from me as if I were shedding a cloak. I understood that my Jewish self was Jewish no matter what life style I would live. And I liked the New York life style most of all.
After Tiff 12 (Toronto International Film Festival 2012), Peter and I came for a week of relaxation to New York City. What a city! So New York, in-your-face, loud, crowded, lots of horns honking, and people: People. The best. We saw our friends, we saw New York with New Eyes.
We arrived by train from the airport, straight to our apartment! What great rapid transit, even if it is old and ugly, so blackened by dirt and age. I noticed new decorations on some walls of some stations, some works were better than others. I wish we had such a quick easy way to zoom around our fair city of L.A.
We stayed in an apartment in Chelsea – that of our daughter’s mother-in-law who lives half the year in the apartments built by the Amalgamated Ladies Garment Union. (The other half she spends in Truro.) Such history! Coincidently these are the very apartments I had wanted to live in when I was leaving NYC in 1985.
We were invited to a screening by Hisami Kuroiwa, whose friendship goes back to our early days in Cannes, or back to the days she produced Smoke and Blue in the Face with my other old friend Peter Newman. Araf (Venice Ff, Tokyo Ff, Isa: The Match Factory), which she associate produced, will be presented at the New York Film Festival (NYFF50), September 28 – October 14. The press screening at the new Walter Reade Theater was a great treat. The film’s director, Yesim Ustaoglu, ♀, who also directed Journey to the Sun and Pandora’s Box spoke via Skype at the press Q&A afterward.
Araf in Turkish means “somewhere in between”. The Somewhere in Between in the film is a 24-hour restaurant halfway between Ankara and Istanbul. The young girl whose first job it is; her friend – an “older” woman, not much older than herself who becomes her guide to adulthood; the girl’s childhood friend who works there as a teaboy and whose mother is not much older than the other two women and a truck driver who comes through en route, are the protagonists in this piece which brings to life a very distant place where the people’s most intimate issues are very much like our own to the degree that all the women share the same life issues of sex, love, work and family today in a world where traditions are giving way to the exigencies of modern life.
The issues are so much the same as what we are facing today, namely, our own bodies and all that entails. Parenthetically, these are the same issues in The Patience Stone (Isa: Le Pacte), which takes my prize for the Best Female Film at Tiff 12.
Both of these films deeply affected me in my own ways. When I say “affected”, what I mean is that some thought comes into my head which seems unrelated to the film but comes so suddenly and vividly to me and illuminates some part of my life. When this happens to me during a film, I know the film is really good because it is affecting a subconscious part of me and of something of concern to me. A thought comes to me which makes my life come together in a new way and I sometimes feel transformed by the experience. This is my criteria for what makes a good film. Of course story, script, direction, cast, music, costume and art decoration also count, but in the end, it is the emotional impact a film has upon me as a passive viewer which makes it a winning film for me. The same pertains to me for all art, whether painting, architecture (Wow factor here for NYC on the architecture front!) , sculpture, music, dancing, etc.
We were given a week’s guest pass to The Sports Center at Chelsea Piers by Alan Adelson whose documentary about James Joyce's hero, Leo Bloom in Ulysses, In Bed with Ulysses, is an exciting new film which I hope to see in the upcoming festival circuit. At the dinner, prepared and served by Alan and his wife Katie Taverna, an editor, who also has a new documentary about to surface, I was astounded by their home - so New York. Only in New York could someone live in Tribeca’s 19th century warehouse district in such an architecturally unique home amid such astounding works of art. Docu filmmaker, Deborah Schaffer and her late dear husband, the N.Y. architecht, Larry Bagdanow, introduced us to Alan several years ago. He also publishes Jewish Heritage Press, and he gave me a beautiful book entitled, The Last Bright Days: A Young Woman’s life in a Lithuanian Shtetl on the Eve of the Holocaust . Beile Delechy who, along with her brother, were the photographers for a small town called Kararsk in Lithuania, brought her photographs with her when she left Europe for the U.S. in 1938. They show the everyday reality for Jews and Lithuanians during the 1930s. Published by Jewish Heritage and Yivo Institute for Jewish Research, this book embodies my own aspirations. If I could have my books on my family published in such a way as this, I would die happy.
Speaking of Lithuania and this blog, being Jews in the News, must also cover some other Eastern European news because like New York, its innate character still seems Jewish, even though there are very few Jews there. There seems to be a resurgence of interest in the subject however, among the third generation since the Shoah.
Kaunas International Film Festival’s Tomas Tangmark, who heads distribution for the festival, is also a filmmaker whom I met at Wroclaw’s American Film Festival last November. By now his 12 minute short films should have wrapped. In Cannes, when we met again, he showed me his financial plan for “Breshter Bund – A Union Forever” which has received Development Support from the Swedish Film Institute and money from Swedish TV, has a production budget of around €25,000. It is about the workers at the Vindsberg factory in Vilkaviskis, Lithuania in 1896. Influenced by the current events in the world, the workers at the factory organize a strike. Their demand is a 10-hour working day. Whether they win, or lose, the outcome could change The Russian Empire. It was to shoot on location in Vilkaviskis, Lithuania in Yiddish this year.
