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At the end of Peter Godfrey’s “Christmas in Connecticut” — the greatest Christmas movie of all time (don’t fight me on this) — beloved character actor Sydney Greenstreet, having just emerged from a comedy kerfuffle of epic proportions, can think of nothing more to do than throw his mighty head in the air and declare “What a Christmas! Ho ho, what a Christmas!”

I could also think of little else to say, at first, about Tyler Taormina’s peculiar and lovely “Christmas Eve in Miller’s Point.” What a Christmas indeed. The film is an eclectic hodgepodge of realism and dreamlike, dare I say Lynchian mannerisms. It’s set in the 2000s but it belts wall-to-wall mid-20th century pop hits, like a family-friendly cousin to Kenneth Anger’s “Scorpio Rising.” When Peggy March’s “Wind-Up Doll” drowns out the family playtime, you can half imagine the leathery biker tinkering in the garage.

You know you’re getting old when your favorite movie stars are starting to play characters afflicted with dementia. Arriving shortly on the heels of Knox Goes Away, featuring Michael Keaton as a hitman suffering from the condition, is Adam Cooper’s neo-noir thriller starring Russell Crowe as an ex-cop whose mental condition has deteriorated so dramatically that he’s forced to leave notes plastered throughout his apartment, Memento-style. Despite the plot element’s familiarity, it’s still the most intriguing element of Sleeping Dogs, a sluggishly rendered mystery that audiences will have long stopped caring about before it reaches its conclusion.

Crowe plays Roy Freeman, a former homicide detective whose sad state of being is immediately signified not only by those notes offering the simplest of reminders but also the stack of Hungry-Man frozen dinners in his freezer. He’s wearing a large bandage on his head, the remnant...

Jack Warner had been shouldering in on credit from one of his studio’s top producers. At least that’s what Hal Wallis may have told you after the 1944 Academy Awards when Jack Warner accepted the Casablanca Oscar that some felt should have been palmed by Wallis, the Warner Bros. film’s producer. But who should accept the best picture award? Today it’s the producers, but during Hollywood’s Golden Age it was sometimes the producer, sometimes the studio chief.

Wallis had been with the company for many years, first joining the studio in 1923, their first year of incorporation. Soon, Wallis was managing essential Warner films such as Little Caesar (1931), The Petrified Forest (1936), The Adventures of Robin Hood (1937), Dark Victory (1939), Sergeant York (1941), The Maltese Falcon (1941), Yankee Doodle Dandy (1942), and, of course, Casablanca (1942). Despite being released in late 1942, Casablanca didn’t go into wide release until early 1943 and wasn’t...

Over the course of two decades, Alexander Payne has directed seven Oscar-nominated performances by as many actors, including first-time contenders Thomas Haden Church (“Sideways”), Virginia Madsen (“Sideways”), and June Squibb (“Nebraska”). In 2024, his general total could reach 10 if the film academy decides to recognize the work of “The Holdovers” cast mates Paul Giamatti, Da’Vine Joy Randolph, and Dominic Sessa. While the former two are by no means new to screen acting, the opposite is true of Sessa, whose potential Best Supporting Actor bid would make him the 21st man to receive one for a film debut. Scroll through our photo gallery to learn more about the actors who presently belong to this exclusive group.

This particular list has existed since 1939 when 25-year-old John Garfield landed in the third annual supporting lineup on the merit of his film debut in “Four Daughters.” In the years since, three of his 19 fellow club...

Back in 1992 Wes Anderson and Owen Wilson — who had met the University of Texas in Dallas and were roomies — decided to make a movie. But after spending $10,000 and shooting 13 minutes of the crime caper comedy “Bottle Rocket,” they ran out of money. Eventually, the short and the full script made its way to Oscar-winning writer/director/producer James L. Brooks. It just so happened that Columbia had a deal with Brooks to finance a low-budget film selected by the filmmaker. And in 1996, the feature-length version of “Bottle Rocket” was released with Owen Wilson, Luke Wilson and James Caan. Though the film didn’t set the box office on fire, critics realized Anderson was a new and exciting cinematic voice.

Anderson has made 11 feature films — his latest “Asteroid City” came out earlier this year — and has been nominated seven times for an Oscar including three for screenplay, two for animated features,...

This article contains spoilers for "Ahsoka" episode 4, "Fallen Jedi."

The fourth installment of "Star Wars: Ahsoka," titled "Fallen Jedi", pulls no punches when it comes to having the situation go from bad to worse. As the forces of evil led by the descendent of the Witches of Dathomir, Morgan Elsbeth (Diana Lee Inosanto), and fallen Jedi Baylan Skoll (Ray Stevenson) work to extract the information from the map to find Grand Admiral Thrawn (the still unseen Lars Mikkelsen), Ahsoka (Rosario Dawson) and Sabine (Natasha Liu Bordizzo) work to repair their ship. After it got shot down last episode, they need to get it back in the air or retrieve the map personally. While Huyang (David Tennant) attempts repairs, Ahsoka and Sabine take to the forest. They're stopped by Shin Hati (Ivanna Sakhno) and Marrok (Paul Darnell), who engage them in an intense fight in the woods. Though Huyang warned Ahsoka and Sabine to stay together,...

