Fai bei sogni

Perhaps only a director who has lived as long as Marco Bellocchio could tackle the subjects of death and grief with the degree of empathy that's shown here. A young boy, Massimo, is devastated by the sudden death of his mother; years later, as a man, he must try to come to terms with his grief. "Sweet Dreams" is, indeed, an old man's film; there is a lifetime of observation and affection on view. This isn't the kind of film the enfant terrible that Bellocchio once was might have made but a slow, measured, grown-up and deeply moving view of childhood and what lies beyond and as the very young Massimo, Nicolo Cabras is quite extraordinary, (as the adult Massimo, Valerio Mastandrea is also outstanding in what really is a superb ensemble). It's also a decidedly old-fashioned film; there is nothing ostentatious about it. It is a film full of memories but they aren't handled in the tricksy fashion of so many younger directors. Indeed, this is the equal of anything in the director's canon and if we are speaking of late masterpieces this is certainly one. It really shouldn't be missed.