This 12 minute short is only 1 of the 2 Yiddish language films we have heard about. Peter also heard about a feature which will be entirely in Yiddish. Thank you Coen Brothers whose A Serious Man opened the way!
When I was in Cannes this past year, I heard about Jewish Alley (Judengasse) at The Short Film Corner. Unfortunately Blancke Degenhardt Schuetz Film Produktion GmbH did not include any contact information on the brochure I picked up. Judengassse tells of the ordeal that the Jewish family Blumenfeld undergoes from 1933 to 1938. It is shot in B&W from a single camera position and presents the Holocaust and thoughts for the coexistence of different cultures in our modern society.
Also in Cannes I was so sorry to miss Raphael Berdugo’s second film since he left his company, Roissy Films, in the hands of EuropaCorp in 2008. The Other Son (Le fils de l’Autre) (Isa: La Cite, U.S.: Cohen Media Group) directed by Lorraine Levy ♀ about a man preparing to join the Israeli army who discovers he is not his parents’ biological son. In fact, he was inadvertently switched at birth with the son of a Palestinian family from the West Bank.
Returning to the subject of Eastern Europe in Cannes, Odessa comes to mind. Odessa cinema tradition began in 1894, a year and a half before the Lumiere brothers showed on the Boulevard des Capucines and its first studio opened in 1907. Serge Eisenstein made Odessa legend. On the very place where Battleship Potemkin was filmed, the Odessa Film Festival holds an open-air screening for 12,000 with a view of the sea. During their first year, there were 30,000 attendees. By year three, there were 100,000. It takes place in an opera house on a level of that in Vienna, but their emperor did not pay as in Austria; the people themselves paid for the building. There are $15,000 cash prizes giving for Best Film, Best, Director, and Best Actor. Tomboy won last year. It has a small market for Russian and Ukrainian films, a pitch session and a “summer school” where the students live in tents at attend master classes and a sort of Talent Campus. There is good food by the sea! Don’t you want to attend? I’m hoping to find a way to go, especially after Ilya Dyadik, the program director, so graciously showed me all that goes on there and introduced me to Denis Maslikov, the Managing Director of the Ukrainian Producers Association. It takes place in July.
Estonia is another country on my mind. During Tiff A Lady in Paris (Isa: Pyramide) warmed my soul. Starring Jeanne Moreau, and costarring Laine MÄGI, an actress who reminds me of Katie Outinen, (Kaurimaki's favorite actress) the film was about women and love and oh so French! How could you not love the imperious Jeanne Moreau wearing Chanel and being won over by an Eastern European drudge who, under Moreau’s tutelage transforms herself in a vividly chic woman. And ,Patrick Pineau, who plays the owner of of those upscale cafes you like to have lunch in when in Paris, only needs to take one small step toward Laine, and oh la la, you too fall in love with him!
Edith Sepp, the film advisor for the Estonian Ministry of Culture, met us originally at the Vilnius Film Festival in Lithuania and we had a lot of fun hanging out there. We already had a connection to Estonia because the Estonian American documentary The Singing Revolution was our client’s film. We introduced our client to Richard Abramowitz in 2006 who did extraordinarily well with the film’s theatrical release. Edith invited us to their Cannes reception at Plage des Palmes and we continued our conversation. At Tiff 12 and Karlovy Vary, their film Mushrooming screened, but the one I am really eager to see is In the Crosswind. It shot through four seasons. The director is a 23 year old young man and this is his first film. It cost 700,000 Euros which went into historical costumes, extras and a new technology he is creating to make a profound drama about the relocation of whole populations by the Soviets, a theme which has shaped European history. I hope to see it in Berlin…or Cannes…or Venice.. The film is a sort of documentary story, somewhat similar to Waltz with Bashir, but it is old in live action and with still photography. During Cannes, they were seeking 200,000 Euros to complete the film. There is much to say about both of the Eastern European countries with their new generation of articulate and talented filmmakers. I hope they will be the subject of another blog or two in the coming year.
One last note on Eastern European films. A veteran Czech producer, Rudolf Biermann whom we know since the early days of Karlovy Vary's freedom from the Soviet bloc, is still producing young, fresh comedies like the one one that showed at Tiff 12, The Holy Quaternity by Jan Hrebejk (Isa: Montecristo). This romp brings marital sex which has become boring to a new and simple solution between two couples who have been best friends throughout their marriage. It's risque and sweet and plays with two generations' differing views on the sex games we play for fun.
But I have digressed from New York...And now I must go to Yom Kippur services for the rest of today. This blog will be continued tomorrow!! Watch for Part II which will be about New York!
- 9/26/2012
- by Sydney Levine
- Sydney's Buzz
Chicago – One of the annual gems of the Chicago movie scene is the Siskel Film Center’s unmissable European Union Film Festival. It provides local movie buffs with the opportunity to sample some of the finest achievements in world cinema. For many of the festival selections, their EU appearance will function as their sole screening in the Windy City.