Here’s looking at Warner Bros. which is celebrating its 100th anniversary. Earlier this year, Turner Classic Movies, which is a member of the Warner Bros. Discovery family, celebrated the centennial with a monthlong tribute to the studio that gave the world such landmark films as 1927’s “The Jazz Singer,” the first feature with synchronized recorded singing and some dialogue; the ultimate gangster flick 1931’s “Public Enemy,: the glorious 1938 swashbuckler “The Adventures of Robin Hood”; and the beloved 1942 “Casablanca.

And during its Golden Age, its roster of stars included such legends as Rin-Tin-Tin, John Barrymore, Edward G. Robinson, James Cagney, Humphrey Bogart, Bette Davis, Kay Francis, Joan Blondell, Ruby Keeler, Dick Powell, Paul Muni, John Garfield and Sydney Greenstreet.

Max is currently streaming the four-part documentary series “100 Years of Warner Bros.” (the first two episodes premiered at Cannes). And also arriving this week is the lavish coffee table book “Warner Bros.

This post contains spoilers for "John Wick: Chapter 4."

The label "direct-to-video" used to be a death knell for filmmakers and movie fans alike. In the early days of home video, the term typically referred to features that weren't good enough to get theatrical distribution, causing studios to subsequently dump them onto the shelves of Blockbusters and Hollywood Videos, where — via gaudy box art, ridiculous taglines and/or highlighting the name of a slumming movie star or a legit celebrity (who would likely only have a cameo role) — they would try to entice naïve renters to check it out.

It can be exceedingly difficult for a subgenre to change a poor reputation, but everything started to change once theatrical distribution was no longer the only game in Hollywood as video, cable, and streaming services became more ubiquitous. One of the people who has been dragging the name of direct-to-video B-movies out...

Burbank, Calif., February 15, 2023 – As part of the year-long centennial celebration for the 100th anniversary of Warner Bros. Studio, three classic and beloved films from the Warner Bros. library – The Maltese Falcon, Cool Hand Luke, and Rebel Without a Cause – will be available for purchase on 4K Ultra HD Disc and Digital this April.

On April 4, The Maltese Falcon and Cool Hand Luke will be available to purchase on Ultra HD Blu-ray™ Disc from online and in-store at major retailers and available for purchase Digitally from Amazon Prime Video, AppleTV, Google Play, Vudu and more.

On April 4, Rebel Without a Cause will be available to purchase on Ultra HD Blu-ray Disc from online and in-store at major retailers. On April 18 it will be available for purchase Digitally from Amazon Prime Video, AppleTV, Google Play, Vudu and more.

The Ultra HD Blu-ray Disc will include each feature film in 4K with Hdr...

Awards voters love a transformation: Gary Oldman in “Darkest Hour,” Jessica Chastain in “The Eyes of Tammy Faye” and Christian Bale in “Vice” are just some of the recent winners who disappeared into their roles. And the recent Makeup and Hairstylists Guild (Muahs) nominations seem to be an indicator of the trend continuing this year.

Among this year’s Muahs nominees are “The Batman,” which, despite being released in March 2022, has shown up on numerous guild honors lists including American Society of Cinematographers (ASC), Motion Picture of Sound Editors (Mpse).

The transformation in the film belongs to Colin Farrell, who plays Oswald Cobblepot, the scarred and pudgy midlevel Gotham City gangster with the (unwelcome) nickname of “the Penguin.”

Prosthetic makeup artist Michael Marino designed the look. Director Matt Reeves cites John Cazale, Sydney Greenstreet and Bob Hoskins as inspirations for the role. “I saw him as being almost like a throwback Warner Bros. gangster,...

Warner Brothers released “Casablanca” in New York on Nov. 26, 1942, which just happened to be Thanksgiving. But the romantic World War II drama starring Humphrey Bogart, Ingrid Bergman and Paul Henreid was anything but a turkey. To say the New York Times review was effusive is something of an understatement: “Warners here have a picture which makes the spine tingle and the heart take a leap….And they have so combined sentiment, humor and pathos with taut melodrama and bristling intrigue that the result is a highly entertaining and even inspiring film.”

And critical praise and audiences’ adoration continued when it opened in Los Angeles and nationwide in January 1943. It went on to win three Oscars for Best Picture, director for Michael Curtiz and adapted screenplay for Julius J. and Philip Epstein and Howard Koch. Let’s take a look back on the occasion of the 80th anniversary.

As time has gone by,...

Burbank, Calif., September 13, 2022 – Celebrating the 80th anniversary of its 1942 release, the legendary Warner Bros. film Casablanca will be released on Ultra HD Blu-ray Combo Pack and Digital on November 8, it was announced today by Warner Bros. Home Entertainment. Starring Academy Award winners Humphrey Bogart and Ingrid Bergman, critic Leonard Maltin calls Casablanca “the best Hollywood movie of all time.”

The winner of three Academy Awards® including Best Picture, Best Director and Best Adapted Screenplay, Casablanca was directed by Michael Curtiz from a screenplay by Julius J. Epstein, Philip G. Epstein, and Howard Koch. The screenplay is based on “Everybody Comes to Rick’s”, an unproduced stage play by Murray Burnett and Joan Alison. The film was produced by Hal B. Wallis.

The cast also features Paul Henreid, Claude Rains, Conrad Veidt, Sydney Greenstreet, Peter Lorre, and Dooley Wilson.

Casablanca was voted the screen’s greatest love story and the #3 film of...

