JEAN LUC GODARD - DZIGA VERTOV

A small-time crook, hunted by the authorities for a car theft and the murder of a police officer, attempts to persuade a hip American journalism student to run away with him to Italy.

Pierrot escapes his boring society and travels from Paris to the Mediterranean Sea with Marianne, a girl chased by hit-men from Algeria. They lead an unorthodox life, always on the run.

An agent wrecks the main computer on another planet.

Two crooks with a fondness for old Hollywood B-movies convince a languages student to help them commit a robbery.

Twelve episodic tales in the life of a Parisian woman and her slow descent into prostitution.

A surreal tale of a married couple going on a road trip to visit the wife's parents with the intention of killing them for the inheritance.

A small group of French students are studying Mao, trying to find out their position in the world and how to change the world to a Maoistic community using terrorism.

How do we learn? What do we know? Night after night, not long before dawn, two young adults, Patricia and Emile, meet on a sound stage to discuss learning, discourse, and the path to revolution. Scenes of Paris's student revolt, the Vietnam War, and other events of the late 1960s, along with posters, photographs, and cartoons, are backdrops to their words. Words themselves are often Patricia and Emile's subject, as are images, sounds, and juxtapositions. In addition to the two characters' musings, the soundtrack includes narration, music, news clips, and noise. The result is a montage, a meditation, a reflection on ideas and how words and images mix - and how filmmaking is a path.

A silent, surreal parallel between a couple and a dog.

Godard examines the structure of movies, relationships and revolutions through the life of a couple in Paris.

Five short stories with contemporary settings. In New York, people are indifferent to derelicts sleeping on sidewalks, to a woman's assault in front of an apartment building, and to a couple injured in a car crash. A man, stripped of his identity, dies in bed with actors expressing his agony. A cheerful, innocent young man walking a city street in a time of war pays a price for this innocence. A couple talks about cinema while they watch another couple talk of love and truth on the eve of one character's return to Cuba. Striking students take over a university classroom; an argument follows about revolution or incremental change.

The passengers on a Mediterranean cruise enjoy their luxuries as a small family struggles with overbearing media attention.

The film reveals how and why a supposedly revolutionary Italian girl has in fact fallen prey to bourgeois ideology.

During the Algerian War, a man and woman from opposing sides fall in love with one another.

An exotic dancer is desperate to become a mother and accepts her reluctant boyfriend's suggestion that she be impregnated by his best friend.

In the near future, leftist writer Paula goes from Paris to the French town of Atlantic-Cité when she learns of the death of a former colleague and lover, Richard P. Is she there to investigate? On the surface, faces are beautiful, colors bright, clothes trendy. Beneath, little is clear: some talk to Paula as if she's Alice in Wonderland, corpses pile up, and ideological struggles insert themselves. A murder victim's nephew and a political party's hired hands hover around Paula. Is obscuring things her goal or is it life that's obscure?

An examination of the daily routine at a British auto factory assembly line, set against class-conflict and The Communist Manifesto.

Nothing but silence. Nothing but a revolutionary song. A story in five chapters like the five fingers of a hand.

The movie incorporates footage of fedayeens taken for an aborted pro-Palestinian film which had been abandoned when subjects were killed. Here and Elsewhere takes its name from the footage it shows of the fedayeens and of a French family.

A French writer's marriage deteriorates while working on Fritz Lang's version of "The Odyssey", as his wife accuses him of using her to court favor with the film's brash American producer.

The author of the official spot of the 22nd Ji.hlava IDFF 2018 is the renowned Swiss/French New Wave director Jean-Luc Godard.

A woman involved with a terrorist group becomes dangerously close to the police officer guarding the bank they plan to rob.

Characterized by deconstructivism and philosophical references and by briefly exposing the good, bad, and ugly periods of the country's history, this post-modern film portrays the abstract need for guidance of Germany following the fall of the Berlin Wall.

A romance between young Parisians, shown through a series of vignettes.

A jilted man (Jean-Paul Belmondo) rants at his mostly silent former lover (Anne Collette).