This year’s edition, running from March 2nd through the 29th, includes high profile films from world renowned filmmakers like Andrea Arnold (“Wuthering Heights”), Bruce Dumont (“Hors Satan”), Dominique Abel and Fiona Gordon (“The Fairy”), Abdellatif Kechiche (“Black Venus”) and John Landis (“Burke & Hare”). Moviegoers will have the opportunity to see the latest work from some of the world’s most acclaimed and beloved actors, including Léa Seydoux (“Belle Épine”), Tahir Rahim (“Free Men”), Colm Meaney (“Parked”), Noomi Rapace (“Beyond”), Andy Serkis (“Burke & Hare”), Isabella Rossellini (“Late Bloomers”) and Ewan McGregor...
This year’s edition, running from March 2nd through the 29th, includes high profile films from world renowned filmmakers like Andrea Arnold (“Wuthering Heights”), Bruce Dumont (“Hors Satan”), Dominique Abel and Fiona Gordon (“The Fairy”), Abdellatif Kechiche (“Black Venus”) and John Landis (“Burke & Hare”). Moviegoers will have the opportunity to see the latest work from some of the world’s most acclaimed and beloved actors, including Léa Seydoux (“Belle Épine”), Tahir Rahim (“Free Men”), Colm Meaney (“Parked”), Noomi Rapace (“Beyond”), Andy Serkis (“Burke & Hare”), Isabella Rossellini (“Late Bloomers”) and Ewan McGregor...
- 2/15/2012
- by [email protected] (Adam Fendelman)
- HollywoodChicago.com
Former Czech Republic president Václav Havel died from respiratory problems earlier today. Havel, who had been a heavy smoker, was 75.
Besides his role as a political dissident during the Communist regime and as a representative of Czechoslovakia's transition from Communist rule to economically and politically troubled constitutional democracy, Havel was also a playwright.
A number of his plays were filmed for television throughout the '80s and '90s. In 2011, Havel himself directed for the big screen an adaptation of his play Leaving, which was released in the Czech Republic in March. Making clear allusions to Havel himself and to his nemesis and successor, Czech president Vaclav Klaus, Leaving is a dramatic comedy about a once-popular chancellor (played by veteran Josef Abrhám) whose fortunes have taken a dramatic turn for the worse. As a result, he must vacate his posh official residence so his successor, Vlastik Klein (Jaroslav Dusek), can move in.
Besides his role as a political dissident during the Communist regime and as a representative of Czechoslovakia's transition from Communist rule to economically and politically troubled constitutional democracy, Havel was also a playwright.
A number of his plays were filmed for television throughout the '80s and '90s. In 2011, Havel himself directed for the big screen an adaptation of his play Leaving, which was released in the Czech Republic in March. Making clear allusions to Havel himself and to his nemesis and successor, Czech president Vaclav Klaus, Leaving is a dramatic comedy about a once-popular chancellor (played by veteran Josef Abrhám) whose fortunes have taken a dramatic turn for the worse. As a result, he must vacate his posh official residence so his successor, Vlastik Klein (Jaroslav Dusek), can move in.
- 12/18/2011
- by Andre Soares
- Alt Film Guide
According to the program for this year’s Vancouver International Film Festival, director Jan Hrebejk and writer Petr Jarchovsky have visited many times with their collaborations. What is different this time is the type of film they have brought. Supposedly beginning a new trilogy in “blame and punishment”, this psychological thriller is new territory for their oeuvre and if the next two are as good or better than this, I say they shouldn’t stop at just three.
On the surface Nevinnost [Innocence] is a tale about the sanctity of a young girl’s word. Olinka (Anna Linhartová) is quite obviously a disturbed girl with a fanciful imagination, but when she accuses her physical therapist of abuse—or in her own words, love—the law doesn’t allow you to laugh and assume slander. No, in terms of a crime such as this, even the smallest chance of truth means you...
On the surface Nevinnost [Innocence] is a tale about the sanctity of a young girl’s word. Olinka (Anna Linhartová) is quite obviously a disturbed girl with a fanciful imagination, but when she accuses her physical therapist of abuse—or in her own words, love—the law doesn’t allow you to laugh and assume slander. No, in terms of a crime such as this, even the smallest chance of truth means you...
- 10/5/2011
- by [email protected] (thefilmstage.com)
- The Film Stage
The Los Angeles Film Festival has announced the world premiere of Richard Linklater's Bernie as the opening night film for the 2011 festival.
The film will kick off the festival on June 16 at Regal Cinemas Stadium 14 at L.A. Live. It is written by Skip Hollandsworth and director Linklater and stars Jack Black, Shirley MacLaine, and Matthew McConaughey.
The film follows a beloved mortician (Black) from a small Texas town, even winning over the town's richest, meanest widow (MacLaine). Even after Bernie commits a horrible crime, people still will not utter a bad word against him.
"We're thrilled to be opening the Festival with the world premiere of this delicious black comedy - a treat from one of the most original and exciting voices in independent film, Richard Linklater," said Festival director Rebecca Yeldham. "With its fabulous all-star cast, Bernie is a perfect stage setter for the incredible line-up of...
