Stax: Soulsville U.S.A., Jamila Wignot’s four-part HBO documentary about the legendary Memphis record label that produced Otis Redding, Isaac Hayes, and others, offers incredible first-person stories. At one point, Booker T. Jones sits at a piano and shows exactly how he stumbled on the chords that became the 1962 chart-topper “Green Onions.”
But not long after she began working on the project, Wignot realized the story of Stax went much deeper. The label, which began (as Satellite Records) in 1957 and closed in 1975, spanned an intensely tumultuous period in American history,...
But not long after she began working on the project, Wignot realized the story of Stax went much deeper. The label, which began (as Satellite Records) in 1957 and closed in 1975, spanned an intensely tumultuous period in American history,...
- 8/6/2024
- by Jonathan Bernstein
- Rollingstone.com
Rolling Stone‘s interview series King for a Day features long-form conversations between senior writer Andy Greene and singers who had the difficult job of fronting major rock bands after the departure of an iconic vocalist. Some of them stayed in their bands for years, while others lasted just a few months. In the end, however, they all found out that replacement singers can themselves be replaced. This edition features former Fleetwood Mac singer Bekka Bramlett.
In the summer of 1994, Fleetwood Mac hit the road without Stevie Nicks, Lindsey Buckingham,...
In the summer of 1994, Fleetwood Mac hit the road without Stevie Nicks, Lindsey Buckingham,...
- 3/9/2023
- by Andy Greene
- Rollingstone.com
They don’t make ’em like Jac Holzman anymore. Maybe they never did.
While music executives are keen to brand their firms “technology companies” these days, Holzman, 89, is already several laps ahead. After co-founding Elektra Records in his dorm room in 1950 then bringing the label into Kinney National (now Warner Music Group) in a $10 million deal in 1970 — and signing and developing acts including The Doors, Love, Judy Collins, Tim Buckley, and The Stooges on the way — Holzman began spearheading Warner’s experiments in the tech world.
He helped launch both...
While music executives are keen to brand their firms “technology companies” these days, Holzman, 89, is already several laps ahead. After co-founding Elektra Records in his dorm room in 1950 then bringing the label into Kinney National (now Warner Music Group) in a $10 million deal in 1970 — and signing and developing acts including The Doors, Love, Judy Collins, Tim Buckley, and The Stooges on the way — Holzman began spearheading Warner’s experiments in the tech world.
He helped launch both...
- 10/12/2020
- by Tim Ingham
- Rollingstone.com
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