This should come as a welcomed surprise to fans of his charming and hilarious feature film debut, "Hav Plenty" (1997); and while he directed 2 feature films after that (the 2002 retelling of F. Scott Fitzgerald’s The Great Gatsby, "G," notably, starring Richard T Jones), he'll probably always be most remembered for "Hav Plenty" - unless he produces something else that makes us forget it. And this just might be that film... Christopher Scott Cherot has quietly been working on his next feature, for which he's debuted a first trailer, embedded at the bottom of this post. In brief, titled "Sex and Violence! Or: A Brief Review of Simple Physics,"...
- 8/4/2015
- by Tambay A. Obenson
- ShadowAndAct
The acting dynamo couple of Angela Bassett and Courtney B. Vance have jointly come on board as executive producers on filmmaker and screenwriter Dwayne Johnson-Cochran’s riveting documentary Be Known: The Mystery of Kahil El’Zabar, about the legendary avant garde jazz musician.The film, which was recently screened at the Gene Siskel Film Center in Chicago back in January, and at the American Film Institute in Los Angeles, will have another sneak preview again in Chicago at the DuSable Museum on Saturday May 10, 2014 at 7Pm.Co produced and edited by Christopher Scott Cherot (Hav Plenty, G, Mooz-Lum), the film chronicles the day-by-day, gig–to-gig struggle and harried life of a...
- 5/1/2014
- by Sergio
- ShadowAndAct
Watching the just-released trailer for Baz Luhrmann's The Great Gatsby, I couldn't help but revisit Christopher Cherot's 2005 soap opera of a movie, titled G. For those unfamiliar, it's a loose retelling of F. Scott Fitzgerald's The Great Gatsby, hence the title G., starring Richard T Jones, Blair Underwood, Andre Royo, Chenoa Maxwell, amongst others, and was described as a "Gatsbyesque love story set against Hip-Hop's invasion of the Hamptons." I've repeatedly sung the praises of Cherot's debut, Hav Plenty, despite its obvious no-budget/lo-budget aesthetic. The film had a charm to it that won...
- 5/23/2012
- by Tambay
- ShadowAndAct
You remember this folks? It was only 6 years ago, but it oddly feels like it’s been longer for some reason.
I liked Christopher Cherot’s debut, Hav Plenty, despite its obvious no-budget/lo-budget, amateurish look and feel. The film had a charm to it that won me over, even with its flaws, and I liked the wry humor. It was an auspicious start for Cherot, and the film sits comfortably in my DVD collection.
However, the last film Cherot directed was this soap opera called G, released in 2005, which I did see and didn’t care for. It’s a loose retelling of F. Scott Fitzgerald’s The Great Gatsby, hence the title G. , starring Richard T Jones, Blair Underwood, Andre Royo, Chenoa Maxwell, amongst others, and was described as a “Gatsbyesque love story set against Hip-Hop’s invasion of the Hamptons.”
I remember really anticipating its release when...
I liked Christopher Cherot’s debut, Hav Plenty, despite its obvious no-budget/lo-budget, amateurish look and feel. The film had a charm to it that won me over, even with its flaws, and I liked the wry humor. It was an auspicious start for Cherot, and the film sits comfortably in my DVD collection.
However, the last film Cherot directed was this soap opera called G, released in 2005, which I did see and didn’t care for. It’s a loose retelling of F. Scott Fitzgerald’s The Great Gatsby, hence the title G. , starring Richard T Jones, Blair Underwood, Andre Royo, Chenoa Maxwell, amongst others, and was described as a “Gatsbyesque love story set against Hip-Hop’s invasion of the Hamptons.”
I remember really anticipating its release when...
- 4/3/2011
- by Tambay
- ShadowAndAct
First things first, Qasim Basar’s film Mooz-lum answers a question we’ve pondered on S & A a few times before, namely whatever happened to director Christopher Scott Cherot (Hav Plenty, G)? Well the answer is that he’s still involved in filmmaking, since according to the opening credits, he was the editor on Basir’s film.
And, with that out of the way, I am happy to report that Mooz-lum is quite a good film. Well written, well directed and well acted, despite its occasional tendency early on to fall into the trap common in black film dramas; that of being at times too didactic with occasional touches of expositional dialogue (Basir clearly has a lot of things to say and express to his audience).