The film will kick off the festival on June 16 at Regal Cinemas Stadium 14 at L.A. Live. It is written by Skip Hollandsworth and director Linklater and stars Jack Black, Shirley MacLaine, and Matthew McConaughey.
The film follows a beloved mortician (Black) from a small Texas town, even winning over the town's richest, meanest widow (MacLaine). Even after Bernie commits a horrible crime, people still will not utter a bad word against him.
"We're thrilled to be opening the Festival with the world premiere of this delicious black comedy - a treat from one of the most original and exciting voices in independent film, Richard Linklater," said Festival director Rebecca Yeldham. "With its fabulous all-star cast, Bernie is a perfect stage setter for the incredible line-up of...
- 5/30/2011
- by [email protected] (Alyssa Caverley)
- Reel Movie News
Holding court downtown from June 16-26, 2011, the Los Angeles Film Festival comprehensively curates the cinematic landscape across a variety of media. Produced by Film Independent, the festival has continued to grow in recent years, and now boasts many of the best independent films of the year.
With the departure of the organization’s CEO, Dawn Hudson, to run the Academy, it will be interesting to see whether the festival’s director Rebecca Yeldham will stay on board past 2011. In the meantime, they’ve announced their line-up for the 2011 festival, and it includes some much buzzed about Sundance and SxSW titles (“Project Nim,” “The Future,” “Crime After Crime,” “The Salesman,” “Terri,” “Another Earth,” “The Guard,” “Natural Selection,” “Tyrannosaur,” “Where Soldiers Come From” and “Higher Ground,” to name a few), as well as 27 world, North American and U.S. premieres.
For the official list of competition and other films, as well as...
With the departure of the organization’s CEO, Dawn Hudson, to run the Academy, it will be interesting to see whether the festival’s director Rebecca Yeldham will stay on board past 2011. In the meantime, they’ve announced their line-up for the 2011 festival, and it includes some much buzzed about Sundance and SxSW titles (“Project Nim,” “The Future,” “Crime After Crime,” “The Salesman,” “Terri,” “Another Earth,” “The Guard,” “Natural Selection,” “Tyrannosaur,” “Where Soldiers Come From” and “Higher Ground,” to name a few), as well as 27 world, North American and U.S. premieres.
For the official list of competition and other films, as well as...
- 5/3/2011
- by admin
- Moving Pictures Magazine
Holding court downtown from June 16-26, 2011, the Los Angeles Film Festival comprehensively curates the cinematic landscape across a variety of media. Produced by Film Independent, the festival has continued to grow in recent years, and now boasts many of the best independent films of the year.
With the departure of the organization’s CEO, Dawn Hudson, to run the Academy, it will be interesting to see whether the festival’s director Rebecca Yeldham will stay on board past 2011. In the meantime, they’ve announced their line-up for the 2011 festival, and it includes some much buzzed about Sundance and SxSW titles (“Project Nim,” “The Future,” “Crime After Crime,” “The Salesman,” “Terri,” “Another Earth,” “The Guard,” “Natural Selection,” “Tyrannosaur,” “Where Soldiers Come From” and “Higher Ground,” to name a few), as well as 27 world, North American and U.S. premieres.
For the official list of competition and other films, as well as...
With the departure of the organization’s CEO, Dawn Hudson, to run the Academy, it will be interesting to see whether the festival’s director Rebecca Yeldham will stay on board past 2011. In the meantime, they’ve announced their line-up for the 2011 festival, and it includes some much buzzed about Sundance and SxSW titles (“Project Nim,” “The Future,” “Crime After Crime,” “The Salesman,” “Terri,” “Another Earth,” “The Guard,” “Natural Selection,” “Tyrannosaur,” “Where Soldiers Come From” and “Higher Ground,” to name a few), as well as 27 world, North American and U.S. premieres.
For the official list of competition and other films, as well as...
- 5/3/2011
- by admin
- Moving Pictures Network
Film Independent Announces First Round Of Us & International
Film Selections For 2011 Los Angeles Film Festival,
Presented By The Los Angeles Times - 19 Films Chosen for Narrative & Documentary Competition - - International Spotlight to Focus on Cuba -
Los Angeles (May 3, 2011) . Today the Los Angeles Film Festival, presented by the Los Angeles Times, announced the first round of official Us and international selections. The 2011 Los Angeles Film Festival is produced by Film Independent . the non-profit arts organization that also produces the Spirit Awards . and will screen over 200 feature films, shorts, and music videos, representing more than 30 countries. Opening and Closing Night films, Galas, Conversations, Artists in Residence, Lafca.s Films That Got Away, along with additional special guests and programming for the Festival Talks will be announced at later dates.
Returning to downtown Los Angeles, with its central hub at L.A. Live, the Festival will run from Thursday, June 16 to Sunday,...
