Beginning on Halloween night and running through November 7th, New York's Lincoln Center is once again playing host to a horror film festival called Scary Movies, which will see both world premieres of new horror films as well as screenings of genre faves from the past.
With oodles of filmmakers in attendance, and tons of movies being shown, it looks to be another can't miss event. Read on for all the details!
From the Press Release
The Film Society of Lincoln Center’s annual horror fest Scary Movies returns for its 7th edition featuring several U.S. and New York City premieres among its lineup of highly anticipated horror films and thrillers, genre rarities and fan favorites. Appearances include filmmakers Eli Roth, Andrew van den Houten, Cliff Prowse and Derek Lee.
Among the nine U.S. or NYC premieres are; Lucky McKee and Chris Sivertson’s high school horror-revenge film...
With oodles of filmmakers in attendance, and tons of movies being shown, it looks to be another can't miss event. Read on for all the details!
From the Press Release
The Film Society of Lincoln Center’s annual horror fest Scary Movies returns for its 7th edition featuring several U.S. and New York City premieres among its lineup of highly anticipated horror films and thrillers, genre rarities and fan favorites. Appearances include filmmakers Eli Roth, Andrew van den Houten, Cliff Prowse and Derek Lee.
Among the nine U.S. or NYC premieres are; Lucky McKee and Chris Sivertson’s high school horror-revenge film...
- 10/16/2013
- by John Squires
- DreadCentral.com
by Michael Sieber, MoreHorror.com
Yanka is a deeply depressed circus performer who suffers at the hands of her abusive boyfriend. To make matters worse, she discovers that she is pregnant.
One day, a new leopard is delivered to the circus, but during the night, a creature bursts out of the animal and makes its way to Yanka's room where it enters her body and takes over her baby. Yanka knows she has to get away from the abuse, but once on the run, the creature begins talking to her, and demanding that she kill and drink the blood of her victims so that it can grow. At first, Yanka is reluctant, but she soon finds out that this creature has the power to cause her tremendous pain, so she eventually complies. This leads to a love/hate relationship between Yanka and the unborn monster inside as she goes on...
Yanka is a deeply depressed circus performer who suffers at the hands of her abusive boyfriend. To make matters worse, she discovers that she is pregnant.
One day, a new leopard is delivered to the circus, but during the night, a creature bursts out of the animal and makes its way to Yanka's room where it enters her body and takes over her baby. Yanka knows she has to get away from the abuse, but once on the run, the creature begins talking to her, and demanding that she kill and drink the blood of her victims so that it can grow. At first, Yanka is reluctant, but she soon finds out that this creature has the power to cause her tremendous pain, so she eventually complies. This leads to a love/hate relationship between Yanka and the unborn monster inside as she goes on...
- 10/12/2011
- by admin
- MoreHorror
The Final Girl: A Few Thoughts on Feminism and Horror By Donato Totaro
One of the more important, if not groundbreaking, accounts/recuperations of the horror film from a feminist perspective is the 1993 Carol Clover's "Men, Women, and Chainsaws". One of the book's major points concerns the structural positioning of what she calls the Final Girl in relation to spectatorship. While most theorists label the horror film as a male-driven/male-centered genre, Clover points out that in most horror films, especially the slasher film, the audience, male and female, is structurally 'forced' to identify with the resourceful young female (the Final Girl) who survives the serial attacker and usually ends the threat (until the sequel anyway.) So while the narratively dominant killer's subjective point of view may be male within the narrative,the male viewer is still rooting for the Final Girl to overcome the killer. We can see this...
One of the more important, if not groundbreaking, accounts/recuperations of the horror film from a feminist perspective is the 1993 Carol Clover's "Men, Women, and Chainsaws". One of the book's major points concerns the structural positioning of what she calls the Final Girl in relation to spectatorship. While most theorists label the horror film as a male-driven/male-centered genre, Clover points out that in most horror films, especially the slasher film, the audience, male and female, is structurally 'forced' to identify with the resourceful young female (the Final Girl) who survives the serial attacker and usually ends the threat (until the sequel anyway.) So while the narratively dominant killer's subjective point of view may be male within the narrative,the male viewer is still rooting for the Final Girl to overcome the killer. We can see this...
- 12/21/2009
- by Superheidi
- Planet Fury
Year: 2009
Directors: Jean-Marc Vincent
Writers: Jean-Marc Vincent & Hubert Chardot & Emmanuelle Escourrou
IMDb: link
Trailer: link
Review by: The Crystal Ferret
Rating: 2 out of 10
In 1990, a small movie carved itself a name in the horror-comedy genre. The plot was about motherly love and sacrifice. In a small town north of France a circus and its surroundings are caught in a whirlwind of horror and gore after the death of a newly imported leopard. Some strange parasite inside the cat burrows itself inside Yanka, the downtrodden pregnant wife of the circus-owner, and takes control or her fetus. It soon starts demanding blood, and the woman goes searching for victims for her new baby, leaving a trail of bodies behind her until the monster finally crawls out of her and disappear in the ocean.
More than a decade after Babyblood left its mark on the audience, a sequel is finally there. The trailer is a promising,...
Directors: Jean-Marc Vincent
Writers: Jean-Marc Vincent & Hubert Chardot & Emmanuelle Escourrou
IMDb: link
Trailer: link
Review by: The Crystal Ferret
Rating: 2 out of 10
In 1990, a small movie carved itself a name in the horror-comedy genre. The plot was about motherly love and sacrifice. In a small town north of France a circus and its surroundings are caught in a whirlwind of horror and gore after the death of a newly imported leopard. Some strange parasite inside the cat burrows itself inside Yanka, the downtrodden pregnant wife of the circus-owner, and takes control or her fetus. It soon starts demanding blood, and the woman goes searching for victims for her new baby, leaving a trail of bodies behind her until the monster finally crawls out of her and disappear in the ocean.
More than a decade after Babyblood left its mark on the audience, a sequel is finally there. The trailer is a promising,...
- 8/26/2009
- QuietEarth.us
Fango heard from the producers at Alterego Films, who passed on the international poster seen below for their soon-to-premiere shocker Lady Blood. They also let us know that an official website has opened for the movie here, where a teaser trailer can be seen.
Set to premiere at next month’s American Film Market and represented for worldwide distribution by DC Medias, Lady is the sequel to Alain Robak’s Baby Blood (a.k.a. The Evil Within), following the further adventures of Yanka (returning Emmanuelle Escourrou), who once harbored an unborn child that compelled her to kill. Now happily married to a psychiatrist and working as a chief of police, she finds her life becoming a nightmare again when she investigates crimes that bear a gruesome resemblance to those she committed while under the evil baby’s influence. Jean-Marc Vincent directed the film, and scripted with Escourrou and Hubert Chardot...
Set to premiere at next month’s American Film Market and represented for worldwide distribution by DC Medias, Lady is the sequel to Alain Robak’s Baby Blood (a.k.a. The Evil Within), following the further adventures of Yanka (returning Emmanuelle Escourrou), who once harbored an unborn child that compelled her to kill. Now happily married to a psychiatrist and working as a chief of police, she finds her life becoming a nightmare again when she investigates crimes that bear a gruesome resemblance to those she committed while under the evil baby’s influence. Jean-Marc Vincent directed the film, and scripted with Escourrou and Hubert Chardot...
- 10/30/2008
- Fangoria
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