However, the great thing about Mooz-lum is its low key, subtle approach. Purposely modest in scope and scale, the film is effective and at times quite poignant.
And, with that out of the way, I am happy to report that Mooz-lum is quite a good film. Well written, well directed and well acted, despite its occasional tendency early on to fall into the trap common in black film dramas; that of being at times too didactic with occasional touches of expositional dialogue (Basir clearly has a lot of things to say and express to his audience).
However, the great thing about Mooz-lum is its low key, subtle approach. Purposely modest in scope and scale, the film is effective and at times quite poignant.
- 9/18/2010
- by Sergio
- ShadowAndAct
You remember this folks? It was only 5 years ago, but it oddly feels like it’s been longer for some reason.
I liked Christopher Cherot’s debut, Hav Plenty, despite its obvious no-budget/lo-budget, amateurish look and feel. The film had a charm to it that won me over, even with its flaws, and I liked the wry humor. It was an auspicious start for Cherot, and the film sits comfortably in my DVD collection.
However, the last film Cherot directed was this silly soap opera called G, released in 2005, which I did see and didn’t care for. It’s a loose retelling of F. Scott Fitzgerald’s The Great Gatsby, hence the title G. , starring Richard T Jones, Blair Underwood, Andre Royo, Chenoa Maxwell, amongst others, and was described as a “Gatsbyesque love story set against Hip-Hop’s invasion of the Hamptons.”
I remember anticipating its release when...
I liked Christopher Cherot’s debut, Hav Plenty, despite its obvious no-budget/lo-budget, amateurish look and feel. The film had a charm to it that won me over, even with its flaws, and I liked the wry humor. It was an auspicious start for Cherot, and the film sits comfortably in my DVD collection.
However, the last film Cherot directed was this silly soap opera called G, released in 2005, which I did see and didn’t care for. It’s a loose retelling of F. Scott Fitzgerald’s The Great Gatsby, hence the title G. , starring Richard T Jones, Blair Underwood, Andre Royo, Chenoa Maxwell, amongst others, and was described as a “Gatsbyesque love story set against Hip-Hop’s invasion of the Hamptons.”
I remember anticipating its release when...
- 4/13/2010
- by Tambay
- ShadowAndAct
Producer Dana Offenbach and former Wall Street investment banker and venture capitalist Mark W. Campbell said Thursday that they are partnering to form the indie production company CinemaStreet, which will focus on pictures with low to mid-range budgets.
CinemaStreet, which said it will fund its slate from various sources, has several projects in development:
-- "The Pale Horseman," a supernatural thriller based on the graphic novel of the same name, which would mark the directorial debut of Kevin Grevioux, who has "story by" and "characters by" credits on the "Underworld" movies. Grevioux also wrote the screenplay for the film, which Shane Walker is co-producing and Wme is packaging.
-- "Original Provisionals," a drama about inner-city youth sent to an exclusive summer camp in the '70s,' written by Christopher Scott Cherot.
-- "The Untitled Shelly Waxman Story," based on the true story of the Assistant U.S. Attorney who...
CinemaStreet, which said it will fund its slate from various sources, has several projects in development:
-- "The Pale Horseman," a supernatural thriller based on the graphic novel of the same name, which would mark the directorial debut of Kevin Grevioux, who has "story by" and "characters by" credits on the "Underworld" movies. Grevioux also wrote the screenplay for the film, which Shane Walker is co-producing and Wme is packaging.
-- "Original Provisionals," a drama about inner-city youth sent to an exclusive summer camp in the '70s,' written by Christopher Scott Cherot.
-- "The Untitled Shelly Waxman Story," based on the true story of the Assistant U.S. Attorney who...
- 2/5/2010
- by By Gregg Kilday
- The Hollywood Reporter - Movie News
Edmonds joins Our Stories as president, COO
NEW YORK -- Producer Tracey Edmonds has been named president and chief operating officer of Our Stories Films, the production outfit launched last month by BET founder Robert Johnson's RLJ Cos. and the Weinstein Co. to create family-friendly features for urban audiences. In her new position, Edmonds will be responsible for identifying new projects and shepherding them through development and production. Edmonds has served as president and CEO of Edmonds Entertainment Group for the past decade. She produced George Tillman Jr.'s Soul Food and the Showtime series based on the film. Through her Film Production company e2 Filmworks, Edmonds produced Patrik-Ian Polk's Punks and executive produced Christopher Scott Cherot's Hav Plenty.
