Bangla

Mahendra Kumar Choudhuri, the middle prince of the Bhawal Estate (also known as the Bikrampur Estate), was affected by syphilis and was taken to Darjeeling for treatment along with his wife, Chandrabati Devi, brother-in-law, Satya, and a family doctor, Ashwini. He apparently died in Darjeeling and was cremated there as well. After 12 years, a Sanyasi shows up at the estate, arousing people's curiosity and leading to a rumour that he is the lost prince of the Bikrampur Estate.

Four famous directors and old friends are reunited together by an unknown producer to make a film. They make four short story in this film with one theme: Death.

The life and notable works of Anthony Firingee, a 19th-century Bengali-language folk-poet of Portuguese origin. The time frame of the storyline jumps between two different time periods: the 19th century and the present day.

The plot revolves around a man who runs a school called "Hemlock Society" which teaches aspirants how to successfully commit suicide. He develops a bond with one of its students, Meghna (Koel), a depressed and dejected woman, and what follows is an unforgettable and life-changing journey for both.

The plot revolves around three lives - a superstar, a young director and a theatre actress - and how their coming together during the process of making a film, changes them forever. The film is also a humble tribute to Satyajit Ray's Nayak.

A modern day adaptation of two of William Shakespeare's tragedies - Julius Caesar and Antony and Cleopatra.

An ex-cop is hired to track down a serial killer who carries out his killings according to Bengali poetry.

A gifted make-up artist gets entangled up in a world of crime with a psychopathic vigilante.

A web of secrets, deceits, games, and lies - and three human beings caught up in a dangerous tangle of love, lust, and passion.

To Ritwik Ghatak film was not merely a form of entertainment, but a weapon, a medium to portray struggle of common men. He was successful neither in his career nor he could he become a good family man or husband. Still he was an artist who never compromised for personal gain, fame or profit. The story of the film starts in 1969 and deals with Ritwik Ghatak's time spent in a mental asylum. It shows Nilkantha being admitted to mental asylum under the supervision of Doctor S. P. Mukherjee. S. P. Mukherjee learns that the Prime Minister of India knows Nilkantha and is fond of his works and may request the hospital authority to take special care of him. In the hospital a police officer sees Nilkantha and tells Doctor Mukherjee that he is a wasted drunkard. Another patient of hospital mocks Nilkantha as "disgraced intellectual". Even he was undergoing treatment in the hospitals, he writes a play and stages it with other asylum patients. The film shows how Durga (Nilkantha's wife) wants to leave him saying "separation is essential". Nilkantha witnessed partition of Bengal and its devastating effect and in his youth became attracted towards communism. Throughout the film Nilkantha's mental agony, struggles, inner contradictions, disappointments as well as financial troubles faced by him are shown. He clearly tells, it is not possible for him to make entertaining or commercial films. During a discussion Nilkantha asks Doctor Mukherjee that should a man perfome mujra at a time when the society is burning? He also tells Doctor Mukherjee that he is a "people's artist" and that is his job. The film also shows the atmosphere of Bengal during Tebhaga and Naxalite movements. A scene has been shown in the film where a book named "How to be a good communist?" is burning. This scene symbolises Ghatak's dissatisfaction with India's communist politics. When Durga tells Nilkantha that they don't have a single rupee to run the family, Nilkantha readily replies, it is not money but it is one's work which will remain forever.

Uma, a child suffering from a terminal illness, wishes to see Durga Pooja held in Kolkata. Her father, along with a director, struggles to create a fake Durga Pooja to make her dreams come true.

The story narrates three adult boy's life from three different background.

A heartwarming collage of inter-connected love stories, Ahare Mon is a romantic drama that revolves around people who are otherwise forbidden to fall in love.

A story following the life of Ranu (Joya Ahsan) and her paranormal powers. She goes to psychiatrist Misir Ali (Chanchal Chowdhury) to find an answer to all her questions.

Maacher Jhol is a heartwarming tale of a world renowned master-chef returning to his roots through a bowl of fish curry, the quintessential Bengali delicacy.

The relationship between Arjun and his wife Bonya seems normal, till he feels a curse which leads them to drift apart.

After facing multiple rejections in matrimony, Tuku agrees to learn knitting when insisted by a prospective mother-in-law, only to rediscover her life and relationships.

Pramit, an independent filmmaker who is yet to experience the spell of love in his otherwise not-so exciting life, starts shooting a documentary film on love. His exploration leads him to the baffling knowledge of an unforetold mysterious village, existent on what is believed to be the threshold of reality and fantasy. If anyone ever reaches there, stumbling upon a series of coincidences, cannot steer clear of the cupid's arrow, and readily falls in love. Pramit, along with his cameraperson starts looking for the village and subsequently passes through a succession of events which can be termed nothing but magical! Love, with all its colours - sublime as well as physical - doesn't fail to come his way too, or, does it really?

Kichhhu Sanlap Kichhu Pralap is a 1999 Indian Bengali drama film directed and produced by Ashoke Viswanathan, starting Ashoke Viswanathan, Sanjiban Guha and Nandini Ghosal in the lead roles. The screenplay was written by Ashoke Viswanathan collaboratively with Shankar Bhaterjee, Prhalad Chattopadhay and Mrinmoy Nandi.

Impoverished priest Harihar Ray, dreaming of a better life for himself and his family, leaves his rural Bengal village in search of work.

Following his father's death, a boy leaves home to study in Calcutta, while his mother must face a life alone.

This final installment in Satyajit Ray's Apu Trilogy follows Apu's life as an orphaned adult aspiring to be a writer.

As the lives of rich and poor passengers aboard a steamship unfold, buried secrets, lustful affairs and selfish desires are exposed.

A housemaid is killed by a local landlord's son. His servant takes the blame for the murder, to save the landlord's mentally ill son and is marooned in an island named Monpura. There the servant comes across a fisherman's daughter.

A struggling actor becomes a professional impostor, hired to impersonate people for financial gain, but as he delves deeper into his work he becomes embroiled in trouble that threatens to unravel his life.