Películas Colombianas

The action is situated in Colombia on April 9, 1948, date in which took place the famous "Bogotazo". It is a story of love frustrated by political circumstances. Laura, a spinster schoolteacher, lives to Josefina and Santiago, public employee. The three characters will be besieged by 24 hours, targeted by snipers, will be forced to show such which are or they would have liked to be.

This film documents the life of a family of brick makers in the outskirts of Bogotá, using the personal experience of the Castañeda family to expose the exploitation of manual laborers. Marta Rodríguez and Jorge Silva worked on this documentary from 1966 to 1972, establishing a relationship with the family which allows the viewer an intimate look at their hardships.

A Matter of Land recounts the first year of application of Colombian's Land Restitution Act from the perspective of a community who decide to engage with the process. The film explores the tensions that arise when such communities come face to face with the complex institutions responsible for enforcing the law. The result of these tensions is a narrative worthy of Kafka, in which a doorway to justice is opened for the sole purpose of demonstrating that no one can pass through it.

This animated documentary about the vision of the Colombia war by displaced children using their original drawings and their testimonies.

A musician travels a great distance to return an instrument to his elderly teacher.

A Colombian refugee tries to rebuild her life at a guest house located on the shores of a great lake in the Andes.

PATIENT is the word used for those following medical instructions or for the moment we need to calmly wait. Colombia is a country where the inclement Health System obligates its users to confront absurd bureaucratic obstacles for them to obtain service. A PATIENT is not only the person who suffers an illness hoping for recovery but also the person who provides personal care to the ill, fighting daily to warrantee what's needed for his or her loved one. Nubia is a PATIENT, a mother head of family, that regardless the fear of loosing her daughter from a cancer, she manages to firmly overcome the labyrinths established by the Health System procedures, which are the only hope for her daughter.

Eric, 10, finds himself almost overnight living with Gabriel, his father, who he barely knows. The man has trouble keeping their heads above water and building a relationship with his son. Maria Isabel, the woman Gabriel works for as a carpenter, decides to take the child under her wing.

Ciro Galindo was born on August 29th, 1952 in Colombia. Wherever he's gone, war has found him. After twenty years of friendship, I understood Ciro 's life sums up Colombia's history. As so many Colombians he is a survivor, who has run away from war for more than sixty years, and now dreams of living in peace. "Ciro and Me" is a journey to memory, seeking to give sorrow words; a journey, similar to that of Colombia in times of peace, in search to recover its dignity.

In Colombia, from the second half of the nineteenth century, two political parties; The traditional liberal and conservative ¸ fought a series of civil wars for almost one hundred years of bloodshed in the country. The last of these To know as "La Violencia" ¸ began following the assassination of popular leader Jorge Eliecer Gaitan ¸ The April 9, 1948. That day began a dark period that lasted a decade in which met the key role hired murderers ¸ called "Pajaros" ¸ such as Leon Maria Lozano ¸ The most notorious of all. "The Condor."

Camilo, Mechas, Manu, Ana and Pipa are five friends going through that blended trance of intense unrest, astonishment, contained tenderness and manifested rage that is typical of the end of adolescence. They survive at the edges of a city, Medellin, that simultaneously attracts and excludes them, that lure them with promises but rejects them with hostility. Nevertheless, they want to embrace the city and fight against its logics of fear. Music, street art and friendship are their weapons of resistance, hoping for a rite of passage that could transform them into someone else.

Love is an animal capable of adapting to the most arid mountain of hatred

13-year-old Monica leads a street life, making her living by selling flowers to couples in local nightspots, she is joined by 10-year-old Andrea who runs out of her house after her mother beats her.

Colombia 1920's. The country receives compensation for the separation of Panama and is open to foreign credit to undertake major development works. Growing mass of workers but not improve their conditions as still subject to the place since colonial times. The climate is more conducive to that industrial strife and the emergence of leaders who are: Maria Cano was one of the Highlights. His work on behalf of the workers were also given for the woman confronted the powerful toured the country and raided the literature. She and her colleagues do this story.

What seemed like a promising young artist, Tito Lombana, and the romance with an intelligent Italian liberal, begins to drape itself in shadows.

Manrique is the man in charge of watching an abandoned salt mine located in a recondite place of the Colombian Caribbean. In his work he has found the perfect excuse to isolate himself from a world that does not appeal to him anymore. Nevertheless, the unusual appearance of a dog that likes to chase fireflies in the dark, and the unexpected arrival of Valeria, a thirteen years old daughter whose existence he ignore, will allow this solitary man an opportunity to recover the joy of being alive.

A man is released from prison, and after 18 years, returns to his "pueblo" (village). But in this village, time, in many ways, has stood still. The time served by Juan complied with the court's justice, but not with some villagers. There are some who still seek true justice.

A desperate fisherman and a naive young man embark on a dangerous journey trafficking drugs up the Pacific coast of Colombia. Hidden beneath the waves, they tow a narco-torpedo filled with millions of dollars worth of cocaine. Together they must brave the war-torn region while navigating the growing tension between them.

Every day, in the maternity rooms of the public hospitals of Bogota, hundreds of women give birth. Case to case, childbirth to childbirth, a social reality is revealed after every individual situation.

The struggles of the community of the Coconuco indigenous reservation in Cauca, which by the eighteenth-century royal card is entitled to 10,000 hectares, and in 1971 it barely has 1,500.

In a motel room in Cali, different people arrive with their own lives on their backs, finding a short rest. These people have no intention of leaving anything behind but there is something left from them printed on the soul of this place.

This is the story of Val and Clare: a mother and a daughter. After the tragic death of her eldest daughter, Val left her kids and family behind and escaped into the Colombian jungle in order to search for her identity. Clare was only 11 years old when her mother left and couldn't understand what she was looking for. A son who became an addict, three break-ups and a fractured family remained behind. Now Clare is pregnant and decides to confront her mother, heal the wounds of the past and try to define motherhood on her own terms. Together they go on an intimate journey exploring the boundaries between responsibility and freedom, the power of love and the meaning of family.

The teacher and the butcher of a small town in the tropical Andes, are both in love with the same woman (Miriam). They decide to duel for her. Everyone in town catch the notice, except of course for Miriam. The Mayor then decides to manipulate the event to make it political.

Tomas, an Afro-Colombian teenager who fled the country's Pacific coast pushed out by the war, faces the difficulties of growing up in a city of exclusion and racism. When Jairo, his younger brother and closest friend disappears, Tomas plunges into the streets of the city. His search becomes an initiatory journey that compels him to face his past and to leave aside the influence of his brothers in order to find his own identity. Through this journey, Tomas reveals a unique perspective of a vibrant and unstable city that, like Tomas, stands on the threshold between what once was and what might be.

One day, three men, three different settings, the all-pervading violence that envelopes Colombia their inexorable connective tissue.