VALUTAZIONE IMDb
4,1/10
1196
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaA Jewish family, that just arrived in a new neighborhood, are recording their youngest son's birthday celebrations on video when their home is suddenly invaded by a bunch of crystal-meth-cra... Leggi tuttoA Jewish family, that just arrived in a new neighborhood, are recording their youngest son's birthday celebrations on video when their home is suddenly invaded by a bunch of crystal-meth-crazed Neo-Nazi lunatics.A Jewish family, that just arrived in a new neighborhood, are recording their youngest son's birthday celebrations on video when their home is suddenly invaded by a bunch of crystal-meth-crazed Neo-Nazi lunatics.
- Premi
- 9 vittorie e 2 candidature
Trama
Lo sapevi?
- QuizThe British Board of Film Classification (BBFC) refused to issue a certificate to the film for a video-on-demand release. Writer-director James Cullen Bressack said: "As a Jewish man, and a victim of anti-Semitic hate, I made a horror film that depicts the very thing that haunts my dreams. As an artist I wanted to tell a story to remind us that we live in a dangerous world; a world where racial violence is on the rise. It saddens me to learn that censorship is still alive and well".
- ConnessioniFeatured in The Found Footage Phenomenon (2021)
Recensione in evidenza
Before I get into this one, I must admit, without any intention of comparing a film to another one that if there is something that gets me interested every damn time about film, are subjects such as the one in HATE CRIME. Racism, discrimination, human rights are all things exploited in movies such as the great SHINDLER'S LIST, A TIME TO KILL, and the extraordinary American HISTORY X. These films, for a reason or another all got me to my stomach and I haven't forgotten any of them since. And James Cullen Bressack's HATE CRIME qualifies as one of them. But, nope, scratch that part. Should it be different, HATE CRIME's far closer to a pure horror film than a Drama. Call me a pussy, call me too sensitive, at first I wasn't too sure if I should test myself with this film, but something inside me felt like I had to. So I took the red pill and watched it.
HATE CRIME is the story of a Jewish family. New to their neighborhood, they're about to celebrate their son's birthday. They want to immortalize the event on camera but soon after the party begins, a bunch of crazy, stoned neo Nazi lunatics storm in the house.
This is all I need to give away if you haven't seen the film yet and maybe intend to test yourself. The nightmare that follows starts within about the first 5 minutes of the film and it doesn't let go until the very end. Turning that film into a survival experience, in which a desperate family becomes hostage of a group of people that obviously hate them.
Most of the time, the visual style of HATE CRIME, which involves letting an actor run with the camera surprisingly serves the overall film pretty well with allowing the filmmaker to get as close as the action as he wants you to be and instead of making you feel for the sympathetic characters, just simply making you resent the fear, the anger, the cries and all the emotions storming inside the protagonists. HATE CRIME manages at times to challenge the viewer. I must admit that I've been tested on more than one occasion as this night which started as a quiet, birthday evening became such a fierce and crazy night of crimes beyond what I could have imagined. And that is why I won't spoil you in this review with much about the disaster that occurs but rest assure that pushing beyond the limits isn't something that this film shies away from, as I thought that only animal cruelty and abuse on child and women could happen to make me uncomfortable in horror films anymore.
There are very few weaknesses for this one that don't really bother the entire work. For instance, one of the masked assailants, the biggest one's voice will appear incredibly hard to hear clearly through his mask, making his dialogues hard to understand for the first minutes of the ordeal. But one can thank the need to take himself into such a horrific ride, or the will to see the protagonists' triumph, the film builds strength for itself that far exceed the little flaws. I felt like I must see this film and I did. This one is a rewarding piece of indie film overall. And I'm really looking forward into James Cullen Bressack's future in film as I'm looking to have the chance to see more of his past work. Including the intriguing: TO JENNIFER.
HATE CRIME is the story of a Jewish family. New to their neighborhood, they're about to celebrate their son's birthday. They want to immortalize the event on camera but soon after the party begins, a bunch of crazy, stoned neo Nazi lunatics storm in the house.
This is all I need to give away if you haven't seen the film yet and maybe intend to test yourself. The nightmare that follows starts within about the first 5 minutes of the film and it doesn't let go until the very end. Turning that film into a survival experience, in which a desperate family becomes hostage of a group of people that obviously hate them.
Most of the time, the visual style of HATE CRIME, which involves letting an actor run with the camera surprisingly serves the overall film pretty well with allowing the filmmaker to get as close as the action as he wants you to be and instead of making you feel for the sympathetic characters, just simply making you resent the fear, the anger, the cries and all the emotions storming inside the protagonists. HATE CRIME manages at times to challenge the viewer. I must admit that I've been tested on more than one occasion as this night which started as a quiet, birthday evening became such a fierce and crazy night of crimes beyond what I could have imagined. And that is why I won't spoil you in this review with much about the disaster that occurs but rest assure that pushing beyond the limits isn't something that this film shies away from, as I thought that only animal cruelty and abuse on child and women could happen to make me uncomfortable in horror films anymore.
There are very few weaknesses for this one that don't really bother the entire work. For instance, one of the masked assailants, the biggest one's voice will appear incredibly hard to hear clearly through his mask, making his dialogues hard to understand for the first minutes of the ordeal. But one can thank the need to take himself into such a horrific ride, or the will to see the protagonists' triumph, the film builds strength for itself that far exceed the little flaws. I felt like I must see this film and I did. This one is a rewarding piece of indie film overall. And I'm really looking forward into James Cullen Bressack's future in film as I'm looking to have the chance to see more of his past work. Including the intriguing: TO JENNIFER.
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Dettagli
- Data di uscita
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- Sito ufficiale
- Lingua
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- Преступление на почве ненависти
- Azienda produttrice
- Vedi altri crediti dell’azienda su IMDbPro
- Tempo di esecuzione1 ora 13 minuti
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