VALUTAZIONE IMDb
7,3/10
56.685
LA TUA VALUTAZIONE
Film drammatico basato su fatti realmente accaduti durante gli scontri di Detroit del 1967, nei quali un gruppo di poliziotti risponde alle rimostranze con brutalità piuttosto che con giusti... Leggi tuttoFilm drammatico basato su fatti realmente accaduti durante gli scontri di Detroit del 1967, nei quali un gruppo di poliziotti risponde alle rimostranze con brutalità piuttosto che con giustizia.Film drammatico basato su fatti realmente accaduti durante gli scontri di Detroit del 1967, nei quali un gruppo di poliziotti risponde alle rimostranze con brutalità piuttosto che con giustizia.
- Regia
- Sceneggiatura
- Star
- Premi
- 4 vittorie e 21 candidature
Joshua Olumide
- Dave
- (as Tokunbo Joshua Olumide)
Trama
Lo sapevi?
- QuizUsing a style she first adopted with The Hurt Locker (2008), director Kathryn Bigelow deployed three or four cameras at a time, keeping them in constant motion around the actors. Bigelow preferred to light the entire set to give the performers more flexibility to move around. She didn't block a scene for the camera by plotting out a series of close-ups and wide shots, instead filming everything in a few takes to keep the emotions as raw as possible. "After two or three takes, I have it," she said.
- BlooperThe telephones in the hotel rooms and elsewhere have handsets with modular connectors and flexible cords. Phones like that weren't available nationwide until the 1970s, but they were available in Detroit in 1961.
- Curiosità sui creditiBefore end credits: "The facts around the murders at the Algiers Motel on July 25th, 1967 were never conclusively established in a criminal proceeding. As a result, portions of this film were constructed and dramatized based on the recollections of the participants and available documents."
- Colonne sonore(I Know) I'm Losing You
Written by Cornelius Grant, Eddie Holland (as Edward Holland Jr.) and Norman Whitfield
Performed by The Temptations
Courtesy of Motown Records
Under license from Universal Music Enteprises
Recensione in evidenza
Director Katheryn Bigelow does a wonderful job of creating a great deal of tension. She does so by cutting from one tightly framed slightly wobbly shot to the next. Each character's face floods nearly the entire screen after each of these cuts. This makes the movie deeply personal and almost claustrophobic at times. The slight wobbles of the camera as it focuses on a face, adds to the uneasiness and unstable nature of the situation.
What I'm saying is the movie is expertly directed. That's evident early on and remains that way throughout. The issue holding this movie back from becoming one of serious best picture caliber is the writing. The story felt a bit underdeveloped.
The brief on-screen text explanation of the tension between the Detroit Police and the city's black residents could have served as a helpful addition to a setup that followed in the movie. I would have had no problem with that. But after the movie plays for 20 minutes or so, I realized that the text was the sole source of setup.
That's a classic case of telling instead of showing. Movies are a video medium. Use that. Don't casually display the text on screen. This choice may have been made for the sake of time, but I think the filmmakers would have been wise to focus more on the setup aspect. The text explanation felt like an inconsiderate means of storytelling.
After the opening text, the movie meanders for a while, eventually introducing the key characters and providing an appetizer of their personalities, foreshadowing their upcoming behavior.
Moments like these showcased strengths in the writing. The writing did not completely ruin the movie; it simply was not an Oscar-contending performance, like Bigelow's work.
The movie overall is well made, thanks in large part to Bigelow's deft direction, but it's not without flaws. One that I already mentioned is that I wanted the actual movie (not solely text) to better set the stage of this city that's on the verge of riot.
The second criticism ties into the first. Because of the lack of stage setting, this becomes a movie that expertly depicts the what, but fails to fully deliver on the why.
I see the riots. I see the emotional toll that police misconduct had on the abused citizens. I see the guilt that certain uniformed personnel felt for standing by and allowing the abuse to take place. What I didn't see enough of is why all this happened. I wanted a more personal detailing of what led up to the night shown in the movie. The actions are clear and powerful, but the motivations are vague and weak.
