Condor's Nest promises us a trip across South America on an old-fashioned Nazi-hunting adventure and in spite of some deficiencies it delivers.
We're thrown into war-torn Europe in the film's opening scene, as the story's protagonist, Will Spalding, watches German colonel Martin Bach (Arnold Vosloo, more on that in a moment) gun down his entire platoon. Through an act of cowardice, Will alone survives.
Jump ten years later to Argentina and Will's killing runaway Nazis left and right, all in pursuit of that same Martin Bach. Enter an Israeli spy and a two-faced atomic scientist and things get complicated quick, a shaky alliance between the three culminating in a raid on a neo-Nazi fortress know as the Condor's Nest.
There's a lot of good things about this movie. It's well-paced, visually expansive, and its various arcs are compelling, if uninventive. There's even a few great things about it: its lead ensemble (Jacob Keohane, Al Pagano, Corinne Britti) is an absolute joy to watch, and Arnold Vosloo brings an incredible amount of presence to the role of the heavy. Add to that the movie's many notable character actors, from Michael Ironside to James Urbaniak, who help drive along the plot.
The bad? Well, it just wasn't terribly inventive. It's a stylized thriller that doesn't attempt to break any new ground. It could've been an 80's World War Two movie. And that's not a bad thing - in fact, I believe it's a strength - but if you're looking for something totally original you won't find it here.
