Errol Flynn goes to war! One of the last major direct-combat pictures to come out of Hollywood during the war, Raoul Walsh’s finely-crafted ode to the jungle fighters in Burma lets loose a powerful, almost frightening blast of anti-Japanese rage. Errol Flynn earned his pay slugging it out through the swamps, George Tobias provides the Brooklyn humor and Henry Hull the outrage over combat atrocities. And the English were none too happy either, claiming that the movie made it look as if America had done the heavy fighting in what was largely a Brit field of battle.
Objective, Burma!
Blu-ray
Warner Archive Collection
1945 / B&w / 1:37 Academy / 142 min. / Street Date July 13, 2021 / 21.99
Starring: Errol Flynn, James Brown, William Prince, George Tobias, Henry Hull, Warner Anderson, John Alvin, Mark Stevens, Richard Erdman, Anthony Caruso, Erville Anderson, Hugh Beaumont, Douglas Henderson, William Hudson, Rodd Redwing, George Tyne.
Cinematography: James Wong Howe
Art...
Objective, Burma!
Blu-ray
Warner Archive Collection
1945 / B&w / 1:37 Academy / 142 min. / Street Date July 13, 2021 / 21.99
Starring: Errol Flynn, James Brown, William Prince, George Tobias, Henry Hull, Warner Anderson, John Alvin, Mark Stevens, Richard Erdman, Anthony Caruso, Erville Anderson, Hugh Beaumont, Douglas Henderson, William Hudson, Rodd Redwing, George Tyne.
Cinematography: James Wong Howe
Art...
- 7/31/2021
- by Glenn Erickson
- Trailers from Hell
Director John Frankenheimer.
I'm often asked which, out of the over 600 interviews I've logged with Hollywood's finest, is my favorite. It's not a tough answer: John Frankenheimer.
We instantly clicked the day we met at his home in Benedict Canyon, and spent most of the afternoon talking in his den. A friendship of sorts developed over the years, with visits to his office for screenings of the old Kinescopes he directed for shows like "Playhouse 90" during his salad days in live television during the 1950s.
We hadn't spoken for nearly a year in mid-2002 when the phone rang. It was John, who spoke in what can only be described as a "stentorian bark," like a general. "Alex!" he exclaimed. "John Frankenheimer." He could sense something was amiss with me. It was. My screenwriting career had stalled. My marriage was progressing to divorce. I had hit bottom. John knew that...
I'm often asked which, out of the over 600 interviews I've logged with Hollywood's finest, is my favorite. It's not a tough answer: John Frankenheimer.
We instantly clicked the day we met at his home in Benedict Canyon, and spent most of the afternoon talking in his den. A friendship of sorts developed over the years, with visits to his office for screenings of the old Kinescopes he directed for shows like "Playhouse 90" during his salad days in live television during the 1950s.
We hadn't spoken for nearly a year in mid-2002 when the phone rang. It was John, who spoke in what can only be described as a "stentorian bark," like a general. "Alex!" he exclaimed. "John Frankenheimer." He could sense something was amiss with me. It was. My screenwriting career had stalled. My marriage was progressing to divorce. I had hit bottom. John knew that...
- 7/6/2015
- by The Hollywood Interview.com
- The Hollywood Interview
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