- 8/29/2006
- The Hollywood Reporter - Movie News
Edmonds joins Our Stories as president, COO
NEW YORK -- Producer Tracey Edmonds has been named president and chief operating officer of Our Stories Films, the production outfit launched last month by BET founder Robert Johnson's RLJ Cos. and the Weinstein Co. to create family-friendly features for urban audiences. In her new position, Edmonds will be responsible for identifying new projects and shepherding them through development and production. Edmonds has served as president and CEO of Edmonds Entertainment Group for the past decade. She produced George Tillman Jr.'s "Soul Food" and the Showtime series based on the film. Through her Film Production company e2 Filmworks, Edmonds produced Patrik-Ian Polk's "Punks" and executive produced Christopher Scott Cherot's "Hav Plenty".
- 8/29/2006
- The Hollywood Reporter - Movie News
Edmonds joins Our Stories as president, COO
NEW YORK -- Producer Tracey Edmonds has been named president and chief operating officer of Our Stories Films, the production outfit launched last month by BET founder Robert Johnson's RLJ Cos. and the Weinstein Co. to create family-friendly features for urban audiences. In her new position, Edmonds will be responsible for identifying new projects and shepherding them through development and production. Edmonds has served as president and CEO of Edmonds Entertainment Group for the past decade. She produced George Tillman Jr.'s Soul Food and the Showtime series based on the film. Through her film production company e2 Filmworks, Edmonds produced Patrik-Ian Polk's Punks and executive produced Christopher Scott Cherot's Hav Plenty.
- 8/28/2006
- The Hollywood Reporter - Movie News
Edmonds joins Our Stories as president, COO
NEW YORK -- Producer Tracey Edmonds has been named president and chief operating officer of Our Stories Films, the production outfit launched last month by BET founder Robert Johnson's RLJ Cos. and the Weinstein Co. to create family-friendly features for urban audiences. In her new position, Edmonds will be responsible for identifying new projects and shepherding them through development and production. Edmonds has served as president and CEO of Edmonds Entertainment Group for the past decade. She produced George Tillman Jr.'s Soul Food and the Showtime series based on the film. Through her film production company e2 Filmworks, Edmonds produced Patrik-Ian Polk's Punks and executive produced Christopher Scott Cherot's Hav Plenty.
- 8/28/2006
- The Hollywood Reporter - Movie News
G
IFP/West
Los Angeles Film Festival
F. Scott Fitzgerald's oft-revisited portrait of life among the Long Island Jazz Age elite has been given a modern, hip-hop makeover in "G," but despite the updated setting and some on-the-money performances, the sleek if dramatically flimsy results make for a less than great "Gatsby".
On the positive side, the film, which actually had its world premiere at last month's CineVegas Film Festival (where it won the Critics Jury Award), makes good use of its Hamptons setting, where brooding Summer G (Richard T. Jones), a P Diddy-esque rap mogul, has set up summer shop with his devoted entourage.
During one of his many parties, Summer lays his eyes on the lovely Sky (Chenoa Maxwell), with whom he had a college romance a decade earlier until she left him for her current dog of a husband, the old-moneyed Chip Hightower (Blair Underwood).
Caught in the middle of all the rekindled yearning is Sky's straight-arrow cousin Tracy (Andre Royo), a journalist assigned to cover hip-hop's invasion of the Hamptons social scene.
Director and co-writer (with Charles E. Drew Jr.) Christopher Scott Cherot has all the requisite intrigue in place, not to mention a fun fashion sense and a smooth jazz Bill Conti score. But names like Sky Hightower and Summer G, not to mention all those close-ups of smoldering longing and troubled glances, combine to leave behind a self-consciously purposeful, prevailingly soapy film.
Los Angeles Film Festival
F. Scott Fitzgerald's oft-revisited portrait of life among the Long Island Jazz Age elite has been given a modern, hip-hop makeover in "G," but despite the updated setting and some on-the-money performances, the sleek if dramatically flimsy results make for a less than great "Gatsby".
