Un semianalfabeta e solitario lega con una donna molto più anziana e colta.Un semianalfabeta e solitario lega con una donna molto più anziana e colta.Un semianalfabeta e solitario lega con una donna molto più anziana e colta.
- Premi
- 1 vittoria
Foto
- Une cliente au marché
- (as Sylvia Allegre)
Trama
Lo sapevi?
- QuizFrench visa # 123205.
- BlooperWhile Germain studies his dictionary, his cat lying on the table changes position instantly between several shots.
- Citazioni
Germain Chazes: It's not a typical love affair, but love and tenderness, both are there. Named after a daisy, she lived amongst words, surrounded by adjectives in green fields of verbs. Some force you yield to. But she, with soft art, passed through my hard shield and into my heart. Not always are love stories just made of love. Sometimes love is not named but it's love just the same. This is not a typical love affair I met her on a bench in my local square. She made a little stir, tiny like a bird with her gentle feathers. She was surrounded by words, some as common as myself. She gave me books, two or three Their pages have come alive for me. Don't die now, you've still got time, just wait It's not the hour, my little flower Give me some more of you. More of the life in you Wait Not always are stories just made of love Sometimes love is not named. But it's love just the same.
- Colonne sonoreLa Chanson de Germain
Music by Laurent Voulzy
Lyrics by Jean-Loup Dabadie
Performed by Gérard Depardieu
In perhaps a nod to Harold and Maude, Germain (Gerard Depardieu), a 50 year old non reader, meets in the park with 90 year old Margueritte (Gisele Casadesus), who initially reads to him from Camus' The Plague. As she awakens his interest in reading, his life changes, not the least of which is finding a loving mother figure for the abusive real one. Or maybe discovering Leonard Cohen's Suzanne.
So much more is layered in this romantic story: a Cheers-like café where love and disrespect, the two poles of sentiment in the film, play out in a way that exalts the affection even in the hardest of relationships; a traditional love affair for Germain with the younger Francine (Maurane) that may turn around the story's primary January-May motif but parallels it in the deeply loving relationship that seeks to perpetuate itself.
So much of My Afternoons is about renewal and rebirth, and so little is about death that the formula for too old to be young no longer applies. Nor does my expectation to be grossed out by Depardieu's enormous girth, a sad counterpoint to his dashing younger days. But wait, his weight is perfect for the role, his lines read with such understated beauty as to shout, "Where have you been, Gerard?" The bear-like man revealing a daisy-like affect is poetically perfect for the story.
If you expect the film to follow a formula, you will be correct, except maybe for the ending which confirms the motif of unnamed love conquering all. Actually, the film makes you cry for more of the odd-couple romantic formula.
As for the transforming power of books, Abe Lincoln had a witty take on the subject: "The things I want to know are in books; my best friend is the man who'll get me a book I ain't read." Change that to "woman" and you have My Afternoons with Margueritte.
- JohnDeSando
- 15 ott 2011
- Permalink
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Dettagli
Botteghino
- Lordo Stati Uniti e Canada
- 666.557 USD
- Fine settimana di apertura Stati Uniti e Canada
- 20.900 USD
- 18 set 2011
- Lordo in tutto il mondo
- 17.107.143 USD
- Tempo di esecuzione1 ora 22 minuti
- Colore
- Mix di suoni
- Proporzioni
- 2.35 : 1