Independent film The Canal smartly produces a slow-paced psychological horror that interesting imagines a new take on the haunting genre.
Ivan Kavanagh is the brainchild behind this original and brilliantly conceived film. The Canal is more atmospheric than most horror films currently being produced and very psychological with a horrific twist. The slow paced groundwork is eerie and unsettling but expertly done. The characters and smart and savvy in trying discern reality from imagination, or worse, supernatural occurrences.
The beginning scenes of The Canal are deliberately jumpy, adding to the confusion and anxiety the main character David experiences. A bit more clarity would have helped the film viewers experience the intended disorientation while avoiding pure confusion. I personally think the film was just a tad too slow in the beginning and Kavanagh will lose impatient movie watchers unsure of whether the investment will be worth it.
Without spoiling the ending, I thoroughly enjoyed it and it had me squirming and gasping. The Canal is a slow burn, with Kavanagh pacing the film so audience members are psychologically bewildered to savor the conclusive reveal.
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