I came away from the movie wondering what message the filmmakers hoped to convey. While the title is Detroit, the story has a much narrower focus. Were the clear majority of Detroit City Police Officers upstanding in their behavior, with only a few tragic bad apples? Given the choice focus on only a few officers and a select group of citizens, should I assume that these officers' misconduct was the norm or the exception?
Perhaps it was not the filmmakers' intent to answer these questions. Maybe they only wanted to tell this specific story, without greater implications, which is fine. I just personally wanted to see a broader depiction of the city's atmosphere leading up to, during, and following the riots.
What I'm saying is the movie is expertly directed. That's evident early on and remains that way throughout. The issue holding this movie back from becoming one of serious best picture caliber is the writing. The story felt a bit underdeveloped.
The brief on-screen text explanation of the tension between the Detroit Police and the city's black residents could have served as a helpful addition to a setup that followed in the movie. I would have had no problem with that. But after the movie plays for 20 minutes or so, I realized that the text was the sole source of setup.
That's a classic case of telling instead of showing. Movies are a video medium. Use that. Don't casually display the text on screen. This choice may have been made for the sake of time, but I think the filmmakers would have been wise to focus more on the setup aspect. The text explanation felt like an inconsiderate means of storytelling.
After the opening text, the movie meanders for a while, eventually introducing the key characters and providing an appetizer of their personalities, foreshadowing their upcoming behavior.
Moments like these showcased strengths in the writing. The writing did not completely ruin the movie; it simply was not an Oscar-contending performance, like Bigelow's work.
The movie overall is well made, thanks in large part to Bigelow's deft direction, but it's not without flaws. One that I already mentioned is that I wanted the actual movie (not solely text) to better set the stage of this city that's on the verge of riot.
The second criticism ties into the first. Because of the lack of stage setting, this becomes a movie that expertly depicts the what, but fails to fully deliver on the why.
I see the riots. I see the emotional toll that police misconduct had on the abused citizens. I see the guilt that certain uniformed personnel felt for standing by and allowing the abuse to take place. What I didn't see enough of is why all this happened. I wanted a more personal detailing of what led up to the night shown in the movie. The actions are clear and powerful, but the motivations are vague and weak.
I came away from the movie wondering what message the filmmakers hoped to convey. While the title is Detroit, the story has a much narrower focus. Were the clear majority of Detroit City Police Officers upstanding in their behavior, with only a few tragic bad apples? Given the choice focus on only a few officers and a select group of citizens, should I assume that these officers' misconduct was the norm or the exception?
Perhaps it was not the filmmakers' intent to answer these questions. Maybe they only wanted to tell this specific story, without greater implications, which is fine. I just personally wanted to see a broader depiction of the city's atmosphere leading up to, during, and following the riots.
- Jared_Andrews
- 9 ago 2017
- Permalink
I più visti
Accedi per valutare e creare un elenco di titoli salvati per ottenere consigli personalizzati
- How long is Detroit?Powered by Alexa
Dettagli
- Data di uscita
- Paese di origine
- Siti ufficiali
- Lingua
- Celebre anche come
- Детройт
- Luoghi delle riprese
- Detroit, Michigan, Stati Uniti(Detroit Police Station 10th Precinct)
- Aziende produttrici
- Vedi altri crediti dell’azienda su IMDbPro
Botteghino
- Budget
- 34.000.000 USD (previsto)
- Lordo Stati Uniti e Canada
- 16.790.139 USD
- Fine settimana di apertura Stati Uniti e Canada
- 350.190 USD
- 30 lug 2017
- Lordo in tutto il mondo
- 23.355.100 USD
- Tempo di esecuzione2 ore 23 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
Contribuisci a questa pagina
Suggerisci una modifica o aggiungi i contenuti mancanti