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3,7/10
1505
LA TUA VALUTAZIONE
Aggiungi una trama nella tua linguaThe story of one night on earth that changed everything we know about the universe.The story of one night on earth that changed everything we know about the universe.The story of one night on earth that changed everything we know about the universe.
- Premi
- 2 vittorie
Cat Hostick
- Heather
- (as Cathryn Hostick)
Dee Wallace
- Ashley Winnington-Ball
- (non citato nei titoli originali)
Trama
Lo sapevi?
- Blooper(at around 46 mins) The shackles are attached and the main "hose" is running next to Bill's arm. The hose disappears and reappears in subsequent shots.
- ConnessioniFeatured in Starfilm (2017)
Recensione in evidenza
The story of one night on earth that changed everything we know about the universe.
Right off the bat, you have to admire the great casting of Julian Richings ("Wrong Turn") as the sleepless, wiry man with a deep connection to extraterrestrials. His very presence is unnerving, and that is before he opens his mouth. Dee Wallace, a woman who needs no introduction, also appears uncredited and might draw in a few viewers.
There is a loose connection between "Ejecta" and "Pontypool", one of Canada's finest horror films, through the casting of Tony Burgess and Lisa Houle, who both appeared in that film. In fact, Burgess had written the original novel "Pontypool Changes Everything". Even Ari Millen has a strong genre background, appearing in the cheesy (but fun) "Monster Brawl" and the widely popular sci-fi series "Orphan Black".
No surprise, Burgess also wrote this script. Dread Central points out that "Burgess, never one to spoon feed you answers, slides in the subtext in an almost inconspicuous manner, compelling the viewer to truly think about what they just watched." This is true of both this film and "Pontypool", which makes Burgess among the better horror writers working today. He prefers the intelligent scare over the cheap jump, something that will keep his films remembered for years to come.
And also like "Pontypool", the scares are largely auditory and less visual. We know the story involves aliens, but we are left in the dark about how they appear. In "Pontypool", we had zombies, but they were always outside of the radio station and never in front of the camera. Does this trick work twice? Yes, it does.
The downside to this movie, however, is the low budget. Sometimes that can be helped, or worked around. The lack of aliens was a wise decision not just for storytelling but also to keep the budget down. But a few too many scenes look barren, or just lacking something, and this is where it does not quite hit the mark. Faulting a film for its budget may be unfair, but sadly that was the loose link.
This is still worth checking out if you enjoyed "Pontypool". And, by the way, if you have not seen "Pontypool", go out of your way to track down a copy now. One of the best horror films of the last decade in any country, hands down.
Right off the bat, you have to admire the great casting of Julian Richings ("Wrong Turn") as the sleepless, wiry man with a deep connection to extraterrestrials. His very presence is unnerving, and that is before he opens his mouth. Dee Wallace, a woman who needs no introduction, also appears uncredited and might draw in a few viewers.
There is a loose connection between "Ejecta" and "Pontypool", one of Canada's finest horror films, through the casting of Tony Burgess and Lisa Houle, who both appeared in that film. In fact, Burgess had written the original novel "Pontypool Changes Everything". Even Ari Millen has a strong genre background, appearing in the cheesy (but fun) "Monster Brawl" and the widely popular sci-fi series "Orphan Black".
No surprise, Burgess also wrote this script. Dread Central points out that "Burgess, never one to spoon feed you answers, slides in the subtext in an almost inconspicuous manner, compelling the viewer to truly think about what they just watched." This is true of both this film and "Pontypool", which makes Burgess among the better horror writers working today. He prefers the intelligent scare over the cheap jump, something that will keep his films remembered for years to come.
And also like "Pontypool", the scares are largely auditory and less visual. We know the story involves aliens, but we are left in the dark about how they appear. In "Pontypool", we had zombies, but they were always outside of the radio station and never in front of the camera. Does this trick work twice? Yes, it does.
The downside to this movie, however, is the low budget. Sometimes that can be helped, or worked around. The lack of aliens was a wise decision not just for storytelling but also to keep the budget down. But a few too many scenes look barren, or just lacking something, and this is where it does not quite hit the mark. Faulting a film for its budget may be unfair, but sadly that was the loose link.
This is still worth checking out if you enjoyed "Pontypool". And, by the way, if you have not seen "Pontypool", go out of your way to track down a copy now. One of the best horror films of the last decade in any country, hands down.
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Dettagli
- Tempo di esecuzione1 ora 22 minuti
- Colore
- Proporzioni
- 1.85 : 1
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