Una donna cerca di ritrovare la strada di casa con il suo neonato mentre una crisi ambientale sommerge Londra di acque alluvionali.Una donna cerca di ritrovare la strada di casa con il suo neonato mentre una crisi ambientale sommerge Londra di acque alluvionali.Una donna cerca di ritrovare la strada di casa con il suo neonato mentre una crisi ambientale sommerge Londra di acque alluvionali.
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Trama
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- QuizFollowing a number of stalking incidents, including one that allegedly occurred on the set, Jodie Comer was fearing for her own safety. Co-star and executive producer Benedict Cumberbatch recommended a bodyguard who had previously looked after him, and the producers took an extra effort to make sure that everyone on the set was safe.
- ConnessioniReferenced in Brad Tries Podcasting: Baby Takes Flight (2024)
- Colonne sonoreMission Desire
Performed by Jane Weaver
Written by Jane Weaver
Published by Heavenly Songs Ltd
Administered by Bucks Music Group Ltd
Courtesy of Finders Keepers Records Ltd
Recensione in evidenza
I knew almost nothing about "The End We Start From" when I booked my ticket, no trailer, no poster even, it just worked out timewise so I took the plunge. Whilst the performances were pretty good, I'm less convinced of the point of the actual story.
A couple (Jodie Comer and Joel Fry) have a baby, just as the UK is in the early stages of an ecological crisis. Months of ongoing rainfall leave much of the country underwater and make the low-lying towns and cities uninhabitable. They travel north, to the home of the parents of Fry's character (Mark Strong and Nina Sosanya) but as the rain continues to fall, their supplies dwindle, and the population slowly begins to get desperate.
I'd say I appreciated the film, more than I actually liked it. It's dragged along by another virtuosa performance from Jodie Comer, who is in virtually every scene. She's ably supported by Fry though, who abandons his usual comedic turns for something altogether more haunted. The really strong supporting cast also include roles for Katherine Waterston, Gina McKee and a cameo from Benedict Cumberbatch. It's a very British version of this sort of story and the scenes of London devastation brought to mind "28 Days Later". You can tell how serious things are becoming when we won't form an orderly queue for emergency supplies.
I'm not really sure what it was in service of though. I feel like there must be a bigger theme that I'm missing, I suspect that it's perhaps loss and coping mechanisms, as we're told later in the film that Comer's characters parents recently passed away, and she's not really dealt with it. Generally, the story feels like a largely unconnected series of vignettes though and it was, for me, lacking some moment of ultimate revelation. I wonder if, in the book, it's easier to tie a connection between the commune's decision to abandon life as it was, in comparison to her decision to have a baby as way of dealing with her parents' death. Maybe I'm way off though.
So, lots to admire about this, but not a whole lot to love and I can't imagine that I'll ever see the need to watch it again.
A couple (Jodie Comer and Joel Fry) have a baby, just as the UK is in the early stages of an ecological crisis. Months of ongoing rainfall leave much of the country underwater and make the low-lying towns and cities uninhabitable. They travel north, to the home of the parents of Fry's character (Mark Strong and Nina Sosanya) but as the rain continues to fall, their supplies dwindle, and the population slowly begins to get desperate.
I'd say I appreciated the film, more than I actually liked it. It's dragged along by another virtuosa performance from Jodie Comer, who is in virtually every scene. She's ably supported by Fry though, who abandons his usual comedic turns for something altogether more haunted. The really strong supporting cast also include roles for Katherine Waterston, Gina McKee and a cameo from Benedict Cumberbatch. It's a very British version of this sort of story and the scenes of London devastation brought to mind "28 Days Later". You can tell how serious things are becoming when we won't form an orderly queue for emergency supplies.
I'm not really sure what it was in service of though. I feel like there must be a bigger theme that I'm missing, I suspect that it's perhaps loss and coping mechanisms, as we're told later in the film that Comer's characters parents recently passed away, and she's not really dealt with it. Generally, the story feels like a largely unconnected series of vignettes though and it was, for me, lacking some moment of ultimate revelation. I wonder if, in the book, it's easier to tie a connection between the commune's decision to abandon life as it was, in comparison to her decision to have a baby as way of dealing with her parents' death. Maybe I'm way off though.
So, lots to admire about this, but not a whole lot to love and I can't imagine that I'll ever see the need to watch it again.
- southdavid
- 21 gen 2024
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Dettagli
Botteghino
- Budget
- 10.000.000 USD (previsto)
- Lordo in tutto il mondo
- 1.500.727 USD
- Tempo di esecuzione1 ora 42 minuti
- Colore
- Proporzioni
- 2.39 : 1
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