Film Selections For 2011 Los Angeles Film Festival,
Presented By The Los Angeles Times - 19 Films Chosen for Narrative & Documentary Competition - - International Spotlight to Focus on Cuba -
Los Angeles (May 3, 2011) . Today the Los Angeles Film Festival, presented by the Los Angeles Times, announced the first round of official Us and international selections. The 2011 Los Angeles Film Festival is produced by Film Independent . the non-profit arts organization that also produces the Spirit Awards . and will screen over 200 feature films, shorts, and music videos, representing more than 30 countries. Opening and Closing Night films, Galas, Conversations, Artists in Residence, Lafca.s Films That Got Away, along with additional special guests and programming for the Festival Talks will be announced at later dates.
Returning to downtown Los Angeles, with its central hub at L.A. Live, the Festival will run from Thursday, June 16 to Sunday,...
- 5/3/2011
- by Michelle McCue
- WeAreMovieGeeks.com
One of the more intriguing films to be released this fall that the average cinephile perhaps has not heard of, Kawasaki's Rose is the sort of movie that, in a healthier distribution climate, would be getting a decent specialty release from Sony Pictures Classics or IFC Films. Instead, Film Forum, New York's most canonized institution of cinema, has taken it upon itself to exhibit the film, which is the Czech Republic's entry for Best Foreign Film for 2010. The film was helmed by the Czech directing-writing duo of Jan Hrebejk (director) and Petr Jarchovský (writer). One part family drama, one part morality tale, and one part secret police thriller, Kawasaki's Rose follows many different threads that diverge from a Czech family. The family patriarch, Pavel, is an esteemed dissident who long spoke out against the country's communist government. His son-in-law, Ludek, is making a documentary about Pavel; Ludek is also conducting...
- 11/24/2010
- TribecaFilm.com
One of the more intriguing films to be released this fall that the average cinephile perhaps has not heard of, Kawasaki's Rose is the sort of movie that, in a healthier distribution climate, would be getting a decent specialty release from Sony Pictures Classics or IFC Films. Instead, Film Forum, New York's most canonized institution of cinema, has taken it upon itself to exhibit the film, which is the Czech Republic's entry for Best Foreign Film for 2010. The film was helmed by the Czech directing-writing duo of Jan Hrebejk (director) and Petr Jarchovský (writer). One part family drama, one part morality tale, and one part secret police thriller, Kawasaki's Rose follows many different threads that diverge from a Czech family. The family patriarch, Pavel, is an esteemed dissident who long spoke out against the country's communist government. His son-in-law, Ludek, is making a documentary about Pavel; Ludek is also conducting...
- 11/24/2010
- TribecaFilm.com
While I do not think that something as edgy or unusual as Giorgos Lanthimos' Dogtooth (pictured above) will make the 'final five' short list, but kudos to Greece for throwing it out there. Perhaps something like Tetsuya Nakashima's Confessions will make the cut despite its similarly unsettling subject matter. Either way, the Academy of Motion Picture Arts and Sciences did put out a big release yesterday with all of their Foreign Language film submissions, 65 of them in total even Greenland, from various countries. Many of these films have reviews in our archives.
Albania, East West East, Gjergj Xhuvani
Algeria, Hors la Loi ("Outside the Law"), Rachid Bouchareb
Argentina, Carancho, Pablo Trapero
Austria, La Pivellina, Tizza Covi and Rainer Frimmel
Azerbaijan, The Precinct, Ilgar Safat
Bangladesh, Third Person Singular Number, Mostofa Sarwar Farooki
Belgium, Illegal, Olivier Masset-Depasse
Bosnia and Herzegovina, Circus Columbia, Danis Tanovic
Brazil, Lula the Son of Brazil,...
Albania, East West East, Gjergj Xhuvani
Algeria, Hors la Loi ("Outside the Law"), Rachid Bouchareb
Argentina, Carancho, Pablo Trapero
Austria, La Pivellina, Tizza Covi and Rainer Frimmel
Azerbaijan, The Precinct, Ilgar Safat
Bangladesh, Third Person Singular Number, Mostofa Sarwar Farooki
Belgium, Illegal, Olivier Masset-Depasse
Bosnia and Herzegovina, Circus Columbia, Danis Tanovic
Brazil, Lula the Son of Brazil,...
- 10/14/2010
- Screen Anarchy
65 Countries Enter Race for 2010 Foreign Language Film Oscar®
Beverly Hills, CA: Sixty-five countries, including first-time entrants Ethiopia and Greenland, have submitted films for consideration in the Foreign Language Film category for the 83rd Academy Awards®.
The 2010 submissions are:
.Albania, .East, West, East,. Gjergj Xhuvani, director;
.Algeria, .Hors la Loi. (.Outside the Law.), Rachid Bouchareb, director;
.Argentina, .Carancho,. Pablo Trapero, director;
.Austria, .La Pivellina,. Tizza Covi and Rainer Frimmel, directors;
.Azerbaijan, .The Precinct,. Ilgar Safat, director;
.Bangladesh, .Third Person Singular Number,. Mostofa Sarwar Farooki, director;
.Belgium, .Illegal,. Olivier Masset-Depasse, director;
.Bosnia and Herzegovina, .Circus Columbia,. Danis Tanovic, director;
.Brazil, .Lula, the Son of Brazil,. Fabio Barreto, director;
.Bulgaria, .Eastern Plays,. Kamen Kalev, director;
.Canada, .Incendies,. Denis Villeneuve, director;
.Chile, .The Life of Fish,. Matias Bize, director;
.China, .Aftershock,. Feng Xiaogang, director;
.Colombia, .Crab Trap,. Oscar Ruiz Navia, director;
.Costa Rica, .Of Love and Other Demons,. Hilda Hidalgo, director;
.Croatia, .The Blacks,...
