Daniel Promin
Daniel Promin is a sculptor, a classic representative of the naive art in United States.
Born in 1973 in Brookly, Promin started creating his artwork during his study at the Rhode Island School of art back in the mid 90s.
His preoccupation with existential problems of the peasants, mountaineers, miners, is visible in the sculpture of exceptional expressive power achieved by specific embodiment, expressive, more strongly shock ax into a tree rather than a chisel of the sculptor.
Driven by his powerful instinct, Daniel Promin with his robust nature, rustic wood processing, is transmitting all the raw energy in a wooden mass, stressing the dominant force of man - the mountaineers, who kidnaps the nature of the struggle for survival.
The artist exercise and frees the thought and not the story, hence the intensity of expressiveness in the process of cuts, swift, capricious. Deeper, a sudden, unexpected notch in the wood creates a dynamic light effects that play of light and shadow throughout the work an extra dimension. The artist's action, instinct rather than artistic intent. Therefore, Promin thought of raw, unprocessed or direct, suggestive, sometimes schematic or data intensive and settled.
Born in 1973 in Brookly, Promin started creating his artwork during his study at the Rhode Island School of art back in the mid 90s.
His preoccupation with existential problems of the peasants, mountaineers, miners, is visible in the sculpture of exceptional expressive power achieved by specific embodiment, expressive, more strongly shock ax into a tree rather than a chisel of the sculptor.
Driven by his powerful instinct, Daniel Promin with his robust nature, rustic wood processing, is transmitting all the raw energy in a wooden mass, stressing the dominant force of man - the mountaineers, who kidnaps the nature of the struggle for survival.
The artist exercise and frees the thought and not the story, hence the intensity of expressiveness in the process of cuts, swift, capricious. Deeper, a sudden, unexpected notch in the wood creates a dynamic light effects that play of light and shadow throughout the work an extra dimension. The artist's action, instinct rather than artistic intent. Therefore, Promin thought of raw, unprocessed or direct, suggestive, sometimes schematic or data intensive and settled.
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