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Diminutive Irish-Italian Lisa Gastoni began her acting career in Britain after her family settled there in 1948. Though she had initially wanted to be an architect, she changed her mind and became a model and then an actress, making her debut screen appearance in 1954. She appeared mostly in B-movies, at one time under contract to British Lion. Her first featured role of note was in the naval farce The Baby and the Battleship (1956), followed by a few leads in comedies like Three Men in a Boat (1956) and Second Fiddle (1957), or crime thrillers like Menace in the Night (1957), Thunder Over Tangier (1957) and Prescription for Murder (1958). She also guest starred in two episodes of ITV's Danger Man (1960). She was briefly married in the mid-50s to a physics professor.

In 1961, Gastoni returned to Italy, following a second marriage to a Greek actor. She was immediately elevated to higher profile roles, beginning with that of legendary pirate Mary Read in the swashbuckling adventure Queen of the Seas (1961). She also paid her inevitable ornamental dues in a handful of sword-and-sandal spectacles. However, by the middle of the decade, Gastoni began to shed her 'good girl' image to parlay her prominence into a series of effective villainous portrayals: the nefarious Milady de Winter in The Four Musketeers (1964), Lucrezia Borgia in L'uomo che ride (1966) and the wife of gangster Luciano Luttring ("the machine gun soloist") in Carlo Lizzani's Wake Up and Die (1966). This role won her a Best Actress Silver Ribbon, followed in 1968 with a Golden Plate at the David di Donatello Awards (the Italian equivalent of the Oscars) for her performance in the morbidly perverse drama Come Play with Me (1968).

In the 70s, Gastoni had yet more critical success playing seductive or sexually frustrated middle-class women in avant garde productions like Amore amaro (1974) (the story of two lovers separated by age, social background and irreconcilable political ideologies) and the morally ambiguous drama Submission (1976). She also played Benito Mussolini's mistress, Claretta Petacci, in The Last 4 Days (1974). Less well received (despite a famous score by Ennio Morricone) was the excessively arty erotic fantasy Maddalena (1971), a curious and belated foray into psychedelics.

Gastoni absented herself from the screen between 1979 and 2005 to pursue other muses (painting and writing). A more recent performance in the drama Sacred Heart (2005) won her a Best Supporting Actress nomination at the David di Donatello Awards.

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