Beverly Hills, CA: Sixty-five countries, including first-time entrants Ethiopia and Greenland, have submitted films for consideration in the Foreign Language Film category for the 83rd Academy Awards®.
The 2010 submissions are:
.Albania, .East, West, East,. Gjergj Xhuvani, director;
.Algeria, .Hors la Loi. (.Outside the Law.), Rachid Bouchareb, director;
.Argentina, .Carancho,. Pablo Trapero, director;
.Austria, .La Pivellina,. Tizza Covi and Rainer Frimmel, directors;
.Azerbaijan, .The Precinct,. Ilgar Safat, director;
.Bangladesh, .Third Person Singular Number,. Mostofa Sarwar Farooki, director;
.Belgium, .Illegal,. Olivier Masset-Depasse, director;
.Bosnia and Herzegovina, .Circus Columbia,. Danis Tanovic, director;
.Brazil, .Lula, the Son of Brazil,. Fabio Barreto, director;
.Bulgaria, .Eastern Plays,. Kamen Kalev, director;
.Canada, .Incendies,. Denis Villeneuve, director;
.Chile, .The Life of Fish,. Matias Bize, director;
.China, .Aftershock,. Feng Xiaogang, director;
.Colombia, .Crab Trap,. Oscar Ruiz Navia, director;
.Costa Rica, .Of Love and Other Demons,. Hilda Hidalgo, director;
.Croatia, .The Blacks,...
- 10/13/2010
- by Michelle McCue
- WeAreMovieGeeks.com
I have been keeping track of all of the Foreign Language Oscar submissions in my "The Contenders" section of the site and today the official list of sixty-five films from sixty-five countries was unveiled by the Academy of Motion Picture Arts and Sciences for consideration for the 83rd Academy Awards. On January 20, 2011 a shortlist of nine contenders will be announced prior to the naming of the nominees on January 25, 2011.
I have included the complete list directly below, which includes first-time entrants Ethiopia and Greenland. The only film that was originally thought to be under consideration, but didn't show up on the Academy's final list was Afghanistan's entry, Black Tulip, directed by Sonia Nassery Cole. IMDb doesn't list a release date for the film, which means it may not have met the release requirements in time.
I have linked each film to their corresponding IMDb page for those films not included...
I have included the complete list directly below, which includes first-time entrants Ethiopia and Greenland. The only film that was originally thought to be under consideration, but didn't show up on the Academy's final list was Afghanistan's entry, Black Tulip, directed by Sonia Nassery Cole. IMDb doesn't list a release date for the film, which means it may not have met the release requirements in time.
I have linked each film to their corresponding IMDb page for those films not included...
- 10/13/2010
- by Brad Brevet
- Rope of Silicon
Earlier this week, the Academy of Motion Picture Arts and Sciences announced that today (October 1st) would be the deadline for submissions for the Best Foreign Language Film category. Many countries heard the call as several more films were selected to vie for the prestigious award.Kawasaki’s RoseThis tale of a man struggling to come to grips with his past reaches the Academy from the Czech Republic. It was helmed by Jan Hrebejk, director of such films as Divided We Fall and Up and Down, both of which were submitted by the Czech Republic to compete for the Best Foreign Language Film...
- 10/1/2010
- by Trevor Fuller, Foreign Film Examiner
- Examiner Movies Channel
Zurich -- "Kawasaki's Rose," Jan Hrebejk's political drama examining the misdeeds of the Czechoslovakian secret police and the legacy of Communist dictatorship, is the Czech Oscar entry for 2011.
Director Jan Hrebejk was nominated for an Oscar in 2001 for his Nazi-era comedy/thriller "Divided We Fall." "Kawasaki's Rose" is set mostly in the present day. It tells the story of Pavel, a famed dissent set to receive a national honor for his resistance to the Communist regime. But it emerges that Pavel has a dark secret: he once collaborated with the secret police. Some critics have compared "Kawasaki's Rose" to Florian Henckel von Donnersmarck's Oscar-winner "The Lives of Others."
Menemsha Films has U.S. rights to "Kawasaki's Rose" and will bow the film Nov. 24 at New York's Film Forum.
The Academy of Motion Picture Arts and Sciences will announce the shortlist for Best Foreign Language Film on January 18 and...
Director Jan Hrebejk was nominated for an Oscar in 2001 for his Nazi-era comedy/thriller "Divided We Fall." "Kawasaki's Rose" is set mostly in the present day. It tells the story of Pavel, a famed dissent set to receive a national honor for his resistance to the Communist regime. But it emerges that Pavel has a dark secret: he once collaborated with the secret police. Some critics have compared "Kawasaki's Rose" to Florian Henckel von Donnersmarck's Oscar-winner "The Lives of Others."