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“You’LL Take It And Like It”

By Raymond Benson

The late Peter Bogdanovich called it “the first great detective movie.” That statement is possibly arguable, but there is no question that the 1941 version of The Maltese Falcon was the beginning of something new. Film historians will forever debate what the first film noir might have been, but Falcon is one of the contenders. The film presented a cynical, hard boiled detective in Sam Spade (Humphrey Bogart), utilized German expressionism in its cinematography and design, and a pessimistic tone. Falcon also truly launched Bogart into the A-list. Prior to this, Bogart usually played villains in crime pictures, third billed or ever further down the line.

The Maltese Falcon is of course based on Dashiell Hammett’s 1930 novel, originally serialized in 1929. Warner Brothers immediately bought the film rights, and an initial adaptation was made...

Matt Reeves never meant for Colin Farrell to look unrecognizable in “The Batman.”

In the finished film, Farrell’s appearance is utterly obliterated in the role of Oswald “Oz” Cobblepot, the scarred and dumpy mid-level Gotham City gangster with the (unwelcome) nickname of “the Penguin.” But when the 55-year-old director — who co-wrote “The Batman” with Peter Craig — first approached Farrell for the role, he was focused on Farrell’s ability to bring grit and sensitivity in the same performance.

“He could have that mix of being incredibly, incredibly scary and volatile, and then all of a sudden, you’d see this vulnerable side that really made you feel for that guy,” Reeves tells Variety. “So I really wanted him to play the character.”

When they met, however, Reeves noticed that Farrell had recently gained weight for a different movie, which fit into his conception of the longstanding Batman villain as...

For almost 100 years, the motion picture academy has honored the best in film, but many times the winners aren’t always the best remembered, or the films that go on to become classics. At the 14th ceremony, “How Green Was My Valley” famously won Best Picture over “Citizen Kane,” now considered by most filmmakers, historians and cinephiles as the greatest movie ever made – and even those who disagree acknowledge its profound influence on the industry. Additionally, there were quite a few now-classic films and performances that either didn’t win, or were snubbed altogether. Let’s flashback 80 years ago to the 1942 Oscars ceremony.

SEE15 biggest Oscar Best Picture upsets, ranked

Hosted by Bob Hope, the ceremony took place on February 26, less than three months after the bombing of Pearl Harbor and a month after beloved actress Carole Lombard was killed in a plane crash – while returning home after selling war bonds.

A cozy bit of holiday fluff directed by Peter Godfrey and starring the usually uncompromising Barbara Stanwyck as Elizabeth Lane, a Manhattan food critic who masquerades as a Connecticut farm wife complete with fictitious family. The charade ends in ruins but happy-go-lucky Dennis Morgan is there to soften the blow. Sydney Greenstreet plays her unsuspecting publisher.

The post Christmas in Connecticut appeared first on Trailers From Hell.

A dark, steely performance from Humphrey Bogart is at the cynical heart of John Huston’s adaptation of the classic detective novel

John Huston’s adaptation of the Dashiell Hammett novel, as well as having the greatest MacGuffin of all time, is a ringing disproof of Raymond Chandler’s belief that detective stories depend on men coming through doors with guns. People arrive with guns a good deal in The Maltese Falcon, but mostly without them; Humphrey Bogart’s Sam Spade makes a point of telling us he prefers to be unarmed, and he has a very cool line in disarming other people. And what a superb performance from Bogart: darker, steelier and more ambiguous than his Rick in Casablanca, with all the world-weary cynicism, but none of the romantic sacrifice – just a strangely opaque manipulative streak, a need to use the women that cross his path. It’s a tough wised-up routine,...

Casablanca Welcome to this week's Stay-At-Home Seven. If you're looking for more inspiration, you can read last week's here or hop aboard our Streaming Spotlight on trains.

Casablanca, BBC Four, 8pm, Thursday, September 17 and on BBC iPlayer

Infinitely quotable and featuring Ingrid Bergman and Humphrey Bogart at the top of their game, there's little wonder Michael Curtiz's film about impossible choices and a reunion between old lovers regularly makes it into lists of favourites. The secondary players are all from the top drawer, too, with Claude Rains, Paul Henreid, Sydney Greenstreet and Peter Lorre all puting in memorable performances. It's the heart of the matter that really makes the film tick, however, and scenes between Bergman and Bogart as economical as well as emotionally rich. Plus, of course, there's the song, As Time Goes By, which gains resonance the more you think about it. Read our full review.

The.

As Disney quietly disappears huge swathes of film history into its vaults, I'm going to spend 2020 celebrating Twentieth Century Fox and the Fox Film Corporation's films, what one might call their output if only someone were putting it out.And now they've quietly disappeared William Fox's name from the company: guilty by association with Rupert Murdoch, even though he never associated with him.***Dangerous Crossing was directed by Joseph M. Newman in 1953, not long before the one title he's semi-remembered for, This Island Earth. It seems to have been greenlit as a B-picture to take advantage of the sets built for Fox's Titanic, as it's an ocean voyage mystery.Newlywed Jeanne Crain boards ship with her husband, who promptly vanishes, and nobody will admit to ever having seen him. Of course the plot kernel was used before, by writers Launder and Gilliat for director Hitchcock in The Lady Vanishes.

Over the years, there have been a variety of talented actors to portray the Joker in both live action and animation. And while there are those who’ve appreciated the performances brought to the table by the likes of Jack Nicholson, Heath Ledger and Cameron Monaghan, many diehard fans actually favor Mark Hamill, who, believe it or not, has been attached to the character for about a quarter century now.

