Due giorni, una notte

The heart of this film does not lie in the simple plot, but in the portrayal of a woman, and her family, struggling with depression and the prospect of losing everything.

After coming out the other side of an apparently lengthy battle with depression, Sandra (Cotillard) faces the prospect of losing her job if she cannot convince the majority of her colleagues to forgo a €1,000 bonus in favour of her staying with the company. One by one, she reaches out the her co-workers in the hope that she can convince them to vote for her to stay. On the whole, it is not these interactions that steal the show, but Sandra's own personal struggles with having to ask. The guilt she feels, pleading with people to give up money that most of them desperately need in order for her to keep a job she's not been at for months, coupled with her on-going struggles with depression and her own demons. Cotillard's performance is exceptional throughout, her frustration and upset so believable that it's easy to forget that this an actress playing a role. Anyone who has been affected by depression, either personally or indirectly, will find large portions of the film relatable and harrowing.

A strong supporting cast and a truly moving script complete this understated gem of a movie.