Menemsha Films has U.S. rights to "Kawasaki's Rose" and will bow the film Nov. 24 at New York's Film Forum.
The Academy of Motion Picture Arts and Sciences will announce the shortlist for Best Foreign Language Film on January 18 and...
- 9/27/2010
- by By Scott Roxborough
- The Hollywood Reporter - Movie News
Cologne, Germany -- Roman Polanski's political thriller "The Ghost Writer," Mike Leigh's melancholic drama "Another Year" and Berlin Film Fest winner "Honey" from Turkish director Semih Kaplanoglu are among the features on the European Film Academy's 46-title long list for this year's European Film Awards.
Other high-profile films on the Efa long list include Samuel Maoz's Venice Film Fest winner "Lebanon," Stephen Frears' comic-book adaptation "Tamara Drewe" and "Oliver Assayas' five-and-a-half hour terrorist biopic "Carlos."
The 20 countries with the most Efa Members each picked a national feature, with the remaining 12 selected by the Efa selection committee. The 2,300 European Film Academy members will vote for the official nominees, which will be announced at the Sevilla Film Festival in Spain on Nov. 6.
The 23rd European Film Awards will be held in Tallinn, Estonia Dec. 4.
The long list of nominees for the 2010 European Film Awards:
European Film Awards 2010
"3 Seasons In Hell,...
Other high-profile films on the Efa long list include Samuel Maoz's Venice Film Fest winner "Lebanon," Stephen Frears' comic-book adaptation "Tamara Drewe" and "Oliver Assayas' five-and-a-half hour terrorist biopic "Carlos."
The 20 countries with the most Efa Members each picked a national feature, with the remaining 12 selected by the Efa selection committee. The 2,300 European Film Academy members will vote for the official nominees, which will be announced at the Sevilla Film Festival in Spain on Nov. 6.
The 23rd European Film Awards will be held in Tallinn, Estonia Dec. 4.
The long list of nominees for the 2010 European Film Awards:
European Film Awards 2010
"3 Seasons In Hell,...
- 9/9/2010
- by By Scott Roxborough
- The Hollywood Reporter - Movie News
In the Main Comp, there's a new film by Daniel Burman, often referred to as "Woody Allen from Argentina". Brother and Sister appears to continue the regular Burman thread of light, talkative dramas. There is also a new film by Jan Sverak, who is best known for his Oscar-winning Kolya. Sverak's Kooky seems to be a live-action version of Pixar's Toy Story. - 70 is the new 45. As of today, the Karlovy Vary International Film Festival is in it's 45th edition, that number would significantly be higher if the communist regime hadn't insisted on holding a film festival alternately in two locations: one year the fest was held in mother Russia, with the following year it took place in Czechoslovakia. After the iron curtain was lifted, the festival began holding its' birthday party in the same, current location. From the 2nd until the 10th, the festival will feature several programs of...
- 7/3/2010
- IONCINEMA.com
70 is the new 45. As of today, the Karlovy Vary International Film Festival is in it's 45th edition, that number would significantly be higher if the communist regime hadn't insisted on holding a film festival alternately in two locations: one year the fest was held in mother Russia, with the following year it took place in Czechoslovakia. After the iron curtain was lifted, the festival began holding its' birthday party in the same, current location. From the 2nd until the 10th, the festival will feature several programs of interest with the obvious highlight being the Main Competition section where I'll be reporting on a good number of the films...here some of the more anticipated titles. The festival's opening film is Scott Cooper's Crazy Heart, which is still lounging around the film festival circuit and the closing film is the Romain Duris starrer L'arnacoeur (Heartbreaker) – which constitutes as an odd...
- 7/2/2010
- IONCINEMA.com
Rome -- A total of five world or international premieres -- including Disney's "Toy Story 3" -- will screen at the Taormina Film Festival's famous outdoor Teatro Antico, festival organizers announced Monday, along with a pair of in-competition lineups that show the festival's international pedigree.
The two seven-film competition slates, one that focuses on films from the Mediterranean region and a second that looks beyond the Mediterranean, are packed with provocative titles, including "18 Comidas" from Spain's Jorge Coria and French director Renaud Bertrand's "Nous Trois" in the Mediterranean competition, and a Beyond the Mediterranean lineup that features "Lover in a Puff" from China's Ho-Cheung Pang, and "Kawasaki's Rose" from Czech national Jan Hrebejk.
The festival's prestigious Golden Tauro Awards for best film, director and performance and a special jury prize will be selected from the Mediterranean lineup by a five-member jury headed by Berlin Film Festival artistic director Dieter Kosslick.
The two seven-film competition slates, one that focuses on films from the Mediterranean region and a second that looks beyond the Mediterranean, are packed with provocative titles, including "18 Comidas" from Spain's Jorge Coria and French director Renaud Bertrand's "Nous Trois" in the Mediterranean competition, and a Beyond the Mediterranean lineup that features "Lover in a Puff" from China's Ho-Cheung Pang, and "Kawasaki's Rose" from Czech national Jan Hrebejk.