Having debuted in the early 1990’s on the hallowed Batman: The Animated Series, Hamill went on to voice the Clown Prince of Crime in various other projects, including Batman Beyond: Return of the Joker, the awesome line of Arkham video games, and the animated adaptation of Alan Moore and Brian Bolland’s classic graphic novel, Batman: The Killing Joke.

Originally, Tim Curry had been cast as the Ace of Knaves for the Bruce Timm helmed show, though an unfortunate case...

I don’t know if you’re anything like me, but I can often spend hours upon hours trawling through iTunes looking for new movies to buy… Usually I’ll randomly come across a title I haven’t seen in years and use the “Cast & Crew” links to make my way down the rabbit hole to the more obscure side of Apple’s digital movie service.

Now whilst many will decry that iTunes is a terrible VOD service due to Apple’s desire to lock its audience to their platforms, if you have an Apple TV or iPad be aware – there are some truly obscure films hidden away in the depths of the vast collection of movies. Some of which have been made available in the UK for the first time since VHS and a Lot that have been added to the service in their original uncut form!

So, with...

Ricardo Cortez in 'Mandalay,' making love to Kay Francis – not long before he sells her into the 'white slave trade,' in which Francis reaches the top of her profession as a lavishly garbed Rangoon nightclub hostess known as 'Spot White.' Cortez was featured opposite a whole array of female stars during both the silent and the talkie eras. Earlier on, plots usually revolved around his heroic characters; later on, plots usually revolved around the characters of his victimized-but-heroic leading ladies, with Cortez cast as a heel of varying degrees of egotism. Besides 'Mandalay,' Ricardo Cortez and Kay Francis were featured together in 'Transgression,' 'The House on 56th Street,' and 'Wonder Bar.' (See previous post: “'Latin Lover' Ricardo Cortez: Q&A with Biographer Dan Van Neste.”) I am reminded of a humorous review of the melodramatic film Mandalay (1934), penned by Andre Sennwald in the...

On the day a U.S. appeals court lifted an injunction that blocked a Mississippi “religious freedom” law – i.e., giving Christian extremists the right to discriminate against gays, lesbians, bisexuals, transgender people, etc. – not to mention the publication of a Republican-backed health care bill targeting the poor, the sick, the elderly, and those with “pre-existing conditions” – which would include HIV-infected people, a large chunk of whom are gay and bisexual men, so the wealthy in the U.S. can get a massive tax cut, Turner Classic Movies' 2017 Gay Pride or Lgbt Month celebration continues (into tomorrow morning, Thursday & Friday, June 22–23) with the presentation of movies by or featuring an eclectic – though seemingly all male – group: Montgomery Clift, Anthony Perkins, Tab Hunter, Dirk Bogarde, John Schlesinger, Tennessee Williams, Gore Vidal, Arthur Laurents, and Jerome Robbins. After all, one assumes that, rumors or no, the presence of Mercedes McCambridge in one...

By Lee Pfeiffer

Olive Films has released the now obscure 1941 British film noir "Pimpernel Smith" starring Leslie Howard, who also directed. The movie (known as "Mister V" in  the United States) was released in 1941 at a time when England was hanging on by a thin thread as Hitler dominated most of Europe. As with all of the countries involved in WWII, the British film industry relied heavily on top stars appearing in inspiring movies that would boost public morale. This was especially true in England which saw its major ally, France, capitulate to Hitler in a matter of weeks, leaving the island nation standing alone against the Nazi menace. . At the time "Pimpernel Smith" was released in July 1941 (American would not enter the war until the bombing of Pearl Harbor in December of that year),  the Brits were enjoying a spate of good news. After the disastrous experience of the British expedition force in Dunkirk,...

Canadian-born actress Alexis Smith (born 1921) would have turned 96 years old today, June 8. Turner Classic Movies is celebrating her birthday by presenting nine of her movies, mostly during her time as a Warner Bros. contract player. In addition to Michael Curtiz's box office hit Night and Day, a highly fictionalized Cole Porter biopic starring Cary Grant as a heterosexual version of the famed gay composer. Night and Day is being shown as part of TCM's Gay Pride Month celebration. Alexis Smith died on June 9, 1993, the day after she turned 72. After her film career petered out in the 1950s, she went on to receive acclaim on the Broadway stage, making sporadic film appearances all the way to the year of her death. Smith's last film appearance was in a minor supporting role in Martin Scorsese's overly genteel period drama The Age of Innocence (1993), starring Daniel Day-Lewis, Michelle Pfeiffer, and Winona Ryder.

Vin Scully, the voice of the Dodgers, is calling it a career this weekend after 67 years in the booth. If you will indulge me, I’d like to tell you about one of my favorite moments from Scully behind the microphone, and about one night at Dodger Stadium that will make me miss him even more.

But first, a little background. I was never a big baseball guy growing up, even though I played a couple of seasons on a local Little League team. (Our squad was called the Firemen.) During those days, when I wasn’t playing the game, either in Little League or somewhere on my grandma’s farm with my cousins, the presence of a baseball broadcast usually meant that something I’d rather have been watching on TV was unavailable to see because someone else wanted to watch the damn game. (I tried to sit down,...

