Un burattino prende vita da una fata, che gli affida una vita virtuosa per diventare un vero ragazzo.Un burattino prende vita da una fata, che gli affida una vita virtuosa per diventare un vero ragazzo.Un burattino prende vita da una fata, che gli affida una vita virtuosa per diventare un vero ragazzo.
- Premi
- 1 vittoria e 13 candidature
Lorraine Bracco
- Sofia
- (voce)
Giuseppe Battiston
- Stromboli
- (as Guiseppe Battiston)
Jaquita Ta'le
- Sabina
- (voce)
Trama
Lo sapevi?
- QuizGeppetto's cuckoo clocks are a collection of Disney characters: Woody and his horse Bullseye from the Toy Story series (starring Tom Hanks) Donald Duck, Roger Rabbit and his wife Jessica kissing (from Robert Zemeckis's previous film Chi ha incastrato Roger Rabbit (1988)) Archimedes the Owl (from La spada nella roccia (1963)), The Lion King (1994), Princess Aurora and Maleficent from La bella addormentata nel bosco (1959), Dumbo (1941), Snow White and the Seven Dwarfs (1937). The remaining clocks recreate those seen in the original Pinocchio (1940).
- BlooperWhen Pinocchio is locked in a cage, he lies to Jiminy Cricket. In one part, he tells Jiminy Cricket he wanted to go to school, which is actually true because he wanted to try out school earlier in the film, despite telling part of the truth, but his nose still grows anyways.
- Curiosità sui creditiIn the beginning, Jiminy Cricket floats by the Disney logo, singing along to the "When You Wish Upon a Star" fanfare, and opens the film.
At the end of the film, Jiminy Cricket flies away.
- ConnessioniFeatured in AniMat's Crazy Cartoon Cast: Remembering Stephen Hillenburg (2018)
Recensione in evidenza
Robert Zemeckis is a filmmaker responsible for some of the most colorful, ambitious, and uniquely fanciful films of all time. While his Pinocchio remake is certainly not entirely without its effective moments of visual splendor, it pains me to say that he has continued the trend of live-action Disney remakes that somehow manage to take everything about the original and make it significantly worse.
Every character and setting in this is less expressive and vibrant than it was in 1940, completely draining them of the personality and emotional resonance that once made them so memorable and beautiful.
The voice performances are lacklustre, to say the least. Every line of dialogue from Jiminy and Pinocchio is delivered with the exact same tone of voice. There is no variety to emotions, so the stakes are never clear.
Monstro the whale is not built up at all in this version, so any sense that he is a feared, menacing presence is gone. The tension is nonexistent in the finale. The story's other villainous characters are equally disappointing, coming across as goofy and incompetent rather than calculating and manipulative.
Worst of all, there are some narrative changes made in this version, and all of them make the themes of consequence and repentance lose their meaning and weight.
In this film, Pinocchio never has any moments when he learns the negative consequences of lying, stealing, and self-indulgence like he did in the original. He seems to know these things from the get-go, and he only finds himself in the marionette show and on pleasure island because of circumstance rather than by deliberate choice.
Outside of a couple of visually creative scenes, this is a shallow, soulless copy of a once-profound story. Not to mention that it comes across as insultingly disingenuous, as we all know quite well that Disney executives today don't actually know or care about the difference between right and wrong.
Every character and setting in this is less expressive and vibrant than it was in 1940, completely draining them of the personality and emotional resonance that once made them so memorable and beautiful.
The voice performances are lacklustre, to say the least. Every line of dialogue from Jiminy and Pinocchio is delivered with the exact same tone of voice. There is no variety to emotions, so the stakes are never clear.
Monstro the whale is not built up at all in this version, so any sense that he is a feared, menacing presence is gone. The tension is nonexistent in the finale. The story's other villainous characters are equally disappointing, coming across as goofy and incompetent rather than calculating and manipulative.
Worst of all, there are some narrative changes made in this version, and all of them make the themes of consequence and repentance lose their meaning and weight.
In this film, Pinocchio never has any moments when he learns the negative consequences of lying, stealing, and self-indulgence like he did in the original. He seems to know these things from the get-go, and he only finds himself in the marionette show and on pleasure island because of circumstance rather than by deliberate choice.
Outside of a couple of visually creative scenes, this is a shallow, soulless copy of a once-profound story. Not to mention that it comes across as insultingly disingenuous, as we all know quite well that Disney executives today don't actually know or care about the difference between right and wrong.
- benjaminskylerhill
- 7 set 2022
- Permalink
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Dettagli
Botteghino
- Budget
- 150.000.000 USD (previsto)
- Lordo in tutto il mondo
- 33.731 USD
- Tempo di esecuzione1 ora 45 minuti
- Colore
- Mix di suoni
- Proporzioni
- 1.85 : 1
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