On the positive side, the film, which actually had its world premiere at last month's CineVegas Film Festival (where it won the Critics Jury Award), makes good use of its Hamptons setting, where brooding Summer G (Richard T. Jones), a P Diddy-esque rap mogul, has set up summer shop with his devoted entourage.
During one of his many parties, Summer lays his eyes on the lovely Sky (Chenoa Maxwell), with whom he had a college romance a decade earlier until she left him for her current dog of a husband, the old-moneyed Chip Hightower (Blair Underwood).
Caught in the middle of all the rekindled yearning is Sky's straight-arrow cousin Tracy (Andre Royo), a journalist assigned to cover hip-hop's invasion of the Hamptons social scene.
Director and co-writer (with Charles E. Drew Jr.) Christopher Scott Cherot has all the requisite intrigue in place, not to mention a fun fashion sense and a smooth jazz Bill Conti score. But names like Sky Hightower and Summer G, not to mention all those close-ups of smoldering longing and troubled glances, combine to leave behind a self-consciously purposeful, prevailingly soapy film.
- 7/16/2002
- The Hollywood Reporter - Movie News
Recap film review: 'Hav Plenty' "Hav Plenty" was originally reviewed Jan. 22 at the Sundance Film Festival. Miramax releases the feature wide Friday.
Miramax "Hav Plenty" of something with this tangy, twisting romantic comedy.
A flavorful update of the vaunted romantic truism that opposites attract, "Hav Plenty" is a rich love story centered on an aspiring black writer and his eye-opening New Year's weekend experiences with a female friend and her unconventional family.
A crowd-pleaser at the Sundance Film Festival, "Hav Plenty" is raucous yet refined entertainment that should appeal to younger, intelligent viewers.
Lee Plenty Christopher Scott Cherot) has, on the surface, nothing: He's 28, homeless and, accordingly, without a date on New Year's Eve. After all, what self-respecting sister would go out with a guy in such a low spot? The only one who may be bluer on this eve of great expectation is Hav Savage (Chenoa Maxwell), a confident, voracious beauty who has recently broken up with her fiance (Hill Harper), a philandering rap artist. That he's a big star, and all her relatives and friends have selfish motivations to make him a member of their family, only intensifies Hav's sorry state.
Educated, bright and keenly perceptive, Lee is a complex equation. While he sports a don't-give-a-damn attitude, there is an underlying rigor to his laconic method. Hav grudgingly senses that there is depth to him; in any event, his unsparing, perceptive insights into her psychology intrigue her as much as they annoy her.
However, Hav's is not the most challenging female psyche Lee encounters this New Year's Eve: There's her kooky girlfriend Caroline Tammi Katherine Jones), who's on a man-prowl, and Leigh (Robinne Lee), Hav's disconsolate younger sister who's having identity/marital problems. Not surprisingly, each agitated woman gravitates to straight-talking Lee, and that distresses him and clearly does not help his writer's block.
What happens in this romp is the sort of stuff you can't make up -- it rings so true. Screenwriter-director Cherot has dished up a dicey, romantic riposte, stuffing it with the real makings of romantic comedy: individual insecurities, desires and fears. The ripe performances are a special treat, especially his own as a befuddled but intuitive writer/confidant.
Among the women, Maxwell stands out as the brassy, demanding Hav, who, despite her outward style and trappings, is clearly a have-not in the happiness department. Lee is captivating as Hav's younger sister who is experiencing mid-20s growing pains, and Jones is a hoot as the bright, brazen girlfriend.
Cherot's visual acuity and sense of production detail is as keen as his scripting. The well-wrought setting, namely the Savage household, is a multilevel, minimalist apartment with intercoms in every room and plenty of empty space where everyone goes to isolate themselves with their laptops and cellulars. No wonder everyone is so disconnected.
A flavorful update of the vaunted romantic truism that opposites attract, "Hav Plenty" is a rich love story centered on an aspiring black writer and his eye-opening New Year's weekend experiences with a female friend and her unconventional family.
A crowd-pleaser at the Sundance Film Festival, "Hav Plenty" is raucous yet refined entertainment that should appeal to younger, intelligent viewers.