The pedigree of John Huston's "The Maltese Falcon" doesn't need to be explained. It's one of the greatest film noir pictures ever made, one of Humphrey Bogart's best movies too, and there are really not enough superlatives to laud the Oscar-nominated movie. If you've seen the movie, chances are it's been on home video, or if you're lucky, you managed to capture a repertory screening at some point. But there's good news today as the movie is celebrating it's 75th anniversary this year, and a big screen return is in the works. Read More: 16 Literary Detectives Who Sleuthed Onto The Big Screen Fathom Events and Turner Classic Movies are bringing "The Maltese Falcon" to over 650 screens on February 21st and 24th. On those dates you'll be transported to San Francisco to chase the stuff that dreams are made of, and watch Bogart effortlessly square off against Peter Lorre and Sydney Greenstreet.

George Lucas had a lot to answer for in 1983. Would audiences ever see Han Solo again? Was there any chance for Leia and the Rebellion to come back from such a crushing defeat? And was Darth Vader really Luke Skywalker’s father? As the third chapter in the original Star Wars trilogy, Return of the Jedi would answer all of these questions, but not without controversy — even at the time.

Among Lucas’s three original films, Jedi is the turning point for the series’ creator and his subsequent kid-ification of a saga that had, up until that point, been accessible to both children and adults alike. Part of Jedi‘s scattered tone is artificially inflated by the “series of down endings” in The Empire Strikes Back. On the other hand, there’s something about the cuddly nature of the Ewoks and the broad hamminess of Jabba’s Palace that doesn...

Discover the stuff that dreams are made of. Hold your breath, make a wish, count to three. Take a day off with Ferris Bueller. Survive a winter in the Overlook Hotel. Movie lovers will be able to do all of this and more in 2016 as Fathom Events partners with Turner Classic Movies (TCM) for the biggest-ever “TCM Big Screen Classics” series.

The not-to-miss lineup begins in January and continues monthly throughout the year as Fathom Events and TCM bring some of the greatest titles ever back into movie theaters, each for just four showings. These classics will each be accompanied by specially produced commentary from TCM hosts Robert Osborne or Ben Mankiewicz.

The series will include “Butch Cassidy and the Sundance Kid,” “Planet of the Apes” and “The King and I” from Twentieth Century Fox; “The Maltese Falcon,” “Willy Wonka & the Chocolate Factory” and “The Shining” from Warner Bros.; “The Ten Commandments,...

Michael Curtiz's wartime tale of Devil's Island convict Humphrey Bogart fighting to get back and defend France has a still-controversial scene of violence. The convoluted storyline nests enough flashbacks-within-flashbacks to confuse any viewer, and packs the screen with every actor on the Warner lot who can handle a foreign accent. With Claude Rains, Sydney Greenstreet, Peter Lorre, George Tobias, and Michèle Morgan. Passage to Marseille Blu-ray Warner Archive Collection 1944 / B&W / 1:37 flat Academy / 109 min. / Street Date November 10, 2015 / available through the WBshop / 21.99 Starring Humphrey Bogart, Claude Rains, Michèle Morgan, Philip Dorn, Sydney Greenstreet, Peter Lorre, George Tobias, Helmut Dantine, John Loder, Victor Francen, Vladimir Sokoloff, Eduardo Ciannelli. Cinematography James Wong Howe Art Direction Carl Julius Weyl Film Editor Owen Marks Original Music Max Steiner Written by Casey Robinson, Jock Moffitt from a novel by Charles Nordhoff and James Norman Hall Produced by Jack L. Warner Directed by Michael Curtiz...

Ingrid Bergman ca. early 1940s. Ingrid Bergman movies on TCM: From the artificial 'Gaslight' to the magisterial 'Autumn Sonata' Two days ago, Turner Classic Movies' “Summer Under the Stars” series highlighted the film career of Greta Garbo. Today, Aug. 28, '15, TCM is focusing on another Swedish actress, three-time Academy Award winner Ingrid Bergman, who would have turned 100 years old tomorrow. TCM has likely aired most of Bergman's Hollywood films, and at least some of her early Swedish work. As a result, today's only premiere is Fielder Cook's little-seen and little-remembered From the Mixed-Up Files of Mrs. Basil E. Frankweiler (1973), about two bored kids (Sally Prager, Johnny Doran) who run away from home and end up at New York City's Metropolitan Museum. Obviously, this is no A Night at the Museum – and that's a major plus. Bergman plays an elderly art lover who takes an interest in them; her...

Joan Crawford Movie Star Joan Crawford movies on TCM: Underrated actress, top star in several of her greatest roles If there was ever a professional who was utterly, completely, wholeheartedly dedicated to her work, Joan Crawford was it. Ambitious, driven, talented, smart, obsessive, calculating, she had whatever it took – and more – to reach the top and stay there. Nearly four decades after her death, Crawford, the star to end all stars, remains one of the iconic performers of the 20th century. Deservedly so, once you choose to bypass the Mommie Dearest inanity and focus on her film work. From the get-go, she was a capable actress; look for the hard-to-find silents The Understanding Heart (1927) and The Taxi Dancer (1927), and check her out in the more easily accessible The Unknown (1927) and Our Dancing Daughters (1928). By the early '30s, Joan Crawford had become a first-rate film actress, far more naturalistic than...

