Un dottore specializzato nel paranormale, una sua collega e un ex poliziotto decidono di investigare una serie di strani eventi in un quartiere di Buenos Aires.Un dottore specializzato nel paranormale, una sua collega e un ex poliziotto decidono di investigare una serie di strani eventi in un quartiere di Buenos Aires.Un dottore specializzato nel paranormale, una sua collega e un ex poliziotto decidono di investigare una serie di strani eventi in un quartiere di Buenos Aires.
- Premi
- 3 vittorie e 8 candidature
Maximiliano Ghione
- Comisario Funes
- (as Maxi Ghione)
George L. Lewis
- Rosentock
- (as George Lewis)
Natalia Señorales
- Clara
- (as Natalia Señoriales)
Fernando Díaz
- Razzioni
- (as Fernando Diaz)
Fabián Forte
- Enfermero Fulero
- (as Fabian Forte)
Trama
Lo sapevi?
- QuizWhen Juan mentions to Clara that the dog they ran over turned up to be alive, he says that the animal was like 'Highlander'. This is a metaphor for "eternal", much like the character from the film Highlander - L'ultimo immortale (1986).
- BlooperAt 13m 45s when Walter lays back onto his bed, a boom mic becomes visible in the reflection of the mirror behind him.
- Citazioni
Comisario Funes: Don't ever turn off the lights again.
- ConnessioniFeatured in Cineficción Radio: Horror cósmico (2020)
Recensione in evidenza
'Terrified (2017)' is a film that focuses wholly on its scares, to the point that it actually sort of shoots itself in the foot a little. What I mean is that everything other than its horror is so barebones that it's actually difficult to care about, or even remember, anything that's going on. Though the scary sequences are truly well achieved, they don't have nearly as much impact as they could have if the flick's other elements weren't neglected as much as they are. The picture has a protagonist problem that sees the audience bounce about from person to person for far too long before settling on someone who finally feels like (at least in retrospect) a 'main character'. This is just one of the factors that adds up to that 'narrative neglect' I mentioned earlier. The others include a general lack of structure, a pace that's almost too fast (if there is such a thing) and a few story points that don't quite line up with the otherworldly explanation offered towards the end. It probably sounds like I don't like the picture, but that isn't true. It's entertaining enough in the moment and it has a strong atmosphere. Plus, (as I've mentioned already) it has more than a handful of genuinely high-calibre scares and it never takes the easy, 'cattle prod' approach even though there are more than enough jump scares throughout (including one of the best, most earned shocks I've recently seen). Despite its issues, the film isn't bad at all. The trouble is that it's really, really forgettable. Still, it's arguable that good experiences are worth having even if you don't remember them. If you want some top-notch horror, that's certainly the case here. 6/10.
- Pjtaylor-96-138044
- 3 ago 2021
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Dettagli
Botteghino
- Lordo in tutto il mondo
- 367.173 USD
- Tempo di esecuzione1 ora 27 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.39:1
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