The festival's prestigious Golden Tauro Awards for best film, director and performance and a special jury prize will be selected from the Mediterranean lineup by a five-member jury headed by Berlin Film Festival artistic director Dieter Kosslick.
- 6/7/2010
- by By Eric J. Lyman
- The Hollywood Reporter - Movie News
Two highly-anticipated second feature films from U.S. underground filmmakers will be making their World Premieres all the way over at the 64th annual Edinburgh International Film Festival, which will run for twelve days on June 16-27. The films are Rona Mark’s The Crab and Zach Clark’s Vacation!.
The Crab, which screens on June 21, is the touching story of a verbally abusive man born with two enormous, mutant-like hands; while Vacation!, which screens on June 20, tracks four urban gals let loose in a sunny seaside resort down South.
Both Mark and Clark previously screened their debut features at Eiff. Mark’s Strange Girls screened there in 2008 and Clark’s Modern Love Is Automatic screened in 2009. Both films also ended up as runners-up in Bad Lit’s annual Movie of the Year award, again Strange Girls in 2008 and Modern Love in 2009. Sadly, these two masterpieces are still unavailable on...
The Crab, which screens on June 21, is the touching story of a verbally abusive man born with two enormous, mutant-like hands; while Vacation!, which screens on June 20, tracks four urban gals let loose in a sunny seaside resort down South.
Both Mark and Clark previously screened their debut features at Eiff. Mark’s Strange Girls screened there in 2008 and Clark’s Modern Love Is Automatic screened in 2009. Both films also ended up as runners-up in Bad Lit’s annual Movie of the Year award, again Strange Girls in 2008 and Modern Love in 2009. Sadly, these two masterpieces are still unavailable on...
- 6/4/2010
- by Mike Everleth
- Underground Film Journal
Our Daily Isa (International Sales Agent) will focus primarily on the sellers of films which are in the festival as well as in the market. However, it will continue as a topic after Cannes and well into 2011. If there are 400+ ISAs, that will take more than one year to cover. Recreation was launched by Ariel Veneziano in Berlin of 2010 where it had a successful market debut at the 2010 Berlin Film Festival, with the Panorama Special opening film Kawasaki's Rose by Academy Award nominated director Jan Hrebejk. Part of Recreation Media, an emerging group of interlinked entertainment…...
- 5/4/2010
- Sydney's Buzz
Recreation a newly launched international sales company, had a successful market debut at the 2010 Berlin Film Festival, with the Panorama Special opening film Kawasaki's Rose by Academy Award nominated director Jan Hrebejk. Part of Recreation Media, an emerging group of interlinked entertainment companies, Recreation will source its product from a number of content providers at arm’s length, and by entering into alliances with exciting filmmakers, producers and other third party rights holders, building its slate around a few key partnerships.
Recreation’s first partnership of this kind is a multi-picture deal with Menemsha Films, a leading distributor of critically acclaimed films who set a record by representing 5 Academy Award nominated pictures 5 years in a row. Kawasaki's Rose, the first title in the partnership, received 2 prizes for best film at Berlin, each awarded by independent juries for the festival’s Panorama section. In his rave review, Variety’s Derek Elley...
Recreation’s first partnership of this kind is a multi-picture deal with Menemsha Films, a leading distributor of critically acclaimed films who set a record by representing 5 Academy Award nominated pictures 5 years in a row. Kawasaki's Rose, the first title in the partnership, received 2 prizes for best film at Berlin, each awarded by independent juries for the festival’s Panorama section. In his rave review, Variety’s Derek Elley...
- 5/1/2010
- by Sydney
- Sydney's Buzz
Chicago – We’re back with week two of the 13th Annual EU Film Festival at the Siskel Film Center, one of the best film events of the year in the Windy City. If you missed part one of our coverage, and want to relive highlights of last week, check it out here. On to week two…
This year’s edition, running from March 5th to April 1st, includes high profile films from world renowned filmmakers like Peter Greenaway, Jacques Rivette, Neil Jordan, Catherine Breillat, Amos Gital, Bruno Dumont, Jan Hrebejk and Caroline Link. Moviegoers should take note of the fact that several of these titles won’t be screened outside of the EU festival in Chicago, making their appearance here all the more priceless.
The 13th Annual European Union Film Festival includes 59 feature films, all of which are making their Chicago premiere. If you’ve had your fill with Hollywood,...
This year’s edition, running from March 5th to April 1st, includes high profile films from world renowned filmmakers like Peter Greenaway, Jacques Rivette, Neil Jordan, Catherine Breillat, Amos Gital, Bruno Dumont, Jan Hrebejk and Caroline Link. Moviegoers should take note of the fact that several of these titles won’t be screened outside of the EU festival in Chicago, making their appearance here all the more priceless.
The 13th Annual European Union Film Festival includes 59 feature films, all of which are making their Chicago premiere. If you’ve had your fill with Hollywood,...
- 3/11/2010
- by [email protected] (Adam Fendelman)
- HollywoodChicago.com
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