Adolphe Menjou movies today (This article is currently being revised.) Despite countless stories to the contrary, numerous silent film performers managed to survive the coming of sound. Adolphe Menjou, however, is a special case in that he not only remained a leading man in the early sound era, but smoothly made the transition to top supporting player in mid-decade, a position he would continue to hold for the quarter of a century. Menjou is Turner Classic Movies' Star of the Day today, Aug. 3, as part of TCM's "Summer Under the Stars" 2015 series. Right now, TCM is showing William A. Wellman's A Star Is Born, the "original" version of the story about a small-town girl (Janet Gaynor) who becomes a Hollywood star, while her husband (Fredric March) boozes his way into oblivion. In typical Hollywood originality (not that things are any different elsewhere), this 1937 version of the story – produced by...

Olivia de Havilland picture U.S. labor history-making 'Gone with the Wind' star and two-time Best Actress winner Olivia de Havilland turns 99 (This Olivia de Havilland article is currently being revised and expanded.) Two-time Best Actress Academy Award winner Olivia de Havilland, the only surviving major Gone with the Wind cast member and oldest surviving Oscar winner, is turning 99 years old today, July 1.[1] Also known for her widely publicized feud with sister Joan Fontaine and for her eight movies with Errol Flynn, de Havilland should be remembered as well for having made Hollywood labor history. This particular history has nothing to do with de Havilland's films, her two Oscars, Gone with the Wind, Joan Fontaine, or Errol Flynn. Instead, history was made as a result of a legal fight: after winning a lawsuit against Warner Bros. in the mid-'40s, Olivia de Havilland put an end to treacherous...

This week marks the 10th anniversary of the release of "Crash" (on May 6, 2005), an all-star movie whose controversy came not from its provocative treatment of racial issues but from its Best Picture Oscar victory a few months later, against what many critics felt was a much more deserving movie, "Brokeback Mountain."

The "Crash" vs. "Brokeback" battle is one of those lingering disputes that makes the Academy Awards so fascinating, year after year. Moviegoers and critics who revisit older movies are constantly judging the Academy's judgment. Even decades of hindsight may not always be enough to tell whether the Oscar voters of a particular year got it right or wrong. Whether it's "Birdman" vs. "Boyhood," "The King's Speech" vs. "The Social Network," "Saving Private Ryan" vs. "Shakespeare in Love" or even "An American in Paris" vs. "A Streetcar Named Desire," we're still confirming the Academy's taste or dismissing it as hopelessly off-base years later.

Teresa Wright: Later years (See preceding post: "Teresa Wright: From Marlon Brando to Matt Damon.") Teresa Wright and Robert Anderson were divorced in 1978. They would remain friends in the ensuing years.[1] Wright spent most of the last decade of her life in Connecticut, making only sporadic public appearances. In 1998, she could be seen with her grandson, film producer Jonah Smith, at New York's Yankee Stadium, where she threw the ceremonial first pitch.[2] Wright also became involved in the Greater New York chapter of the Als Association. (The Pride of the Yankees subject, Lou Gehrig, died of Amyotrophic Lateral Sclerosis in 1941.) The week she turned 82 in October 2000, Wright attended the 20th anniversary celebration of Somewhere in Time, where she posed for pictures with Christopher Reeve and Jane Seymour. In March 2003, she was a guest at the 75th Academy Awards, in the segment showcasing Oscar-winning actors of the past. Two years later,...

 

In August, the Austin Film Society series "Stanwyck in Her Prime" showcased some of the titles that made Barbara Stanwyck one of the greatest actresses of her generation. It featured such classic Stanwyck staples as Preston Sturges' The Lady Eve (1941) and Ball of Fire (1941), both essential highlights in Stanwyck's stellar career. As a result of the series popularity, and since it's the holidays, I thought I'd spotlight the few but worthwhile Christmas movies Stanwyck starred in.

Not many think of Stanwyck as an actress who would be caught dead in a Christmas movie. Her brand of playing women both tough and tragic made her one of the most formidable screen heroines of all time. And yet, if you are a fan of Stanwyck's, its not surprising to see her in these films since they provided the actress grade-a roles with directors and co-stars also at the top of their game.

Murder mysteries are so commonplace on TV that each week offers seemingly dozens of them on police procedural series and detective shows. But in the movies, whodunits are surprisingly rare, and really good ones rarer still. There's really only a handful of movies that excel in offering the viewer the pleasure of solving the crime along with a charismatic sleuth, often with an all-star cast of suspects hamming it up as they try not to appear guilty.

One of the best was "Murder on the Orient Express," released 40 years ago this week, on November 24, 1974. Like many films adapted from Agatha Christie novels, this one featured an eccentric but meticulous investigator (in this case, Albert Finney as Belgian epicure Hercule Poirot), a glamorous and claustrophobic setting (here, the famous luxury train from Istanbul to Paris), and a tricky murder plot with an outrageous solution. The film won an Oscar for passenger...

Joan Lorring, 1945 Best Supporting Actress Oscar nominee, dead at 88: One of the earliest surviving Academy Award nominees in the acting categories, Lorring was best known for holding her own against Bette Davis in ‘The Corn Is Green’ (photo: Joan Lorring in ‘Three Strangers’) Best Supporting Actress Academy Award nominee Joan Lorring, who stole the 1945 film version of The Corn Is Green from none other than Warner Bros. reigning queen Bette Davis, died Friday, May 30, 2014, in the New York City suburb of Sleepy Hollow. So far, online obits haven’t mentioned the cause of death. Lorring, one of the earliest surviving Oscar nominees in the acting categories, was 88. Directed by Irving Rapper, who had also handled one of Bette Davis’ biggest hits, the 1942 sudsy soap opera Now, Voyager, Warners’ The Corn Is Green was a decent if uninspired film version of Emlyn Williams’ semi-autobiographical 1938 hit play about an English schoolteacher,...