Lee Plenty Christopher Scott Cherot) has, on the surface, nothing: He's 28, homeless and, accordingly, without a date on New Year's Eve. After all, what self-respecting sister would go out with a guy in such a low spot? The only one who may be bluer on this eve of great expectation is Hav Savage (Chenoa Maxwell), a confident, voracious beauty who has recently broken up with her fiance (Hill Harper), a philandering rap artist. That he's a big star, and all her relatives and friends have selfish motivations to make him a member of their family, only intensifies Hav's sorry state.
Educated, bright and keenly perceptive, Lee is a complex equation. While he sports a don't-give-a-damn attitude, there is an underlying rigor to his laconic method. Hav grudgingly senses that there is depth to him; in any event, his unsparing, perceptive insights into her psychology intrigue her as much as they annoy her.
However, Hav's is not the most challenging female psyche Lee encounters this New Year's Eve: There's her kooky girlfriend Caroline Tammi Katherine Jones), who's on a man-prowl, and Leigh (Robinne Lee), Hav's disconsolate younger sister who's having identity/marital problems. Not surprisingly, each agitated woman gravitates to straight-talking Lee, and that distresses him and clearly does not help his writer's block.
What happens in this romp is the sort of stuff you can't make up -- it rings so true. Screenwriter-director Cherot has dished up a dicey, romantic riposte, stuffing it with the real makings of romantic comedy: individual insecurities, desires and fears. The ripe performances are a special treat, especially his own as a befuddled but intuitive writer/confidant.
Among the women, Maxwell stands out as the brassy, demanding Hav, who, despite her outward style and trappings, is clearly a have-not in the happiness department. Lee is captivating as Hav's younger sister who is experiencing mid-20s growing pains, and Jones is a hoot as the bright, brazen girlfriend.
Cherot's visual acuity and sense of production detail is as keen as his scripting. The well-wrought setting, namely the Savage household, is a multilevel, minimalist apartment with intercoms in every room and plenty of empty space where everyone goes to isolate themselves with their laptops and cellulars. No wonder everyone is so disconnected.
- 6/17/1998
- The Hollywood Reporter - Movie News
Film review: 'Hav Plenty'
PARK CITY, Utah -- Miramax "Hav Plenty" of something with this tangy, twisting romantic comedy.
A flavorful update of the vaunted romantic truism that opposites attract, "Hav Plenty" is a rich love story centered around an aspiring black writer and his eye-opening New Year's weekend experiences with a female friend and her unconventional family.
A crowd-pleaser at the Sundance Film Festival, "Hav Plenty" is a raucous, refined entertainment that should appeal to younger, intelligent viewers.
Lee Plenty Christopher Scott Cherot) has on the surface nothing: He is 28, homeless and, accordingly, without a date on New Year's Eve. After all, what self-respecting sister would go out with a guy in such a low spot? The only one who may be bluer on this eve of great expectation is Hav Savage (Chenoa Maxwell), a confident, voracious beauty who has recently broken up with her fiance (Hill Harper), a philandering rap artist. That he's a big star and all her relatives and friends have selfish motivations to make him a member of their family only intensifies Hav's sorry state.
Educated, bright and keenly perceptive, Lee is a complex equation. While he sports a don't-give-a-damn attitude, there is an underlying rigor to his laconic method. Hav grudgingly senses that there is depth to him; in any event, his unsparing, perceptive insights into her psychology intrigue her as much as they annoy her. However, Hav's is not the most challenging female psyche Lee encounters this New Year's Eve: There's her kooky girlfriend Caroline Tammi Katherine Jones), who's on a man-prowl, and Leigh (Robinne Lee), Hav's disconsolate younger sister who's having identity/marital problems. Not surprisingly, each agitated woman gravitates to straight-talking Lee, which distresses him and clearly does not help his writer's block.
What happens in this romp is the sort of stuff you can't make up -- it rings so true. Screenwriter-director Cherot has dished up a dicey, romantic riposte, stuffing it with the real makings of romantic comedy: individual insecurities, desires and fears. The ripe performances are a special treat, especially his own as a befuddled but intuitive writer/confidant. Among the women, Maxwell stands out as the brassy, demanding Hav, who, despite her outward style and trappings, is clearly a have-not in the happiness department. Lee is captivating as Hav's younger sister, who is experiencing mid-20s growing pains, while Jones is a hoot as the bright, brazen girlfriend.