Turner Classic Movies (TCM) has unveiled the complete list of 20 cities that will be treated to a free theatrical screening of classic Casablanca (1942) on Tuesday, March 4.

Nearly 10,000 fans voted to help choose 10 of the markets that will host screenings, with the most votes going to Baltimore, Buffalo, Dallas, Houston, Los Angeles, Minneapolis, New York, Orlando, St. Louis and San Diego.

Those cities join the previously announced screenings in Atlanta, Boston, Chicago, Denver, Detroit, Miami,Philadelphia, San Francisco, Seattle and Washington, D.C.

Presented in collaboration with Warner Bros., TCM’s 20-market screening of Casablanca is one of many events surrounding the celebration of the network’s 20th Anniversary as a leading authority in classic film. Although the screenings are free, tickets are required for entrance.

Free tickets are now available for download from the TCM 20th Anniversary website: tcm.com/20.

TCM’s special screenings of Casablanca will begin at 7:30 p.

Eleanor Parker dead at 91: ‘The Sound of Music’ actress, three-time Best Actress Oscar nominee (photo: Eleanor Parker ca. 1945) Eleanor Parker, one of the best and most beautiful actresses of the studio era, a three-time Best Actress Academy Award nominee, and one of the stars of the 1965 blockbuster and Best Picture Oscar winner The Sound of Music, died today, December 9, 2013, of complications from pneumonia at a medical facility near her home in the Southern Californian desert town of Palm Springs. Eleanor Parker was 91. “I’m primarily a character actress,” Parker told the Toronto Star in 1988. “I’ve portrayed so many diverse individuals on the screen that my own personality never emerged.” At one point, wildly imaginative publicists called her The Woman of a Thousand Faces — an absurd label, when you think of Man of a Thousand Faces Lon Chaney. Eleanor Parker never altered her appearance the way Chaney did — her...

Hattie McDaniel as Mammy in ‘Gone with the Wind’: TCM schedule on August 20, 2013 (photo: Vivien Leigh and Hattie McDaniel in ‘Gone with the Wind’) See previous post: “Hattie McDaniel: Oscar Winner Makes History.” 3:00 Am Thank Your Lucky Stars (1943). Director: David Butler. Cast: Joan Leslie, Dennis Morgan, Eddie Cantor, Humphrey Bogart, Bette Davis, Olivia de Havilland, Errol Flynn, John Garfield, Ida Lupino, Ann Sheridan, Dinah Shore, Alexis Smith, Jack Carson, Alan Hale, George Tobias, Edward Everett Horton, S.Z. Sakall, Hattie McDaniel, Ruth Donnelly, Don Wilson, Spike Jones, Henry Armetta, Leah Baird, Willie Best, Monte Blue, James Burke, David Butler, Stanley Clements, William Desmond, Ralph Dunn, Frank Faylen, James Flavin, Creighton Hale, Sam Harris, Paul Harvey, Mark Hellinger, Brandon Hurst, Charles Irwin, Noble Johnson, Mike Mazurki, Fred Kelsey, Frank Mayo, Joyce Reynolds, Mary Treen, Doodles Weaver. Bw-127 mins. 5:15 Am Janie (1944). Director: Michael Curtiz. Cast: Joyce Reynolds, Robert Hutton,...

Hattie McDaniel: Oscar winner on TCM tonight One of the best and, despite nearly 100 film appearances, most poorly utilized actresses of the studio era was Hattie McDaniel, Turner Classic Movies’ "Summer Under the Stars" featured player today, August 20, 2013. Right now, TCM is showing Gone with the Wind (1939), the movie that earned McDaniel — as Scarlett O’Hara’s Mammy — the year’s history-making Best Supporting Actress Academy Award. She was the first black performer to take home an Oscar; in her (reportedly) studio-prepared Oscar acceptance speech, McDaniel hoped to “always be a credit to my race and to the motion picture industry.” And in my view, she remains among the most well-deserved winners, regardless of skin color. (See also: “Hattie McDaniel Oscar Speech.”) (Photo: Hattie McDaniel ca. 1930s.) Hattie McDaniel movies: ‘Show Boat,’ ‘Alice Adams’ Two other movies showcasing Hattie McDaniel’s talents will follow Gone with the Wind: Show Boat and Alice Adams.

There's little that hasn't been written about 1942 film classic Casablanca, so I won't bore you with an in-depth review - suffice to say that Michael Curtiz's romantic drama is every bit as moving as its reputation suggests, but is also far funnier than many give it credit for.

With sizzling dialogue and fantastic characters brought to life by true screen icons like Humphrey Bogart, Ingrid Bergman, Peter Lorre and Sydney Greenstreet, Casablanca continues to put much of today's cinematic output to shame, over 70 years after its original release. But watching the movie at the open-air Luna Cinema, in the grounds of Kensington Palace, helped me to appreciate it in a whole new light.

The Casablanca screening - part of a 2013 summer season of popular classics being given a public airing - was a deeply enjoyable experience, one that was all the more satisfying for being shared with dozens of...

Doris Day movies: TCM’s ‘Summer Under the Stars 2013′ lineup continues (photo: Doris Day in ‘Calamity Jane’ publicity shot) Doris Day, who turned 89 last April 3, is Turner Classic Movies’ 2013 “Summer Under the Stars” star on Friday, August 2. (Doris Day, by the way, still looks great. Check out "Doris Day Today.") Doris Day movies, of course, are frequently shown on TCM. Why? Well, TCM is owned by the megaconglomerate Time Warner, which also happens to own (among myriad other things) the Warner Bros. film library, which includes not only the Doris Day movies made at Warners from 1948 to 1955, but also Day’s MGM films as well (and the overwhelming majority of MGM releases up to 1986). My point: Don’t expect any Doris Day movie rarity on Friday — in fact, I don’t think such a thing exists. Doris Day is ‘Calamity Jane’ If you haven’t watched David Butler’s musical...

Humphrey Bogart movies: ‘The Maltese Falcon,’ ‘High Sierra’ (Image: Most famous Humphrey Bogart quote: ‘The stuff that dreams are made of’ from ‘The Maltese Falcon’) (See previous post: “Humphrey Bogart and Lauren Bacall Movies.”) Besides 1948, 1941 was another great year for Humphrey Bogart — one also featuring a movie with the word “Sierra” in the title. Indeed, that was when Bogart became a major star thanks to Raoul Walsh’s High Sierra and John Huston’s The Maltese Falcon. In the former, Bogart plays an ex-con who falls in love with top-billed Ida Lupino — though both are outacted by ingénue-with-a-heart-of-tin Joan Leslie. In the latter, Bogart plays Dashiel Hammett’s private detective Sam Spade, trying to discover the fate of the titular object; along the way, he is outacted by just about every other cast member, from Mary Astor’s is-she-for-real dame-in-distress to Best Supporting Actor Academy Award nominee Sydney Greenstreet. John Huston...

Paul Henreid in ‘Casablanca’: Freedom Fighter on screen, Blacklisted ‘Subversive’ off screen Turner Classic Movies’ Star of the Month of July 2013, Paul Henreid, bids you farewell this evening. TCM left the most popular, if not exactly the best, for last: Casablanca, Michael Curtiz’s 1943 Best Picture Oscar-winning drama, is showing at 7 p.m. Pt tonight. (Photo: Paul Henreid sings "La Marseillaise" in Casablanca.) One of the best-remembered movies of the studio era, Casablanca — not set in a Spanish or Mexican White House — features Paul Henreid as Czechoslovakian underground leader Victor Laszlo, Ingrid Bergman’s husband but not her True Love. That’s Humphrey Bogart, owner of a cafe in the titular Moroccan city. Henreid’s anti-Nazi hero is generally considered one of least interesting elements in Casablanca, but Alt Film Guide contributor Dan Schneider thinks otherwise. In any case, Victor Laszlo feels like a character made to order for Paul Henreid,...

Paul Henreid: From Eleanor Parker to ‘The Four Horsemen of the Apocalypse’ (photo: Paul Henreid and Eleanor Parker in ‘Between Two Worlds’) Paul Henreid returns this evening, as Turner Classic Movies’ Star of the Month of July 2013. In Of Human Bondage (1946), he stars in the old Leslie Howard role: a clubfooted medical student who falls for a ruthless waitress (Eleanor Parker, in the old Bette Davis role). Next on TCM, Henreid and Eleanor Parker are reunited in Between Two Worlds (1944), in which passengers aboard an ocean liner wonder where they are and where the hell (or heaven or purgatory) they’re going. Hollywood Canteen (1944) is a near-plotless, all-star showcase for Warner Bros.’ talent, a World War II morale-boosting follow-up to that studio’s Thank Your Lucky Stars, released the previous year. Last of the Buccaneers (1950) and Pirates of Tripoli (1955) are B pirate movies. The former is an uninspired affair,...

Paul Henreid: Actor was ‘dependable’ leading man to Hollywood actresses Paul Henreid, best known as the man who wins Ingrid Bergman’s body but not her heart in Casablanca, is Turner Classic Movies’ Star of the Month of July 2013. TCM will be showing a couple of dozen movies featuring Henreid, who, though never a top star, was a "dependable" — i.e., unexciting but available — leading man to a number of top Hollywood actresses of the ’40s, among them Bette Davis, Ida Lupino, Olivia de Havilland, Eleanor Parker, Joan Bennett, and Katharine Hepburn. Unfortunately, the overwhelming majority of Paul Henreid movies to be shown on Turner Classic Movies in July consists of Warner Bros. productions that are frequently broadcast all year long, no matter who is TCM’s Star of the Month. Just as unfortunately, TCM will not present any of Henreid’s little-seen supporting performances of the ’30s, e.

Eleanor Parker: Palm Springs resident turns 91 today Eleanor Parker turns 91 today. The three-time Oscar nominee (Caged, 1950; Detective Story, 1951; Interrupted Melody, 1955) and Palm Springs resident is Turner Classic Movies’ Star of the Month of June 2013. Earlier this month, TCM showed a few dozen Eleanor Parker movies, from her days at Warner Bros. in the ’40s to her later career as a top Hollywood supporting player. (Photo: Publicity shot of Eleanor Parker in An American Dream.) Missing from TCM’s movie series, however, was not only Eleanor Parker’s biggest box-office it — The Sound of Music, in which she steals the show from both Julie Andrews and the Alps — but also what according to several sources is her very first movie role: a bit part in Raoul Walsh’s They Died with Their Boots On, a 1941 Western starring Errol Flynn as a dashingly handsome and all-around-good-guy-ish General George Armstrong Custer. Olivia de Havilland...