Cherot's visual acuity and sense of production detail is as keen as his scripting. The well-wrought setting, namely the Savage household, is a multilevel, minimalist apartment with intercoms in every room and plenty of empty space where everyone goes to isolate themselves with their laptops and cellulars. No wonder everyone is so misconnected.
HAV PLENTY
Miramax
Producers:Christopher Scott Cherot, Robyn M. Greene
Screenwriter-director-editor:Christopher Scott Cherot
Executive producers:S.J. Cherot, Kenneth Edmonds, Tracey E. Edmonds, Bridget D. Davis
Director of photography:Kerwin DeVonish
Sound mixer: Damian Canelos
Color/stereo
Cast:
Havilland Savage:Chenoa Maxwell
Michael Simmons:Hill Harper
Lee Plenty: Christopher Scott Cherot
Caroline Gooden:Tammi Katherine Jones
Leigh Darling: Robinne Lee
Felix Darling: Reginal James
Alexandria Beaumont:Margie St. Juste
Running time -- 92 minutes
No MPAA rating...
A flavorful update of the vaunted romantic truism that opposites attract, "Hav Plenty" is a rich love story centered around an aspiring black writer and his eye-opening New Year's weekend experiences with a female friend and her unconventional family.
A crowd-pleaser at the Sundance Film Festival, "Hav Plenty" is a raucous, refined entertainment that should appeal to younger, intelligent viewers.
Lee Plenty Christopher Scott Cherot) has on the surface nothing: He is 28, homeless and, accordingly, without a date on New Year's Eve. After all, what self-respecting sister would go out with a guy in such a low spot? The only one who may be bluer on this eve of great expectation is Hav Savage (Chenoa Maxwell), a confident, voracious beauty who has recently broken up with her fiance (Hill Harper), a philandering rap artist. That he's a big star and all her relatives and friends have selfish motivations to make him a member of their family only intensifies Hav's sorry state.
Educated, bright and keenly perceptive, Lee is a complex equation. While he sports a don't-give-a-damn attitude, there is an underlying rigor to his laconic method. Hav grudgingly senses that there is depth to him; in any event, his unsparing, perceptive insights into her psychology intrigue her as much as they annoy her. However, Hav's is not the most challenging female psyche Lee encounters this New Year's Eve: There's her kooky girlfriend Caroline Tammi Katherine Jones), who's on a man-prowl, and Leigh (Robinne Lee), Hav's disconsolate younger sister who's having identity/marital problems. Not surprisingly, each agitated woman gravitates to straight-talking Lee, which distresses him and clearly does not help his writer's block.
What happens in this romp is the sort of stuff you can't make up -- it rings so true. Screenwriter-director Cherot has dished up a dicey, romantic riposte, stuffing it with the real makings of romantic comedy: individual insecurities, desires and fears. The ripe performances are a special treat, especially his own as a befuddled but intuitive writer/confidant. Among the women, Maxwell stands out as the brassy, demanding Hav, who, despite her outward style and trappings, is clearly a have-not in the happiness department. Lee is captivating as Hav's younger sister, who is experiencing mid-20s growing pains, while Jones is a hoot as the bright, brazen girlfriend.
Cherot's visual acuity and sense of production detail is as keen as his scripting. The well-wrought setting, namely the Savage household, is a multilevel, minimalist apartment with intercoms in every room and plenty of empty space where everyone goes to isolate themselves with their laptops and cellulars. No wonder everyone is so misconnected.
HAV PLENTY
Miramax
Producers:Christopher Scott Cherot, Robyn M. Greene
Screenwriter-director-editor:Christopher Scott Cherot
Executive producers:S.J. Cherot, Kenneth Edmonds, Tracey E. Edmonds, Bridget D. Davis
Director of photography:Kerwin DeVonish
Sound mixer: Damian Canelos
Color/stereo
Cast:
Havilland Savage:Chenoa Maxwell
Michael Simmons:Hill Harper
Lee Plenty: Christopher Scott Cherot
Caroline Gooden:Tammi Katherine Jones
Leigh Darling: Robinne Lee
Felix Darling: Reginal James
Alexandria Beaumont:Margie St. Juste
Running time -- 92 minutes
No MPAA rating...
- 1/22/1998
- The Hollywood Reporter - Movie News
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